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The brotherhood of man — not to mention a squealing sisterhood of teenage girls — turned out in force for Darren Criss on Broadway. In his third and final week starring in the musical How to Succeed in Business Without Really Trying, the Glee star again proved himself a remarkable box office draw. Aside from Daniel Radcliffe’s final week in the show, an anomalous nine-show week that grossed $1.9 million, the revival had the three most lucrative weeks of its 11-month run with Criss in the leading role. For the last three weeks, How to Succeed took in more than $1.3 million per week — just over $4 million total — a figure that was consistently at or near the production’s potential gross. And there was only a modest dip of nearly $12,000 in Criss’ final week, which suggests that the small-screen Warbler may be able to sustain a longer Broadway run should producers want him to return during his summer hiatus from Glee — assuming Ryan Murphy & Co. will let him skip the expected Glee summer concert tour. (Nick Jonas, who begins performances tomorrow as corporate-ladder climber J. Pierrepont Finch, is contracted through July 1.)

As expected, overall Broadway box office was down for the week — and is likely to dip further as shows like Chinglish, Relatively Speaking, and On a Clear Day You Can See Forever play their final performances this Sunday. One promising newcomer is Porgy and Bess — excuse me, The Gershwins’ Porgy and Bess — which is showing early signs of being a hit. In its first full week since its Jan. 12 opening, the Audra McDonald-led revival played to 87 percent capacity and grossed a strong $878,000, about three-quarters of its potential gross in the Richard Rodgers Theatre.

Turns out Darren Criss may be a bigger Broadway draw than Daniel Radcliffe. In its first week with the 24-year-old Glee star, How to Succeed in Business Without Really Trying raked in nearly $1.4 million at the box office. That’s a dip from Radcliffe’s final week in the hit musical revival (when the show grossed $1.9 million in an unusual nine-performance week), but it outpaces any previous eight-show week when the Harry Potter star appeared. All week, Criss managed to filled 99.8 percent of the seats at the Al Hirschfeld Theatre and kept NYC police busy controlling crowds outside the stage door. (The producers must be wishing he could stay in the show beyond his Jan. 22 cutoff.) Overall, How to Succeed was the fifth biggest draw on Broadway for the week ending Jan. 8, behind such usual suspects as The Lion King ($1.87 million), Wicked ($1.85 million), Spider-Man Turn Off the Dark ($1.72 million), and The Book of Mormon ($1.43 million).

Meanwhile, several of this season’s newer shows continue to struggle. The lost-in-translation comedy Chinglish filled just 34 percent of its seats and grossed a measly $197,148. The Alicia Keys-backed dramedy Stick Fly, which mysteriously announced today it will sell tickets through April “by popular demand,” grossed $252,000 — less than 32 percent of its potential earnings. Lysistrata Jones and Relatively Speaking, which last week announced plans to close, also saw expected post-holiday drops in box office.

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