Jun 16 2008 02:42 PM ET

In defense of the sci-fi misfire

Prompted by the DVD release of Jumper last week, I wrote this gallery about some of sci-fi’s greatest misfires. Read the full post.

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  • mister weazle

    Well, most of these did have at least an argument for why they ended up on the misfire list… the exception being Event Horizon. You watch an sf/horror film, and then declare it a failure because, “Oh, I dunno, the whole ‘Passing through an alternate dimension and bringing back something that is inimical to mankind’ just seemed kinda horror-movie inspired.” That is perhaps the single stupidest thing I have ever read by a professional writer. I mean, back in third grade, didn’t they teach you that when you’re assessing something, “Oh, I dunno, um, it sucks” is not, in fact, criticism or assessment. It is immature nonsense. “Oh, sure, Citizen Kane was interesting, but that whole ‘detective hunting down clues’ thing felt kinda weak.” There. Can I have your job now? Or do I have to put a screenshot next to my “review?”

  • ano

    I can’t believe there’s any question about Blade Runner’s greatness, at all. I have nothing against Jurassic Park, and am even amused/pleased with the fact its being judged up against such epic classics as Blade Runner, but, really? We’re at a point in which its legitimate to be nonchalant about Blade Runner? It was always good. Depends which version you pick I suppose, but enough of this “visually good, potentially better” business. Really? That’s such an empty argument. Any film could arguably be narratively stronger, or even vaguer, ‘better’. I can’t believe I was offended/moved enough by the original boring and shallow remarks to write this.

  • Angela

    How ridiculous. I don’t understand how you could say that all the time in the movie was spent staring at dinosaurs and they never did anything. Within the first 5 minutes of the someone was already killed, if gore is what you want. And I can’t agree that only the last twenty minutes had action, what about the Jeep chase? Or the death of Gennaro? The attack on the cars? The suspenseful journey to the shed? You must have the attention span of a gnat. Not to mention, all the characters you care about are not recovered. Muldoon and Arnold, both very likeable characters, are eaten.

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