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Bert from 'Sesame Street' reveals he's an 'Entourage' fan at Comic-Con

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Here’s a pleasant surprise: Bert, Cookie Monster, and Murray came to the EW Hideout at San Diego Comic-Con all the way from Sesame Street. They were pretty excited to be there, and really, really like comic books. Except for Bert. He’s into bottle caps.

Unfortunately, there’s no booth for that at the convention, but that’s okay—wait ’til you see how excited they all get when they find out there’s a Justice League movie.

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EW's Brave New Warriors Comic-Con panel: Stars share the complications of playing leading men

You have to be a pretty brave guy to battle a headless horsemen, or a bike gang, or Nazi Germany and the crazy crowds at Comic-Con. But on Friday afternoon at EW‘s Brave New Warriors panel, hosted by our very own Darren Franich, actors Freddie Highmore (Bates Motel), Jon Bernthal (Fury), Tom Mison (Sleepy Hollow), Theo Rossi (Sons of Anarchy) and Brenton Thwaites (The Giver) showed how tough it can be to be the tough guy in the spotlight. Here are the highlights:

• Highmore, Mison, and Thwaites are all playing characters with a storied history already documented in previous movies, TV and books, but had different opinions about how to approach the men they play. Thwaites, who took on the iconic role of Jonas in the film adaptation of Lois Lowry’s The Giver, had never read the book when he first received the script. As for the significant age difference between Thwaites himself and Jonas as written in the book: “I have to explain to people why I’m 25 and the kid is 12 and I can’t, I don’t know why!” Mison originally thought adapting the American literary classic Sleepy Hollow in a modern TV world was a terrible idea, while Highmore’s only concern was not messing up the Norman Bates legacy left by Anthony Perkins’ original performance in Psycho. 

• Though they are all new warriors, the five actors have all shared their time with some real screen legends. Bernthal confessed that it was always his dream to work with Robert De Niro, which came true when he played his son in Grudge Match. On the last day of filming, Bernthal tried to get up the nerve to tell De Niro how influential he was to him as an actor, and now as a man. De Niro’s response? “We do these things… and then they’re over.” Thwaites said that Jeff Bridges was just as nervous when filming for The Giver started, and Highmore said when he worked with Johnny Depp on Finding Neverland and Charlie and the Chocolate Factory, he was too young to even realize he was working alongside anyone special outside of those fantasy worlds.

• As for the much darker world he plays in now on Bates Motel, Highmore joked that he was happy he knew his character couldn’t get killed off the show and that he had a stable future. Conversely, he’s the one responsible for getting rid of other characters each week. “I don’t do it with glee though, they are all very lovely people,” he said, referring to his former cast mates.

• Mison must have been trying to prove his range as he consistently brought down the Comic-Con crowd with his jokes and English charm. “It’s nice after 10 years to finally be new,” Mison said, referring to working in America after years of success in the U.K. However, his anonymity has also given him a few laughs, like when in North Carolina (where Sleepy Hollow films), he overheard a couple of guys at a bar talking about the show, oblivious to the fact that the lead actor was sitting nearby listening. Luckily, they were saying positive things about the show. It wasn’t until Mison ordered a gin that they recognized his accent… and naturally paid for the drink. He also shared a story about getting cast in a French film after lying to the director, saying he was a fluent speaker. The sound guy quickly figured out the truth once filming started, and would whisper lines to Mison while pretending to fix his mic to help him out.

• Bernthal got to punch Jonah Hill in The Wolf of Wall Street, and though he would like the chance to sock him again, he doesn’t feel the need to fight anyone else onscreen. Maybe the fact that he has broken his nose 14 times in his career has something to do with it.

• Rossi said that Ron Perlman was the most intimidating person on set for Sons of Anarchy because “that’s Hellboy! No one else in the world looks like Ron Perlman.” Perlman was cast after the first pilot was shot and filmed, but once he and Rossi realized that they had similar upbringings in New York, the two became good friends.

For the first time, Thwaites talked about his upcoming film with Ewan McGregor, called Son of a Gun, about “a guy who goes to jail and meets this mentor [there]. My character gets out and runs a bunch of illegal errands for this guy and breaks him out for a gold heist.” Thwaites was cast exactly one year after he had watched McGregor in The Beginners and told a friend that he wanted to work with the actor within the next year.

• All of the men on the panel admitted their love for Game of Thrones, another Comic-Con staple that unfortunately had its panel going on at the same time. Mison jokingly apologized to the audience for attending their panel because they weren’t able to get into the other. Other TV loves? If Bernthal could be any other TV character, he’s choose Clare Danes in Homeland.

Stay tuned for EW’s all-access coverage of Comic-Con at EW.com/ComicCon.

Tina Fey and Rachel Dratch's 1999 stage show is as great as it sounds

One one side of Chicago’s Second City stage, Rachel Dratch performs a one-woman show about the 19th-century woman’s rights activist Edwina Garth Burnahm. On the other, Tina Fey monologues about her vagina. This might sound like a fever dream you had after binging on Cheesy Blasters, but it actually happened.

A 1999 video of the the pair recently surfaced online, and if that description of the first sketch isn’t enough to get you hooked, then you have no soul. They performed Dratch and Fey at Second City as well as the Upright Citizens Brigade in New York City. The show was directed by Jeff Richmond, who later married Fey. He also composed the music for 30 Rock.

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This map of the DC Comics multiverse will blow your mind

Grant Morrison has spent much of his career in comic books sketching out the farthest reaches of the comic cosmos, taking iconic characters like Batman and Superman far beyond our fragile borders of space and time. And the upcoming Multiversity takes Morrison’s fascination with alternate realities to its logical apex. Comprising six adventures set in different parallel universes—along with a two-part framing story and a guidebook to the DC Multiverse—it’s a trippy saga that features iconic variations on the major DC characters: a vampire Justice League, a fascist Superman, and (naturally) Dino-Cop. READ FULL STORY

'Fifty Shades' star Jamie Dornan was a better ladykiller in 'The Fall'

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So, you like to watch a handsome, shirtless Jamie Dornan do the whole torture thing? Well, then, we’ve got the perfect drama for you—and it’s not Fifty Shades of Grey.

If you want to see Dornan gag women, tie them up, bathe them by candlelight, and cause them grievous bodily harm, you’re better off watching the first season of the BBC’s gripping thriller The Fall. (Catch up on Netflix before season two airs. The trailer premiered yesterday, just in time for 50 Shades madness.) The Fall is a suspenseful and scary thriller, and, unlike Fifty Shades, it’s honest about the slippery entertainment appeal of violence against women.

Dornan plays Paul Spector, a doting father and loving husband who also happens to be a really hot serial killer. Where the 50 Shades trailer makes sadism look aspirational—just let him hurt you, ladies, and you can have it all, the Nicholas Sparks romance, the fashion-mag clothes, and rides in fancy, phallus-shaped planes!—The Fall shows that glamorizing male sexual power over women can also be dangerous. “I was at pains from the start to make sure that there was nothing gratuitous or exploitative in the drama,” its creator, Alan Cubitt, told the Guardian last year. “Sexual killers eroticize violence, power and death, so it’s a challenging line to walk.”

Half of The Fall‘s story is told from Paul’s point of view (we’ll get to the other half in a second), and he’s definitely a voyeur. (His last name, Spector, even hints that he likes to watch.) So it’s necessary that there’s an element of voyeurism in the way the show frames his murders: The victims are young, beautiful, and often left naked on their beds. Their deaths are gorgeously shot, with romantic lighting and tasteful make-up. Paul even bathes his victims and paints their nails before he leaves them. But this isn’t the straight-forward S&M glamor that 50 Shades trades in. It’s all part of the drama’s plan to implicate its viewers in the same objectification of women that excites Paul. And that’s a fair thing to do: Viewers are tuning in to watch a show about a literal lady-killer, aren’t they? READ FULL STORY

Adam West explains Batman's little-known connection to Josh Brolin

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While Batman’s future is on everyone’s mind at this year’s Comic-Con International, his past is getting its fair share of attention too. With the November 11th release date of the classic 1966 Batman television series on home video announced at this year’s convention, former Batman and current Mayor of Quahog Adam West came by the EW hideout to reminisce about the show, his co-workers, and Batman’s little-known connection to actor Josh Brolin. READ FULL STORY

Morgan Freeman inhales helium and chats with Jimmy Fallon

Morgan Freeman has made a career out of having all the answers. Whether he’s playing God or simply hosting his new science show, Through the Wormhole with Morgan Freeman, Freeman’s voice is the definitive voice of authority. In Lucy, Freeman even spouts incorrect science—but it’s easy to (almost) believe him.

Anyway, Jimmy Fallon had Freeman on Tonight on Thursday, and he decided it was time to take Freeman down a notch. He took out two helium-filled balloons and conducted an interview with Freeman without Freeman’s trademark voice.

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What you could do with 100 percent of your brain: A supercut

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Even though it makes up a major plot point (actually pretty much the plot) of Lucy, the myth that you only use 10 percent of your brain has been pretty thoroughly debunked.

But for whatever reason, mostly because Hollywood doesn’t really need to pay attention to science, this pseudo-science, with varying numbers tacked on, still appears throughout film and television. The possible outcomes of using the other 90 percent, however, differ between cases. There are the standard examples, like Lucy and Limitless, which promise intelligence-related superpowers. Others, like Seinfeld and Honey I Shrunk the Kids (the TV version, natch), just promise intelligence. And some, like My Stepmother Is An Alien and Flight of the Navigator, take the conceit in a whole new direction.

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'Veronica Mars' takes Fandom of the Year at mtvU's awards show

Marshmallows, rejoice! Not only did you successfully fund a Kickstarter campaign to get the movie you wanted made, you also managed to win an award for doing just that.

At Comic-Con in San Diego Thursday night, mtvU announced the winners of their first-ever Fandom Awards. Veronica Mars took home the night’s biggest honor, Fandom of the Year, beating out CommunitySupernatural, and Free! Iwatobi Swim Club in the finals of a 32-nominee bracket. Tina Majorino, who played Mac in Veronica Mars, accepted the award.

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Video: 'Harry Potter' meets 'Boyhood' in 'Potterhood' mock trailer

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Boys, you’ve got a lot of growing up to do.

About a week ago, Nelson Carvajal released Apehood, a mock trailer that essentially follows Dawn of the Planet of the Apes‘ Caesar, showing glimpses of him over the course of 18 years, in the vein of Richard Linklater’s Boyhood trailer. In traditional mock trailer fashion, it borrows everything from the original: Family of the Year’s “Hero” as background music, the same style opening line (adjusted from human to ape), and even critical praise, quoting the same film critics’ reviews throughout the trailer.

Upon the release of Apehood, film writer David Ehrlich tweeted that this idea would have been better applied to the Harry Potter series.

Ehrlich’s wish is Slate‘s command. Taking a cue from The A.V. Club writer, Slate made Potterhood (below). It similarly uses the same music, opening line (if only slightly adjusted), and quotes from critics, all presented in a montage of Harry, Ron, and Hermione growing up onscreen. It all makes much more sense as Daniel Radcliffe & Co. literally grew up onscreen, just as Boyhood‘s Ellar Coltrane. So thank you, Ehrlich.

Potterhood ends with Mad Eye Moody saying, “It’s all very touching,” poking fun at the sentimental nature of the trailer. Perhaps it is, but you can’t deny it’s clever.


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