These Oscars were unusually lacking in memorable reaction shots — perhaps Amy Adams’ quick iPhone-check sums up the whole show?
Below, my quick play-by-play of the Oscars’ (arguably) least significant details: READ FULL STORY
Amy Adams and Philip Seymour Hoffman shared the screen in Doubt, Charlie Wilson’s War, and The Master and shared a friendship off-screen. An episode of Inside the Actors Studio featuring Adams aired Wednesday night, but was taped only three days after Hoffman’s death.
Host James Lipton brought up Hoffman during the interview, which led to Adams turning to the audience and saying, “Gosh, I wish you all could get a chance to work with him. He was beautiful,” Adams said, “and he had this unique ability to see people. To really see them. Not look through them.” She later said, “I just really loved him, and I know so many people did.”
Zach Galifianakis’ interview series “Between Two Ferns” just got super-duper star-studded!
As you all eagerly await Oscar night, Galifianakis grabs the buzziest Oscar stars and asks the questions that would make Barbara Walters green with envy. Highlights: Anne Hathaway sings “Best Thing I Never Had” by Beyoncé, Jennifer Lawrence does not like getting played off, Christoph Waltz wants to avoid talking about his Mein Kampf tattoo, and Amy Adams says a pretty NSFW line with great conviction.
Watch the whole video here: READ FULL STORY
Most of the faces that appear in Time Magazine’s annual Great Performances package this year will be familiar to Oscar prognosticators — presumptive Best Supporting Actress winner Anne Hathaway is there, as is her greatest competition for the prize (Lincoln‘s Sally Field) and her Les Mis costar Hugh Jackman.
But the portfolio also highlights a few of last year’s less celebrated performers, including The Sessions‘s John Hawkes and Argo‘s John Goodman, who has somehow never been nominated for an Oscar. Youngest-ever Best Actress nominee Quvenzhané Wallis (Beasts of the Southern Wild), Django Unchained‘s Christoph Waltz, The Impossible‘s Naomi Watts, The Master‘s Amy Adams, and Zero Dark Thirty‘s Jessica Chastain also made the cut. Interestingly enough, five of the 10 performances on the list are characters based on real people, while the other five are fictional creations — though Adams’s character arguably occupies a space between those poles.
Check out highlights from Time‘s interviews with the selected few below.
Thought Matt Damon would be content with a simple guest appearance on Jimmy Kimmel Live? Think again.
After years of serving as the butt of Kimmel’s regular show-closing joke — “Apologies to Matt Damon; we ran out of time” — the Oscar winner got his revenge last night by seizing control of Live. Kimmel spent the entire episode taped to a chair with a tie stuffed in his mouth, watching helplessly as Damon taunted him, replaced his sidekick and his bandleader with Andy Garcia and Sheryl Crow — a definite case of trading up — and enlisted a bevy of other stars to assist in his takeover. From the show’s very first minutes, it was clear that this would be a night to remember:
SPOILER ALERT! If you’ve read Lisa Schwarzbaum’s review of Trouble With the Curve, you know she found it a tad predictable. And she’s right: We knew the nice kid was a big league pitcher in the making from the moment he threw those peanuts to the totally unlikable hot-shot hitter being scouted for the Braves by Clint Eastwood’s Gus. We knew Mickey (Amy Adams), Gus’ lawyer daughter who was along for the ride because her father’s eyesight is going, would eventually fall for Justin Timberlake’s Johnny, a pitcher once recruited by Gus who blew out his arm when he was traded to the Red Sox and then became a scout for them. We knew even though Gus told the Braves — and Johnny — not to select the hot-shot because he couldn’t hit a curve ball, the Sox would believe Johnny and pass on him and the Braves wouldn’t believe Gus and take him. We knew Johnny would get fired and end his budding romance with Mickey, thinking that she and Gus had planned to steal the No. 1 pick all along. We knew Mickey would, in the end, bring the nice kid for a tryout with the Braves and he’d strike out the hot-shot. We knew Mickey would quit her job at the boys’ club law firm that wouldn’t make her partner and become a sports agent — and get back together with Johnny (who’d be waiting by his car like he was Jake Ryan in Sixteen Candles, because what thirtysomething woman wouldn’t want that?). READ FULL STORY
The peculiar promotional campaign for Paul Thomas Anderson’s The Master took another freaky-cool step today with the release of yet another entrancingly weird clip from the film. Doubling as a promotion for a special charity screening of the film tonight at Chicago’s Music Box Theatre, the clip raises the curtain just a bit more on the methods of Philip Seymour Hoffman’s Lancaster Dodd. His faith-based group seizes the attention of Joaquin Phoenix’s Freddie Sutton, a WWII vet and lost soul who somehow seems both sweet and deeply creepy when talking with Dodd about the woman he’s most sweet on. Check it out below: READ FULL STORY
Despite reports that the first few preview performances of Into the Woods in Central Park were far from happily ever after, the Stephen Sondheim revival opened this week to generally mixed reviews (including a rave from EW’s Lisa Schwarzbaum for stars Amy Adams and Donna Murphy). It’s not the only fairytale story in the theater world this week: The musical version of the Will Ferrell movie Elf will return to Broadway after a one-year hiatus, and producers announced plans to bring Rodger and Hammerstein’s Cinderella (which the famed songwriting team wrote for television in 1957) to Broadway this spring. Tony-nominated Grease and Bonnie & Clyde star Laura Osnes will star as the glass-slippered heroine in a new production with an updated book by Douglas Carter Beane (The Little Dog Laughed).
Broadway also found an unlikely new star in the form of a boxer whom even caustic New York Post theater columnist Michael Riedel might not want to mess with. In its first week on Broadway, Mike Tyson’s one-man show Undisputed Truth earned nearly $625,000, an impressive 78 percent of the potential gross at the Longacre Theatre. (It even outgrossed long-running hits like Chicago, War Horse, and Rock of Ages.) Personally, I can’t wait for him to return to the stage. Perhaps the Public could build a revival of Julius Caesar around him. “Friends, Romans, Holyfields, lend me your ears…” READ FULL STORY
Since Into the Woods cast three-time Oscar nominee Amy Adams, who carved out space in a packed film schedule to play the Baker’s Wife, rumors have been swirling that it might live happily ever after on Broadway. It’s an obvious move: Stephen Sondheim’s musical is a longtime theater favorite that hasn’t been in NYC since 2000, and Timothy Sheader’s 2010 production, which the Public Theater is adapting for Shakespeare in the Park, has already won over critics in the U.K., where it picked up an Olivier Award for Best Revival.
Adams has at least four projects in the can right now, including Paul Thomas Anderson’s The Master and an untitled Spike Jonze film. So what are the odds she’ll stick with the show if it moves to Broadway? “I’d definitely consider it,” says Adams, who is featured this week in EW’s Best of Summer issue. “I just try to take it one day at a time. I literally have to take it hour-by-hour right now, I’m so busy. But yeah, I would definitely consider it. That would be amazing.”
Anything can happen in the woods, and Amy Adams will find out exactly what Stephen Sondheim’s lyrics mean when she leads the Public Theater’s Into the Woods cast in July, a rep for the actress confirmed to EW.
Amy Adams will play the Baker’s Wife, the role originated by Tony Award winner Joanna Gleason (also a redhead!), at the Delacorte Theatre in Central Park from July 23 to Aug. 25. Adams has a host of theater credits and has previously demonstrated her musical prowess in Enchanted and The Muppets. (That’s how we know she can carry a tune!)
Adams joins Jack Broderick (Narrator), Gideon Glick (Jack), Cooper Grodin (Rapunzel’s Prince), Ivan Hernandez (Cinderella’s Prince/Wolf), Tina Johnson (Granny), Josh Lamon (Steward), Jessie Mueller (Cinderella), Laura Shoop (Cinderella’s Mother) and Tess Soltau (Rapunzel). The actors playing the Baker and the Witch have not yet been announced. READ FULL STORY