After last appearing on Broadway in a revival of David Mamet’s Glengarry Glen Ross, Al Pacino is headed back to the Great White Way in a new work from the playwright. READ FULL STORY
Tag: David Mamet (1-6 of 6)
It’s a bleak week on the Great White Way, with final curtains announced for three new fall shows. The musical Chaplin will shuffle-step off Broadway on Jan. 6 after a four-month run of 24 previews and 136 regular performances. Producers are still planning to mount a national tour of the show in 2014 in hopes of recouping their investment. The show about the silent-screen star opened to tepid reviews, including a C+ from EW, and struggled to attract an audience. For the week ending Dec. 1, it earned just $354,820 or roughly 38 percent of its potential gross, according to figures from the Broadway League.
Stereotypes being what they are, when a Pulitzer-Prize winning and Oscar- and Tony-nominated writer tackles American electoral politics with his sharp pen, you typically expect to read an essay espousing liberal virtue. Not so with David Mamet. In an op-ed titled “A note to a stiff-necked people” that was recently published in the Los Angeles-based Jewish Journal, the writer of Glengarry Glen Ross, Speed-the-Plow, and The Verdict took fellow Jews to task for supporting Barack Obama. In a series of questions directed at the reliably liberal demographic, Mamet asks if Jewish-Americans are prepared to explain to their children how Obama’s policies will adversely impact them in the future: “Will you explain that whatever their personal beliefs, tax-funded institutions will require them to imbibe and repeat the slogans of the left, and that, should they differ, they cannot have a career in education, medicine, or television unless they keep their mouths shut?”
In the end, he reminds readers that despite what they’ve said to liberal-leaning friends about the presidential race — or felt compelled to say — our secret ballot allows us all to vote our conscience without retribution: “Should you, on reflection, vote in secret for a candidate you would not endorse in public, you will not be alone.” READ FULL STORY
Winter is coming to Broadway. And so is Emilia Clarke, the Khaleesi from HBO’s Game of Thrones, who will play Holly Golightly in a new adaptation of Truman Capote’s Breakfast at Tiffany’s by Richard Greenberg (Take Me Out), opening this spring.
In addition, Tom Hanks confirmed that he’ll make his long-overdue Broadway debut this season as the late tabloid columnist Mike McAlary in Lucky Guy, a new play by Nora Ephron (who died of leukemia in June).
Also booked for the Great White Way this spring: Eric Coble’s new comedy The Velocity of Autumn, starring Estelle Parsons as an 80-year-old who locks herself into her Brooklyn brownstone with a pile of Molotov cocktails to resist her family’s attempt to move her into a nursing home. (The 84-year-old actress, now appearing in the musical Nice Work If You Can Get Is, has been a firecracker on stage for years — I can’t wait to see her armed with the real thing.)
Of course, the biggest star heading to the stage may be a certain classic primate with sights on Melbourne’s Regent Theatre in June: This week, producers announced plans for a very large-scale King Kong musical, with a book by Craig Lucas (Light in the Piazza) and a rock score featuring tunes from Sarah McLachlan, Justice, Massive Attack’s Robert del Naja, and the Avalanches’ Guy Garvey. After the jump, check out EW’s take on the week’s biggest new openings in New York and Los Angeles. READ FULL STORY
Let’s face it: There are a whole lot of new stage productions opening in New York City this fall. Some shows boast legendary veterans like Al Pacino (left) and Sigourney Weaver. Others promise young stars like Jessica Chastain and Jake Gyllenhaal. For still others, the title alone (a 50th anniversary revival of Who’s Afraid of Virginia Woolf?, anyone?) may be the biggest draw. Here are the 10 that have us most eager to line up for tickets.
(Broadway) This tale of the world’s most optimistic orphan girl searching for a family is one of our greatest musicals. Its music is iconic (“It’s a Hard Knock Life,” “Tomorrow”), and the rags-to-riches story of its endearing protagonist (played by newcomer Lilla Crawford) has been warming hearts since it debuted in 1977 and won seven Tonys. In the hands of director James Lapine, who boasts three Tonys of his own, you can bet your bottom dollar it’ll be a hit. (Previews start Oct. 3; show opens Nov. 8)
David Mamet’s Pulitzer Prize-winning drama Glengarry Glen Ross will have at least one major name attached to it when the play returns to Broadway next season. According to The New York Times, Al Pacino is set to star in the revival of Mamet’s real estate shark tank saga, which last bowed on Broadway in 2005 and won the Tony Award for Best Revival of a Play.
This time around, Pacino is eyeing the role of former top-dog salesman Shelley “The Machine” Levene, which Jack Lemmon played in the 1992 film adaptation. Pacino appeared in the same film as hotshot “closer” Ricky Roma, a performance that earned the actor his seventh Academy Award nomination. Twenty years later, the role switcheroo is a natural fit, with the older Pacino leaving room for an eager new actor to play Roma on Broadway.
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