With separate categories for drama and comedy or musical, the Golden Globes won’t exactly predict how much Oscar competition Les Miserables‘ Hugh Jackman is for Lincoln‘s Daniel Day-Lewis, but look on the bright side: We have an interesting acceptance speech to look forward to if the Best Director award goes to one of the Oscar-snubbed — Argo‘s Ben Affleck, Zero Dark Thirty‘s Kathryn Bigelow, or Django Unchained‘s Quentin Tarantino. Who will win in the Globes’ 14 movie categories? Let’s take it to a vote below. Remember, this is who you think will win, not necessarily who you think should win. READ FULL STORY
Tag: Skyfall (1-10 of 18)
The Superhero Delusion: How Superhero Movies created the Sad Perfect Badass Messiah, and what that says about America
Imagine a world where everyone is a superhero. Would you like to live there? Do you think it would be better than our own world? Or would it be worse? This is an important question, because judging by the most successful movies made in 2012, our country — and our world — really likes superheroes. We all know that the two highest-grossing films of 2012 were about superheroes – The Avengers and The Dark Knight Rises. The third major superhero movie released last summer was, The Amazing Spider-Man, which earned $262 million domestically. It was the sixth-highest-grossing movie of the year in American theaters. We tend to lump these movies together because they are all about costumed codenamed characters who originated in comic books. They are Superhero Movies. READ FULL STORY
This Thanksgiving, I’m thankful for Downton Abbey‘s imminent return to television in the States. Yes, Jan. 6 is still a few weeks away, but I can’t wait to see whether Matthew (Dan Stevens) and Mary (Michelle Dockery) actually walk down the aisle — they really need to, I couldn’t take another breakup — and what brand of American sass Shirley MacLaine brings with her across the pond. Plus, on a more sappy note, the series spawned a regular Sunday night Masterpiece viewing/wine-drinking party with a group of friends that is priceless to me.
I’ve also polled my EW colleagues to ask what they are most grateful for pop culture wise this turkey day. See what they said below!
[SPOILER ALERT IF YOU HAVEN’T SEEN SKYFALL]
The answer is Yes…at least in my opinion. Now, I really enjoyed Skyfall — don’t get me wrong. It’s the most beautiful Bond movie I’ve ever seen and I always enjoy a villain who wears linen. But the last half-hour with Bond (Daniel Craig) fending off breathable fabric-lover Silva (Javier Bardem) and his gang of baddies with booby traps in his dilapidated childhood home was basically a combo of Home Alone and Home Alone 2.
Think about it—Bond rigs his house with loose floor boards and explosives; light sockets that explode with nails. All that’s missing is the dapper secret agent using a tarantula to freak the evil guys. Also, Judi Dench is just a few dirt smudges away from being the bird lady in Home Alone 2 and Albert Finney is totally giving Home Alone Old Man with the Shovel vibes. Frankly, I’m surprised there wasn’t a scene where Old Judes and Albie rode down the stairs in a sled.
I guess my big issue with this climax is that I love Bond movies for the gadgets and gizmos. I don’t really wanna see 007 being low-tech and running around with a sawed off shotgun—Bruce Willis’ John McClane can do that just fine.
What do you think, PopWatchers?
Follow Tim on Twitter: @EWTimStack
Sullied by generic gun-play, substandard stealth mechanics, and an unconvincing narrative trick tying together six different Bond films, last month’s 007 Legends served as a lackluster lead-in to Daniel Craig’s third blockbuster turn as the British secret agent. This double-0 disappointment had a potential silver lining, however, in its sixth and final mission, based on Skyfall.
In an effort to avoid spoilers, Activision released the bonus Skyfall content on the PlayStation Network alongside the film (360 and PC versions land on Nov. 20.) The add-on mission is free-to-play for those who’ve already purchased Legends, but even that appealing price tag can’t overshadow the fact that it suffers from most of the same problems as the rest of the game. READ FULL STORY
For your consideration: Javier Bardem for Best Supporting Actor, Skyfall.
Silva, the latest Bond film’s sexually ambiguous cyberterrorist, would be a punchline in any other actor’s hands. Instead, Bardem brings an improbable blend of over-the-top flamboyance and restrained calculation to his character. It’s the sort of cinematic tour de force that we’ve seen before not only from Bardem himself (in his Oscar-winning 2007 role as No Country for Old Men‘s amoral assassin Anton Chigurh), but also in a select few actors who have managed to take commercial villainy all the way to Hollywood’s biggest night.
Whenever a new James Bond movie hits theaters, it’s an opportunity to bring up one of the greatest questions in the history of popular cinema: Which film about the dapper British superspy is the very best film. Which leads to a natural follow-up question: Which one is the worst? I grew up in a solidly pro-Connery household, and my personal favorite is the film that initially ended Connery’s run with the character: You Only Live Twice. After starting off with one of the series’ best openings (Bond gets killed!) and my personal favorite Bond theme song (sung by Nancy Sinatra and recently sampled to great effect on Mad Men), Twice turns into the adventure every 12-year-old boy dreams of taking. There’s the fake-lake missile silo, and a helicopter fight, and freaking ninjas. Even more than most of Connery’s films, Twice is ludicrously un-PC, but it does feature one of Bond’s best sidekicks: Tiger Tanaka. Conversely, my pick for worst would be The World is Not Enough. (Denise Richards is the best thing about that movie. And she’s terrible.) READ FULL STORY
Daniel Craig on playing 007: 'I've been trying to get out of this from the very moment I got into it'
Skyfall, the 23rd official James Bond adventure that opens today, has already been crowned one of the best Bonds ever, recapturing the critical goodwill that Daniel Craig helped establish in 2006’s Casino Royale. The new film has opened in several countries already and earned more than $320 million, a pace that should eventually help it become the franchise’s highest-grosser ever. Yet after three undeniably successful films — Quantum of Solace grossed $586 million worldwide — Craig seems to have entered that phase that all-Bond actors eventually discover: ambivalence.
The 44-year-old actor told Rolling Stone magazine in its November cover story that the thrill that comes with a license to kill is gone. Or never was there to begin with. “I’ve been trying to get out of this from the very moment I got into it,” Craig said, “but they won’t let me go, and I’ve agreed to do a couple more, but let’s see how this one does, because business is business and if the sh– goes down, I’ve got a contract that somebody will happily wipe their ass with.” READ FULL STORY
So much for getting any work done today.
To commemorate the 50th anniversary of the James Bond movie franchise, not to mention the release of Skyfall tomorrow, the folks at Eon Productions have stitched together all 22 movies featuring Agent 007 into one single omnibus James Bond movie. (Sorry Never Say Never Again fans, wherever you are — it didn’t make the cut.) More intriguing still, this super-Bond film was constructed in chronological order, with the opening sequence from 1962’s Dr. No, followed by roughly the fifth through tenth minutes of 1963’s From Russia With Love, the tenth through fifteenth minutes of 1964’s Goldfinger, and so on up through the final five minutes from 2008’s Quantum of Solace.
It makes for a remarkably cohesive storytelling experience; Carey Lowell wondering where she’s going to get a small prop plane in 1989’s License to Kill, for example, segues perfectly into Pierce Brosnan flying a small prop plane in 1995’s GoldenEye. Whether that’s an indictment of the Bond formula, or a testimony to its resilience, I leave to you to decide.
Providing further evidence that the modern Catholic Church ain’t your mama’s Catholic Church, the Vatican’s film critic has written a full-throated support of Skyfall, praising the film’s “adrenalin pumping action, amazing hyper-realistic chases, exotic locations, extremely beautiful Bond girls, the usual super villain, and the essential vodka martini” — all things much enjoyed by the population of the Vatican. (They took a vow of chastity… but nothing wrong with a little window-shopping, amiright boys?)
But it’s not all fun and games: Vatican film critic Gaetano Vallini praises how in Skyfall, James Bond is “less attracted to the pleasures of life, darker and more introspective… more human, even able to be moved and to cry.” You could say that Bond is experiencing a crushing sensation of guilt, which makes it impossible for him to experience joy in a meaningful way. If only there could be a whole belief system built on all-encompassing guilt! READ FULL STORY
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