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Tag: Stanley Kubrick (1-6 of 6)

Entertainment Geekly: '2001' in 2014 -- reimagining Kubrick's classic via 'Interstellar'



A proto-human HOMINID kneels on the ground of the prehistoric Earth. Suddenly, a large shadow covers him. He looks up and sees a large rectangular MONOLITH.

A voiceover begins, British.

BRITISH VOICEOVER: The first recorded monolith appeared on Earth 4 million years ago, in the Pleistocene era.


The 'Interstellar' plot set to '2001: A Space Odyssey' actually makes sense


If someone has writen or spoken about Christopher Nolan’s Interstellar, there’s a good chance a mention of Stanley Kubrick’s seminal 2001: A Space Odyssey is not far off. CutPrintFilm took the allusion one step further and mashed up the two films to show, unsurprisingly, that they have quite a bit in common.


To 'Room 237' and Beyond: Exploring Stanley Kubrick's 'Shining' influence with Christopher Nolan, Edgar Wright, more


It was 45 years ago this weekend that Stanley Kubrick gave us 2001: A Space Odyssey, a vision of the future that still beckons, even if the title is out of date. Something similar can be said about the extraordinary artist who made the masterpiece. History tells us that Kubrick died in 1999 at the age of 70, but our current pop culture tells us that his singular genius remains relevant and challenging to those who make movies, those who consume movies, and those who write about movies for a living. We see homages to The Shining in NBC’s new horror drama Hannibal and to Dr. Strangelove in JJ Abrams’ forthcoming sci-fi adventure Star Trek Into Darkness. We see his influence on an array of filmmakers, including Christopher Nolan and Danny Boyle, who tells EW that his 1996 dark comedy Trainspotting about desperate, druggy British droogs was an attempt “to make a more accessible version of A Clockwork Orange.” Steven Spielberg — who has already expressed his intense Kubrickianism by taking on one of Kubrick’s legendary unmade/abandoned projects, A.I.: Artificial Intelligence (2001) — recently announced his intention to raise up another Kubrick orphan by producing a TV mini-series based on Kubrick’s screenplay about the life and times of Napoleon. “Stanley Kubrick,” a major exhibition exploring the filmmaker’s life and career, is currently enjoying a long, popular run at the Los Angeles County Museum of Art. In death as he did in life, Stanley Kubrick abides. For better…

And weirder. Now in select theaters (and slowly expanding nationwide): Room 237, an engrossing documentary about the richly odd legacy inspired by a horror movie now considered an all-timer, but which left critics more cold than chilled upon its release 33 years ago. Did you know that Stanley Kubrick shot The Shining to make a secret statement about the Holocaust? To cryptically confess his participation in a NASA conspiracy to produce fake film footage of the first moon landing? To slyly criticize American consumerism and superficial pop culture? But he did! The signs and symbols are there! It’s all true… according to a subculture of armchair semioticians and Kubrick aficionados who insist the cabin fever creepshow about a really bad husband, father, and writer driven to be worse by a haunted hotel is dense with hidden narratives. “The Shining presents itself like puzzle to be solved, albeit a puzzle missing a piece or two,” says Room 237 director Rodney Ascher. “It lodges in your mind like a pebble in your shoe and invites inquiry and obsession.”

Which is something you can say about almost any movie made by Kubrick, who specialized in thematically rich, intricately constructed, fascinating-frustrating elliptical cinema.  READ FULL STORY

Celebrate St. Patrick's Day without leaving your house with this 24-hour movie marathon!


Happy Saint Patrick’s Day! It’s a day of national Irish pride that also somehow gives people an excuse to vomit up their green beer by 10 a.m. If you’re looking to celebrate the Emerald Isle but don’t want to get stomach bile on your Adidas, here’s the alternative: Your four-leaf-clover wielding friends at EW have programmed a 24-hour movie marathon that will not only give you a full range of St. Paddy’s Day-related tie-ins, but also an excellent reason not to leave the house.

So stock up on snacks, grab some like-minded friends, and dive right in! The marathon begins at 10 p.m. on Saturday night and wraps up at 10 p.m. on Sunday night (just in time for a brand new episode of The Client List). Feel free to sneak in some e-mail checks and bathroom breaks in between titles, but no showering — though you’ll still smell better than the dude in the green Dr. Seuss hat double-fisting fifths of Jameson.

All of the films below are available via Netflix or iTunes, for your convenience. Away we go! READ FULL STORY

Classic film posters, 'Toy Story'-style

You’re a film buff, right? Of course you are. But come on, you liked Toy Story. In fact, you loved it. Well, now there’s a chance for your childlike sense of wonder to bump shoulders with your cinephilia.

Graphic designer Jim Tuckwell, who lovingly calls himself a “whore of the arts and digital mercenary,” is the brains behind these pop culture gems. The posters take three classic movies – Stanley Kubrick’s 2001: A Space Odyssey, Oliver Stone’s Platoon, and Quentin Tarantino’s Reservoir Dogs – and give them a Toy Story spin. Now, Keir Dullea’s look of numinous awe from the cover of 2001 is transposed to Buzz Lightyear. Who would have thought that an action figure was capable of such fear and reverence? See the poster below!


Fan releases Stanley Kubrick 'One-Point Perspective' supercut

American auteur director Stanley Kubrick, who helmed such films as 2001: A Space Odyssey, A Clockwork Orange, and Full Metal Jacket, is legendary among cinephiles for his unique, obsessively symmetrical imagery. And now, a fan has paid homage to the late icon’s visual style with a new supercut on Vimeo. The title,  “Kubrick: One-Point Perspective,” refers to the graphic terminology for a vanishing point that directly faces the viewer. One-point perspective, normally applied to painting and architecture, is a technique with which Kubrick was intimately familiar: he worked for years as a photographer for Look magazine before transitioning to filmmaking, and he famously modeled shots from the period piece Barry Lyndon on 18th-century paintings by artists like William Hogarth. The video sets a series of clips from Kubrick films to a rousing version of “Lux Aeterna” (best known to movie fans as the theme song from Darren Aaronofsky’s Requiem for a Dream), which captures the drama and intensity of many of the scenes depicted. Watch it below.


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