It’s not an easy thing, to finish a movie without one of your lead actors. When Heath Ledger died midway through filming The Imaginarium of Doctor Parnassus, director Terry Gilliam seized on the film’s magical-real aesthetic and finished off the movie with Colin Farrell and Johnny Depp fake-Shemping Ledger. When Oliver Reed died before filming key scenes in Gladiator, Ridley Scott pasted Reed’s head onto a body double using digital effects. It’s a tricky thing, morbid and money-grubbing but also well-intentioned and even a little sacred. You want to honor the dead actor’s final work; but you also want to finish your movie. River Phoenix and Marilyn Monroe died too early to salvage Dark Blood or Something’s Got to Give; a tragedy for many reasons, not least because they both looked much better than The Imaginarium of Doctor Parnassus. READ FULL STORY
Tag: So Fast! So Furious! (1-10 of 10)
Fresh off the one-two box office success of The Conjuring and Insidious: Chapter 2, director James Wan is hard at work on a movie that will presumably feature significantly less ghosts, unless it turns out that The Rock’s triceps are haunted. Fast & Furious 7 is currently filming towards a summer 2014 release date. The last film ended with a mid-credits teaser introducing new villain Jason Statham. Little is known about Statham’s character, Ian Shaw, beyond the fact that he is the brother of Fast 6 baddie Owen Shaw. But in a new picture posted to Twitter, Wan offers a window into the new baddie’s soul: READ FULL STORY
Fast & Furious 7 has already added several new faces to the crash-happy franchise, including Kurt Russell, Djimon Hounsou, Tony Jaa, and probably several hundred cars that will soon meet their destruction in a metropolitan fireball of automotive calamity. But the series isn’t forgetting its roots: EW has confirmed that Lucas Black — who memorably essayed the part of White Dude in The Fast and the Furious: Tokyo Drift — will return for Fast & Furious 7.
Deadline originally reported that Black’s deal is actually for the next three Fasts, which implies that the franchise is world-building towards a genuine trilogy — a three-film saga that can only end with a race across a melting glacier and/or an exploding volcano. READ FULL STORY
Social media pioneer and human bicep Vin Diesel just started filming the next Fast & Furious movie. We know this is true because he posted a picture from the set on his Facebook page. The photo shows Diesel as Dominic Toretto, towering over the camera; although he is wearing a leather jacket, we can surmise that he is wearing one of his trademark black tank tops. Paul Walker is there too, wearing Brian O’Conner’s trademark three-sizes-too-large T-Shirt.
There’s also a young lady who looks unconscious/drugged/dead, and a pretty pond; also, both Diesel and Walker are looking at someone offscreen. With these few bits of information, and because there’s nothing else to do today besides cry about Breaking Bad, let’s try to construct the scene they’re filming as written in the original screenplay: READ FULL STORY
Vin Diesel has been teasing a role in an upcoming Marvel movie for a long time now. Just today, he all-but-confirmed to EW the rumors that he was voicing a character in one of the superhero-studio’s movies — probably Guardians of the Galaxy, probably Groot. This may be surprising, but it’s actually simply the next phase in an ongoing evolutionary process that dates back to the dawn of the new century. You see, way back in
2000 2001, Vin Diesel headlined The Fast and the Furious, a movie about fast cars and the furious people who drive fastly. Diesel left; in respone, the franchise replaced him with Tyrese Gibson (2 Fast 2 Furious) and the island nation of Japan (Tokyo Drift.) READ FULL STORY
Some franchises add numbers to their sequel titles. Think Spider-Man 2 or Iron Man 3 or Final Destination 5. Other franchises opt for more eccentric, colonized sequel-subtitles, like Pirates of the Caribbean: At World’s End or Thor: The Dark World or the inadvertently flipped The Lost World: Jurassic Park. Sometimes franchises get particularly fanciful with how they incorporate the original film’s title: Die Hard beget Die Hard With a Vengeance, Live Free or Die Hard, and A Good Day to Die Hard, titles which are uniformly better than their movies. But if a franchise is especially cool, they’ll just avoid the original title all together. We’re talking The Dark Knight, or The Road Warrior, or The Empire Strikes Back, which is what the second Star Wars movie was called before it was retitled Star Wars:
Episode II Episode V — The Empire Strikes Back (Special Edition).
Then there’s the Fast & Furious franchise. READ FULL STORY
'Fast & Furious': Which characters should return to the franchise? And which actors would you add in?
The first three films in the Fast & Furious franchise had almost nothing to do with each other. Cars were driven quickly, usually by radically different groups of people. In a weird twist, the next three Fast movies suddenly became rigidly focused on continuity, uniting the disparate Fast casts into a big old-fashioned Super Adventure Squad. At the same time, the franchise also added in Dwayne Johnson (a.k.a. The Rock), who brought his own action-star flavor to the series. Well, the conclusion of Fast & Furious 6 – SPOILER ALERT, natch – features the franchise’s neatest continuity trick yet, while also introducing a brand new action star to the Fastology. READ FULL STORY
The day was June 22, 2001. George W. Bush was midway through the first year of his presidency. TNT had just reinvented itself with the slogan “We Know Drama.” Annoying suburban children across this country were thrilling to the pop-punk sounds of Blink-182’s latest album Take Off Your Pants and Jacket. And a movie called The Fast and the Furious was hitting theaters, opening the same weekend as Dr. Dolittle 2. It was teen-dreamboat Paul Walker’s first starring role. It more or less invented the idea of Vin Diesel, Action Star. And it launched one of the most surprising and durable franchises in modern Hollywood — which looks poised to have its biggest moment yet with Fast & Furious 6, opening Memorial Day. READ FULL STORY
Day 8 of the Olympics was a bittersweet affair. Michael Phelps and his fellow Team USA swimmers butterflied, backstroked, breaststroked, and freestyled their way to another gold, in the 4×100 medley relay. But as stirring a victory as it was, there was an undeniable whiff of sadness at the thought that it would be the last time we’ll ever see Phelps in an Olympic race.
There are so many reasons to appreciate what the Baltimore Bullet has done for the sport: the unmatchable 22 medals, the fact that he’s pretty much single-handedly inspired a whole generation (hello, Chad le Clos!) to take to the pool. But his greatest legacy for a nation of sports fans, and pop culture junkies, is that he turned swimming into appointment TV. That’s something that hadn’t happened since the heyday of Mark Spitz, if even then. Every race Phelps swam was a must-watch event. I’ll never forget the exhilaration I felt at his 0.01-second victory in the 100 meter butterfly in Beijing, one of the truly unifying “Did you see it?” moments in recent sports history — really, recent TV history. Swimming needed its own Michael Jordan, Wayne Gretzky, Tiger Woods, or Lance Armstrong, and Phelps delivered the goods in spectacular fashion. So it’s only natural that after his retirement at the very top of the game we’re all feeling today a little like…what now?
Luckily, Day 8 was packed with enough excitement to keep that melancholy at bay for as long as possible. Even before NBC’s primetime coverage got underway the day had been packed with citius, altius, fortius delights. READ FULL STORY
If franchises were baseball teams, then The Fast and the Furious would be the Oakland Athletics. As recounted in last year’s Moneyball, the A’s could never afford to pay superstar salaries. So, using a system known as sabermetrics, they put together a ragtag band of players: aging players who could make base hits, rookies who could read pitches, journeyman has-beens with the uncanny ability to just keep getting on base. None of these dudes was a star. But together, they made a franchise. READ FULL STORY
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