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Tag: Steven Spielberg (31-40 of 50)

Can you spy Bruce Greenwood in 'Super 8'?

There are a lot of spoilers to preserve in J.J. Abrams’ Super 8, but I have no problem telling you that Bruce Greenwood plays the “monster” that escapes the train-wreck and turns an Ohio town upside down. This isn’t exactly a Kaiser Söze breach, since Greenwood, who starred as J.F.K. in Thirteen Days and worked with Abrams on Star Trek, contributed the performance-capture work for the scary creature. The only real trace of his involvement is in the closing credits, which list his name next to a character named Cooper. But as the Montreal Gazette writes, Cooper was what Abrams and the crew named their mysterious critter. (It might be another nod to the Spielberg mythos: recall that the unreliable shark in Jaws had a name too, Bruce.) OKAY, NOW THERE ARE SPOILERS AHEAD — READ ON AT YOUR OWN PERIL: READ FULL STORY

Who was the real Indiana Jones? -- EXCLUSIVE

Almost from the day Raiders of the Lost Ark premiered 30 years ago on June 12, 1981, fans have speculated about who the real-life model for Indiana Jones had been. While researching his forthcoming book, Turn Right at Machu Picchu: Rediscovering the Lost City One Step at a Time (June 30; Dutton) journalist Mark Adams (brother of EW editor Jason Adams) investigated the background of one of the prime suspects — a dashing young Yale history professor, Hiram Bingham III, who found the ruins of Machu Picchu nearly 100 years ago. Here is an exclusive excerpt from the book:  READ FULL STORY

This Week's Cover: J.J. Abrams and Steven Spielberg talk 'Super 8'

What happens when two of Hollywood’s most creative minds team up to make a movie? The answer is Super 8, written and directed by J.J. Abrams (Star Trek, Lost) and produced by Steven Spielberg (credits unnecessary, don’t you think?) opening in theaters on June 10. In the new issue of Entertainment Weekly, the two filmmakers come together at Abrams’ office in Santa Monica for a wide-ranging discussion about their recent collaboration and their surprisingly long history of working with each other. The relationship began nearly 30 years ago when Abrams — then a teenage wannabe filmmaker growing up geeky in Los Angeles, along with his best friend Matt Reeves (who co-created Felicity with Abrams and directed Cloverfield) — were hired to repair the 8mm Spielberg shot during his youth. “I remember working on this one film and getting to the credits where it said: ‘Written and directed by Steve Spielberg.’ Not ‘Steven.’ Steve Spielberg!” recalls Abrams. “I told Matt: I am totally going to cut one of these ‘Steve Spielberg’ frames out of this film and keep it for myself, but Matt talked me out of it.”

“People only called me Steven after my first screen credit,” replies Spielberg. “I prefer Steve, but those days are long gone.”  READ FULL STORY

Steven Spielberg talks about 'Jaws' -- the greatest summer movie ever made

When Steven Spielberg’s Jaws hit theaters back on June 20, 1975, the modern-day summer movie was born. One of the first films ever to be widely released on a large number of screens across the country on a single day, Spielberg’s sea-faring saga redefined what it meant to be a blockbuster. On top of all of that, Jaws also happened to be a rollicking, enjoyable, and insanely scary movie, mixing popcorn thrills and the kind of character development you tend to only see in Oscar-bait prestige films. In a new interview about Jaws with Ain’t It Cool News, Spielberg talked about his nerve-wracking months on the fictional Amity Island (actually Martha’s Vineyard), how he gathered his cast, and Robert Shaw’s infamous U.S.S. Indianapolis scene (oh, and a few words for the Indiana Jones and the Temple of Doom haters out there — hint: blame George Lucas). Here are some of the more excerptable excerpts. READ FULL STORY

'Saving Private Ryan': Has a movie ever sent you overseas?

When Saving Private Ryan came out in the summer of 1998, a few years after the 50th anniversary of the crucial D-Day landings in Normandy, France, the entire culture was soaking in Greatest Generation nostalgia that honored the humble folk who were raised during a Great Depression but answered the call to fight tyranny in order keep the world free.

The film was a paralyzing experience — from the harrowing assault on Omaha Beach to Tom Hanks’ Capt. Miller’s last gasping words to Matt Damon’s titular G.I. When I first saw the film, there were audible sobs from the audience beginning with the initial beach assault, but the film ended in absolute silence. When the lights came on, it became clear that no one had moved from their seat. READ FULL STORY

What is the most exciting new show of the fall season?

The fall television season is still months away, but excitement peaked this week, when the networks announced the shiny new shows that will replace last year’s dregs. Back are some of our favorite faces in new vehicles: Tim Allen in Last Man Standing, Christina Applegate and Will Arnett in Up All Night. There’s the Mad Men Effect (see: Pan Am, right, and The Playboy Club), and the Lost Effect (see: The River and Alcatraz). There’s the latest U.K. imports (see: Prime Suspect and Free Agents). And then there’s the Jurassic behemoth in the room, Steven Spielberg’s Terra Nova. READ FULL STORY

'Super 8' footage reminds me there are live-action movies starring kids that I can relate to

super-8

Last night, Paramount and director J.J. Abrams presented a 20-minute sneak peek at two scenes from Super 8 to a small audience in New York. They were centered around moments we’ve all seen in the trailer: A group of 14-year-olds (including Elle Fanning and newcomer Joel Courtney, pictured) shooting their own Super 8 movie by the railroad tracks when a train derails and an unseen “thing” escapes, and that “thing” starts terrorizing a gas station attendant. Abrams asked writers not to spoil anything, so we won’t talk specifics. But I think it’s fair to discuss the conversations being had as we all filed out of the theater. READ FULL STORY

Broadway's 'War Horse': The London hit (soon a Steven Spielberg movie) gets a Yankee makeover

War-HorseImage Credit: Simon AnnandPuppets are cool. Seven-foot-tall horse puppets made out of silk, cane, leather, and aluminum that you can actually ride are even cooler — like the ones in Lincoln Center Theater’s upcoming War Horse, a British drama about a farm boy and his steed Joey on the battlefield during World War I. Nothing like real stallions, they look more like equine exoskeletons poised around bits of netting, with shredded ribbons for tails and pointy ears. But once they move, powered by three puppeteers (two within the horse’s body, and one standing alongside its neck), you almost forget they’re fakes.  READ FULL STORY

Vanity Fair's Top 40 Hollywood earners include zero of this year's Oscar acting nominees: Are we surprised?

Johnny-Depp-CameronImage Credit: Michael Tullberg/Getty Images; Juan Naharro GimeneJames Cameron tops Vanity Fair‘s carefully calculated list of Hollywood’s Top 40 earners in 2010, with an estimated $257 million (all but $4 million of it tied to Avatar, and that does not include $50 million of Avatar money from 2009). Johnny Depp comes in at No. 2 with an estimated $100 million comprised primarily of his paychecks for Alice in Wonderland, the fourth Pirates of the Caribbean film, and The Tourist. Check out the full list – limited to creative types (stars, directors, and producers) and the money they earned from movies — and tell us what you find interesting. It’s not really a surprise — we all know Oscar noms don’t typically align with blockbusters — but none of this year’s Oscar acting nominees make the cut.

'Transformers 3,' 'Super 8,' 'Mission: Impossible 4,' and 'Tintin' are going IMAX. Which one will you most likely see on the big big screen?

transformers-3Paramount has officially super-sized four of its biggest 2011 movies. According to the Wall Street Journal, the studio has announced that it will release J.J. Abrams’ mysterious Super 8, Steven Spielberg’s hotly anticipated Tintin: The Secret of the Unicorn, Michael Bay’s lunar-tastic Transformers: Dark of the Moon, and the curiously punctuated Mission: Impossible — Ghost Protocol on IMAX screens. Director Brad Bird actually filmed some action scenes for M:I:GP using IMAX cameras, and both Transformers and Tintin will also be shown in 3-D. Now, this all sounds very exciting, but there’s no way your fragile eyes can handle all these ginormous action films. So tell us, PopWatchers: Out of these four Paramount IMAX releases, which one are you most likely to see on the big big big screen?

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