The war over Ken Burns' 'The War'
Apr 9, 2007, 04:15 PM | by Simon Vozick-Levinson
Categories: Current Affairs, Television
Baseball nuts, jazz aficionados, Civil War connoisseurs — everyone loves Ken Burns and his magisterial PBS documentaries, right? Well, the Latino activists who are protesting Burns' latest project might beg to differ. They say that The War, Burns' upcoming 14-hour examination of World War II (due in September), lacks any representation of the Latino community's contributions to the war effort. Burns has replied that he "did not set out to exclude Latinos, or any other group" — but his representatives are reluctant to make time-consuming additions to a film which already took six years to assemble. PBS plans to propose possible solutions to the impasse this week. What should they do?
In my mind, at least, there's only one option: Burns has got to spend some more time researching the Latino WWII experience and add it to his film. This is really a win-win situation from his perspective. His reputation rests on the (correct) public perception that his films are thorough, definitive takes on their subjects. They're all sprawling and overstuffed with information — that's the appeal. So what if this one ends up at 15 or 16 hours instead of 14? It's not as if anyone watches Ken Burns films as quick, on-the-fly diversions anyway. They're the anti-YouTube. No one is accusing Burns of being a racist, since he's obviously not; this is a problem of honest oversight, human error, and more research will make the final product a richer viewing experience as well as a fairer historical document.
Not everyone agrees. The AP's reporter, for instance, asserts without citing a source that "[PBS] executives are loath to impose upon someone’s creative vision, particularly the system’s biggest star," asking, "If PBS changes a film because of one group’s complaint, what happens the next time?" Well, next time Burns can redouble his efforts to make sure he's not missing any important aspects of his story in the first place. Since his creative vision is fundamentally based on showing all sides of a historical event fairly, this won't be much of an imposition from an artistic standpoint. And if he does miss something through no fault of his own, he can listen attentively to the public's suggestions and make his work even fuller and better. Hasn't PBS heard? Viewer engagement with the entertainment industry is the wave of the future! (Maybe PBS documentaries shouldn't be the anti-YouTube after all.)
How about you, PopWatchers? Am I crazy to think it's worth waiting a few more months for a more complete and well-rounded version of Ken Burns' latest project?

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