Given the news that Gilmore Girls is coming to Netflix in October, you might be tempted to spend the entire month binging on that. We wouldn’t blame you, but there are some other exciting editions coming to the site this month if you want to take a break from Stars Hollow. READ FULL STORY
Tag: Django Unchained (1-10 of 30)
Dynamite and DC Entertainment, two comic book publishers, announced that they’re collaborating on a Django/Zorro crossover series, co-plotted by Quentin Tarantino and following the events of Django Unchained.
Matt Wagner, who wrote the comic book series Zorro (2008-2010) and Zorro Rides Again (2011-2012), will be co-plotting the story and coming up with the final script. “I’m very very excited about both this story and the opportunity to work with Matt,” Tarantino said in the press release. “It was reading his Zorro stories that convinced me what a good idea it was to join these two icons together.”
Soon after Django Unchained was released in theaters in 2012, Vertigo, an imprint of DC, produced a comic book series adapting the movie’s screenplay (including scenes that didn’t make the final cut), but Tarantino wasn’t directly involved with the project. Tarantino’s movies are famously stylized, often using visual and storytelling cues taken from comic books — but this will mark Tarantino’s first foray into comics themselves. READ FULL STORY
Django Unchained may have hit theaters in 2012, but that doesn’t mean Quentin Tarantino is done tinkering with it.
The director told an audience at the Cannes Film Festival on Friday that he would like to re-edit the Oscar-winning Western as a miniseries.
“I have about 90 minutes’ worth of material with Django,” Tarantino said, according to USA Today. “It hasn’t been seen. My idea, frankly, is to cut together a four-hour version of Django Unchained.”
The theatrical version of the exploitation comedy ran 2 hours and 45 minutes. A straight, four-hour film, however, would be too unwieldy, he admits. “People roll their eyes at a four-hour movie. But a four-hour miniseries, that they like. Then they are dying to watch all four parts,” he said. READ FULL STORY
With only 55 hours until the 84th annual Academy Awards, there is a subtle shift that takes place where the event suddenly becomes less about the movies we’re supposed to be celebrating and more about the television show itself. Who’s presenting? How will Seth MacFarlane be received? Will Sean Connery be part of the James Bond tribute? Who will be bleeped for profanity?
For months, I’ve debated the merits of the top films, and my choices for the major awards have been etched in cement that dried long before the Golden Globes were even handed out. Lincoln was and is my favorite (this Oscars is as close as I’ll ever come to voting the straight Republican ticket), but now, I find myself pulled in a different direction. The question isn’t necessarily, “Who deserves to win?” but rather, “Whose victory and subsequent acceptance speech will make for the best television?” As someone who’s watched every Oscar ceremony on television since 1983 — I was a disappointed Right Stuff guy then, even though I’d yet to see it or any of its rival Best Picture nominees that year — I am not immune from these forces.
Click below for my list of who I want to see win the major categories, ignoring the actual on-screen performances and based purely on my existence as a couch-potato and Oscar broadcast nerd. These aren’t the selections to refer to when you’re filling out your Oscar pool, but don’t be surprised if they correspond with ABC’s hopes and dreams. READ FULL STORY
We know that Jimmy Fallon and the Roots are the kings of producing fun hip-hop and rap songs about pop culture. See here with Obama, here for the “History of Rap,” and here for a collection of TV theme songs.
Therefore, when an audience member asked Fallon to have someone catch him up, through a rap song, on the Oscar-nominated films, we knew it was going to be epic. Tariq ‘Black Thought’ Trotter took on the duties and completely killed it.
Props to Tariq for realizing that Fandango rhymes perfectly with Django and for pronouncing Quvenzhané flawlessly.
Watch the full clip below: READ FULL STORY
Do you hear the people 'Like'?: 'Les Misérables' and 'Django Unchained' come out on top in Facebook pre-Oscar data
Les Misérables has a heart full of likes on Facebook. (We can keep these puns coming all day.) The Tom Hooper movie has the most Facebook fans of any best picture nominee with 1.2 million, followed by Django Unchained with 723,000.
Oscar predictions are all about compiling data (and also who gave the best performance and deserves the award most and stuff like that), but even though Les Misérables has fans on Facebook (and here), it still has only 50/1 odds of winning Best Picture, according to Las Vegas Sports Betting. READ FULL STORY
'Saturday Night Live' Recap: Christoph Waltz had our curiosity, played it straight, and now we just want to see 'DJesus Uncrossed'
If I could think of a good symbol to describe Christoph Waltz hosting Saturday Night Live it would be: an amusement park. The lines for the rides are the time you spent in anticipation after hearing Waltz was going to be the host. The sketches are the rides. Even though most get you excited, a few have you saying “meh.” Still, after you leave you remember the experience fondly.
Okay, so maybe I’m not as good as Waltz at turning what I say into an elaborate metaphor. I still kind of wish they’d poked a little fun at the format of most of his awards speeches (however charming they may be).
While Waltz never played a completely out-of-left-field character, he did a nice job. He played the straight man in most sketches, but he wasn’t afraid to dance around a bit when the occasion called for it. He was endearing if maybe a little awkward, a true professional, not an obvious cue card reader, and (importantly) articulate and clear (except for maybe in that last sketch).
The last time SNL welcomed a critically beloved, heavily-accented host, the resulting show was a pleasant surprise — Sofia Vergara presided over one of season 37′s better episodes. Given his amusing promos, recent goofy turns on Jimmy Kimmel Live! and “Between Two Ferns,” and excellent, Tarantino-honed timing, Christoph Waltz seems likely to repeat Vergara’s feat.
Sure, Waltz isn’t known primarily as a comedic force. And other Serious Actors, like Daniel Craig and Jeremy Renner, have fallen short as hosts this season.
Even so, something about Waltz just screams “old-fashioned showman,” and that alone is enough to make him seem like a natural for the SNL stage. After all, he’s proven himself adept at finding the dark humor within both a charming, ruthless Nazi colonel and a charming, ruthless bounty hunter in his two most famous big-screen roles. Additionally, Waltz seems like the type of actor who will fully commit to whatever material he’s given, which is an essential quality for any good SNL host; if Justin Bieber had pushed himself even a little harder, last week’s episode might not have been so dull. As long as Waltz isn’t cast as a psychopathic gentleman in every single sketch, his first outing as host should be a bingo. (Is that the way you say it?)
The art of seduction isn’t hard to master — as long as you’re a handsome, cultured, multilingual Oscar winner like Christoph Waltz. But thanks to the actor’s new (fake) guide to pickup artistry, even regular, American-accented Joe Hamburgers can learn how to seduce and destroy like ladies’ man Waltz.
The method is a simple three-pronged plan, easily absorbed by buying Waltz’s 30-DVD, nine-book course (also comes with a bottle of the Django Unchained star’s own pit sweat; only €69, or $91.95!). Of course, you could also just skip all that and get your Valentine’s Day started right by watching the video below.
There may be gushing fountains of blood on Saturday Night Live this weekend, especially if the show presents a Django Unchained parody in honor of host Christoph Waltz — but ultra-violent images are nowhere to be found in Waltz’s recently released promos.
In lieu of mass murder, Waltz contents himself with threatening his glasses twin Fred Armisen, freaking out about how unprepared SNL is for this week’s show — an encouraging sign — and watching Armisen amuse himself on an electric lift. There’s absolutely no reason to hide your eyes, unless gentle hijinks terrify you. Watch below:
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