There’s nothing new under the sun — but somehow, these awesome properties have never been adapted for screens big or small. Psst, Hollywood: Let’s change that.
Once upon a time, the idea of studios making big-budget, mainstream fantasy movies — let alone TV series — seemed as unlikely as actually finding a hidden portal to Narnia.
Thankfully, the smashing success of both the Harry Potter films and the Lord of the Rings series changed all that in the early ’00s. Soon enough, the entertainment landscape was crowded with expensive, magically-laced epics, most of which were based on beloved fantasy book series. And though some (Game of Thrones) have been markedly more successful than others (The Golden Compass; The Seeker: The Dark Is Rising; too many more to list), the trend shows no signs of slowing down. This is especially true on TV, where fantasy has never been hotter; this fall’s schedule includes new series like Sleepy Hollow, Dracula, and Once Upon a Time in Wonderland alongside old favorites like Grimm.
For anyone who grew up devouring books about swords and spells, this looks like an embarrassment of riches. Yet I can’t help thinking that there’s still one resource screenwriters would be crazy to keep untapped: the young adult fantasy novels of Tamora Pierce, specifically her Song of the Lioness series.
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