Author: Keith Staskiewicz (1-10 of 125)

Apr 8 2012 12:13 PM ET

Mike Wallace: Some of the '60 Minutes' journalist's great interviews

When Mike Wallace joined 60 Minutes at its inception in 1968, he was already 50 years old with a  large backlog of experience in broadcasting. In the subsequent years, Wallace was responsible for some of the most dogged interviewing on television, refusing to back down from anyone, whether it was a world leader or pop star in the hot seat, and amassing a small army of Emmy Awards. To honor the man and his legacy, here are a few of Wallace’s many great interviews with people who have shaped the world over the last half-century.

A (relatively) young Wallace interviews television pioneer and The Twilight Zone creator Rod Serling for The Mike Wallace Interview, a series that ran from 1957 to 1960 and included in-depth sit-downs with everyone from Kirk Douglas to Eleanor Roosevelt.

READ FULL STORY »

Apr 7 2012 01:19 PM ET

'American Reunion': Have we entered the era of late-'90s nostalgia?

Tags: Movies
American-Reunion-beach

Image Credit: Hopper Stone

It’s been 13 years since Jason Biggs was first caught red-handed and in flagrante delicious with his mom’s apple pie, and that’s pretty much exactly the right amount of time for us to get nostalgic about it. At least, that’s the hope of the producers of American Reunion, which brings the whole crew together for another go-round, and where even the wacky sexual exploits seem to be done with a bit of wistful remembrance of days gone by, like Proust (if instead of eating the madeleine, he had intercourse with it). READ FULL STORY »

Apr 3 2012 03:28 PM ET

Alfred Hitchcock's 'Rear Window' gets a new view

“Drama is life with the dull bits cut out,” Alfred Hitchcock once puffed. Filmmaker Jeff Desom took it upon himself to cut out some bits from Hitch’s voyeuristic 1954 masterpiece, Rear Window, and rearrange them to create a three-minute, single-shot, full-FOV version of the classic film. It doesn’t make the film more dramatic (probably because there was nothing dull to begin with), but it’s still a sight to behold. Watch Miss Torso dance, the Songwriter compose, and Raymond Burr possibly murder his wife, all from the chair-ridden perspective of Jimmy Stewart’s L. B. Jeffries and set to some jazzed-up Brahms.

Technically speaking, it’s impressively seamless, but it also makes you realize how good Hitchcock was at mapping out space in his films. If the courtyard’s geography weren’t so meticulously and intuitively captured, a project like this probably wouldn’t have been possible. Plus, I’m sure the good Master would approve of Desom’s digital stitchwork: After all, he tried to shoot Rope as one long continuous take, hampered only by the 10 cuts needed to switch the camera’s film magazine. Actually, maybe that could be Desom’s next project… READ FULL STORY »

Feb 27 2012 12:19 PM ET

'Syndicate' review: A very familiar, but sleek first-person shooter

Tags: ,
SYNDICATE

When was the last time you got lost in a first-person shooter? Not necessarily “nobody has to know I asked the Internet” lost, but even just having to retrace your steps? Most likely, it’s been a while. That’s because the practical difference between FPS titles and rail shooters has been shortening with each generation. Heck, it’s even possible to beat the first level of one of the biggest money-makers of all time without doing much of anything, and for its part, Syndicate is about as linear as the plot of Chicken Little: While there aren’t screaming yellow neon signs that read “THIS WAY, PLEASE,” there might as well be. READ FULL STORY »

Feb 14 2012 04:45 PM ET

'Twisted Metal' review: Trying to take a franchise off of the scrapheap

Tags: , TV
Twisted-Metal

The original Twisted Metal was a fun mess, a custom wrecking rig that soldered the basic gameplay of Mario Kart’s battle mode with the carnage-heavy cheese and grit of Mortal Kombat. The controls were all over the place and the writing was pure Roger Corman schlock, but the multiplayer was addicting and it was popular enough to demand sequels and add the murderous clown Sweet Tooth to PlayStation’s questionable pantheon of mascots, right next to such timeless cultural icons as Crash Bandicoot and, um, Croc. READ FULL STORY »

Feb 10 2012 02:23 PM ET

How 'The Phantom Menace' influenced blockbuster special effects, despite everyone pretending not to notice

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Image Credit: Lucasfilm Ltd

When Star Wars hit theaters in 1977, it was a jaw-dropping spectacle of game-changing visuals, and when it hit my family’s VCR in 1992, it was still exactly that. Some films’ technical achievements endure through the ages and I have a feeling that, even without George Lucas’ digital face-lifts, the original trilogy’s effects would still look impressive today. Other FX milestones, like say the work of Ray Harryhausen, may not be quite so protected against the kitchification of time, but are still awarded their due reverence in the history of the field.

The Phantom Menace, however, is an interesting case. It’s one of the few films whose impressive technical achievements were in service of a story so bland and characters so one-dimensional (forget 3-D) that the annals of cinema history are unable to separate one from the other. This is unfortunate because, by all rights, the prequel not only boasted some of the most impressive digital effects to date, but also ended up influencing, for better or for worse, how Hollywood has made blockbusters ever since. READ FULL STORY »

Dec 3 2011 01:55 PM ET

Hilary Swank apologizes for Chechnya appearance on 'The Tonight Show'

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Image Credit: Musa Sadulayev/AP

There are two main rules of thumb for Hollywood celebrities: 1. Don’t take net points over gross, and, 2. Never tacitly give your support to brutal foreign leaders known for human rights abuses. Hilary Swank, who broke Rule No. 2 when she attended the Oct. 5 birthday celebration of Chechen president Ramzan Kadyrov, appeared on The Tonight Show with Jay Leno last night and apologized for her actions. The actress explained to Leno — who helped her out with friendly questions like a supportive defense attorney — that the appearance was a mistake and that she didn’t even know the event was going to be in honor of Kadyrov, who has been accused of a bevy of violent dictatorial actions. She also insisted that her line “Happy birthday, Mr. President!” was less a Marilyn Monroe-esque affectation than simply a product of not knowing the Chechen leader’s name.

To be fair, it wasn’t all equivocation. READ FULL STORY »

Dec 3 2011 01:10 PM ET

Add 'Shame' to the list of films you likely shouldn't watch with your parents this holiday season

SHAME-FASSBENDER

Image Credit: Fox Searchlight Pictures/Everett Collection

Watching Shame — Steve McQueen’s elliptical sophomore effort about sex-addict Michael Fassbender fassbending every last woman in New York City — in an audience comprised almost entirely of AARP members was an experience I was not expecting. Seriously, the median age in my theater was hovering somewhere around 68, which made the whole thing a bit like watching the heavily sexual NC-17 film not just with my parents, but with an entire roomful of parents. READ FULL STORY »

Oct 22 2011 03:48 PM ET

'Boss' react: Kelsey Grammer runs this town

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Image Credit: Starz

It should seem more bizarre to see Kelsey Grammer grimacing and striding around in such an aggressively dramatic role as Mayor Tom Kane — what with his decades of pretentious buffoonery on Cheers and Frasier — but somehow it just feels natural. Grammer is clearly the heart of Boss, which debuted on Starz last night, and after a string of failed sitcoms, he might have found just where he needed to be. Like bar-buddy Ted Danson, gritty, high-powered television drama becomes him. Now all we need is an FX series starring John Ratzenberger as a merciless drug kingpin. READ FULL STORY »

Oct 14 2011 06:35 PM ET

Kelsey Grammer in 'Boss' is TV's latest bad good guy

Tags: , TV
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Image Credit: Martin Schoeller/Starz

Put all thoughts of Frasier Crane out of your head. Kelsey Grammer’s latest character, the manipulative, seething Chicago mayor Tom Kane, is one nasty fellow. In the show’s premiere episode — which doesn’t air until next week, but can be watched online here — he proves to be ruthless, violent, and monomaniacal, a lot closer to Sideshow Bob than Crane. Personally, Grammer’s performance was arresting enough to draw me in, even as I was perturbed by the character, which sets him up as another possible entry in television’s growing gallery of nasty protagonists. I feel like at some point, main characters used to be lovable, or at the very least not downright evil, but increasingly shows seem comfortable placing them only a tiny hair to the left of the hero-villain line. READ FULL STORY »

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