Tag: Zombies (1-10 of 79)
Last week’s episode of The Walking Dead hit new levels on the WTF?!? meter as Lizzie stabbed her sister Mika and then Carol put a bullet in Lizzie’s brain. How would the AMC drama follow that up while also setting the table for next week’s season 4 finale? Well, we just found out. [SPOILER ALERT: Read on only if you have already watched Sunday's episode of The Walking Dead.] READ FULL STORY
One contestant’s answer on the game show Family Feud made for a moment that was both awkward and hilarious.
When host Steve Harvey asked the players to name something they knew about zombies, contestant Christie’s kneejerk reaction was to make a comment on race. The moment makes for some jaw-dropping television, but it is Harvey’s hilarious reaction that really makes this clip funny.
Watch the segment from Family Feud below:
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When is a zombie not a zombie? Do you have to be a full-fledged skull-munching, low-moaning, slow-walker to qualify? Or is being “undead” more of a philosophical problem, one that’s less about the flesh than it is about the braaain?
My coworkers and I have been debating this lately, because many of us are addicted to the French drama The Returned, one of the coolest, creepiest new shows on TV. (It premieres Halloween night on Sundance. Watch it now so you’re up to speed when Carlton Cuse of Lost adapts it for American television.) It’s nothing like The Walking Dead. So everyone wants to know: Can you really call it a zombie drama if nobody’s corpse is rotting?
Watching the drama unfold — slowly, moodily, over a goosebumpy soundtrack by Mogwai — you might find yourself waiting for some nightstalker to suddenly flip out and gorge himself on pancreas and spleen, just to stop everything from feeling so impossibly chic, so impeccably French. But The Returned strips away the usual conventions of the genre, which is exactly what makes it so deeply unsettling. What’s left is an affecting meditation on grief. The story begins with a hold-your-breath shot of school bus careening off an Alpine cliff, with children trapped inside. (I got flashbacks of The Sweet Hereafter.) Four years later, as the victims’ families gather for a group therapy session, one of the children who was killed in the crash comes back: 15-year-old Camille (Yara Pilartz) suddenly shows up inside her mother’s house, ravenously hungry — but only for spaghetti. Soon, others like Camille start appearing all over town. There’s Simon (Pierre Perrier), the sexy drummer with the Strokes haircut, who’s searching for his fiance, unaware that she’s now engaged to another man. There’s Victor (Swann Nambotin), the strange little boy who lurks in bus stops. Oh, and there’s Serge (Guillaume Gouix), the serial killer who guts his victims and snacks on their organs. Uh… yum?
But despite Serge’s fondness for human paté, none of the “returned” are particularly zombie-like. (This seems to be a trend lately: just look at the perfectly preserved dead boy in ABC’s upcoming series Resurrection, or the lifelike teenagers in BBC America’s In the Flesh.) They’re all impossibly young, with apple cheeks and dewy eyes and stylish, maggot-free outfits. They use actual words rather than just vowel sounds, and they’re able to convey real emotions beyond “vaguely starving” or “frustrated that I must drag this decaying foot behind me.” Yes, they’ve been resurrected for mysterious reasons — it has something to do with rising dam levels, an erratic power supply, and other things that make people who work for the French government shout, “Zut Alors!” — but other than that, they’re pretty normal. “Am I some kind of zombie?” Camille asks the local priest, Pierre (Jean-François Sivadier). “No, you’re not some kind of zombie,” he replies. “Than what am I?” she asks. The answer? Something much scarier. Sadder, too. Maybe she’s just like the rest of us.
The Walking Dead took Comic-Con by storm yet again with another packed Hall H panel on Friday, but the celebrations for the zombie series didn’t stop there. Celebs and other Comic-Con attendees celebrated the comic book and the AMC TV show it inspired at a party near the San Diego Convention Center last night.
A follow-up to last year’s 100th issue celebration for The Walking Dead in Petco Park during Comic-Con, this year’s Hyundai-sponsored event celebrating the comic book’s 10th anniversary was in a parking lot in downtown San Diego. (Zachary Levi’s Nerd HQ had commandeered Petco Park.)
Weezer performed at the event — so yes, a bunch of Hollywood celebs did rock out to A-lister wannabe anthem “Beverly Hills.” Nathan Fillion beelined for the center of the pit in front of the stage as soon as he arrived. Among the other attendees were Lord of the Rings star Sean Astin, Fillion’s Castle co-star Molly Quinn, Buffy alum Seth Green, and Vampire Diaries actor Paul Wesley. Of course, talent from AMC’s The Walking Dead were also in attendance, including Lauren Cohan (Maggie Greene), David Morrissey (the Governor), comic book creator and executive producer Robert Kirkman, and Danai Gurira (Michonne).
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World War Z doesn’t really fit in with Brad Pitt’s filmography. He might be one of the most famous and instantly recognizable human beings in the history of eyesight, but Pitt has mostly avoided the summer-blockbuster game. The last time he headlined big-budget PG-13 action films was 2004’s Troy and 2005’s Mr. & Mrs. Smith — and even in those films, Pitt’s characters weren’t exactly typical heroes. (Achilles was a prideful douche rocket; Mr. Smith was a cheerful sociopath hunting down his own wife.) READ FULL STORY
Nobody ever said making the most expensive zombie movie of all time would be easy. For Brad Pitt and the filmmakers behind the upcoming thriller World War Z, it certainly hasn’t been. This week’s issue of EW takes you inside the tumultuous production of the blockbuster hopeful, which has involved reshoots, re-writes, and a budget that has ballooned from $125 million to over $170 million. “These movies are very intricate puzzles, and you have to keep winding the mechanisms,” Pitt says, while on the Paramount lot. READ FULL STORY
There are good years, and then there are great years, and then there are the kinds of years that Joss Whedon had in 2012. In May, Lionsgate released Cabin In The Woods, the long-delayed, widely acclaimed po-mo horror flick, co-written and produced by the cult pop auteur. (Drew Goddard co-wrote and directed the film.) In July, Whedon attended Comic-Con and celebrated the tenth anniversary of his gone-too-soon TV series Firefly at one of the most emotional panels the annual fan-fest has ever seen. In September, Whedon went to the Toronto International Film Festival and premiered Much Ado About Nothing, a micro-budget, literally homemade adaptation of the Shakespeare comedy. ”That was an incredible experience,” recalls Nathan Fillion, who stars in the film (set for release next summer). “The man got three standing ovations before he got on stage. That’s just indicative of the kind of fandom that Joss creates. I have never seen anything like it.” In October, The CW aired – for the first time on television – Whedon’s 2008 Emmy-winning online opus Dr. Horrible’s Sing-Along Blog. Shortly before Halloween, the man who created Buffy The Vampire Slayer, Angel and Dollhouse took to the Web to say a few words about the defining issue of the 2012 presidential campaign – a zombie apocalypse – via a very funny, very personal, very partisan video viewed by over 7 million people.
Oh, and there was Marvel’s The Avengers. Whedon wrote and directed that, too. Grossed $1.5 billion worldwide. Maybe you saw it.
The most promising title launching alongside Nintendo’s upcoming Wii U console doesn’t star Mario or any of his Mushroom Kingdom pals, but rather a bunch of brain-craving walking corpses. That’s right, following a full afternoon of hands-on time with many of the family-friendly hardware’s day-one offerings, it’s the very Mature-rated ZombiU that’s got me anxious to get back behind that funky new gamepad.
Set in modern-day London, Ubisoft’s fresh take on the rotting flesh genre puts players in the midst of a plague that’s turned most of our friends from across the pond into crazed people-eaters. While undead hordes are as common as exploding barrels and breakable crates in contemporary games, they’re treated as something different in ZombiU: an actual threat. Forgoing the action-movie antics of recent horror titles in favor of a terrifying survival experience, ZombiU is more about staying alive than pumping buckshot into bad guys. READ FULL STORY
Have you ever wondered why you keep watching The Walking Dead, even when nothing ever seems to happen? Well, thanks to this colorful graph from the good people over at Blame It On The Voices, now we know and — spoiler alert! — it’s because all the episodes follow basically the same pattern. Check it out below (NSFW):
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