As we look ahead to the Tony Awards on Sunday, EW is taking a closer look at this season’s nominated selection of new musicals, plays, and revivals, all of which will be competing for Broadway’s highest honor. Today, we dive into this year’s nominees for Best Revival of a Play. READ FULL STORY
Tag: Zachary Quinto (1-10 of 20)
Daniel Craig has a license to kill at the Broadway box office. Teaming the James Bond star with his real-life wife, Rachel Weisz, turns out to have been a very good idea for the producers of the Harold Pinter revival Betrayal. Though the show doesn’t open until Oct. 27, the Mike Nichols-directed drama has broken records at the Barrymore Theatre for its first two weeks of previews. For the week ending Oct. 13, it took in $1.11 million for seven performances, according to figures from the Broadway League. That tops the weekly earnings of the Philip Seymour Hoffman-topped revival of Death of a Salesman last year.
Broadway’s other big hit this fall is another starry revival. The Glass Menagerie, starring Zachary Quinto, has steadily increased its box office since opening late last month to rave reviews. Last week, it pulled in $724,363, a remarkable 91 percent of the potential gross for the modestly sized Booth Theatre. But seldom was there a tale of more woe than the box office for Romeo and Juliet. The new production starring Orlando Bloom and Condola Rashad earned $470,744 last week, or roughly 38 percent of its potential earnings.
Surprisingly, the nonmusical revivals Betrayal and Menagerie are both outperforming most of the season’s new tuners. Sales for the megabudget Big Fish leapt 33 percent from the previous week to $856,110, or 62 percent of its possible gross. A Night With Janis Joplin, which opened last Thursday, earned $353,070, or 57 percent of its potential take. First Date hooked up with $448,331, a mere 52 percent of its potential, while Soul Doctor, which closed Sunday, pulled in a paltry $128,256 — that’s just 18 percent of what the venue could have earned.
In addition to Betrayal, the other seven-figure earners last week were the usual suspects: The Lion King ($1.88 million), Wicked ($1.87 million), The Book of Mormon ($1.84 million), Kinky Boots ($1.81 million), Motown: The Musical ($1.49 million), Matilda ($1.43 million), and The Phantom of the Opera ($1.02 million).
If you had anything to do with John Tiffany’s new revival of Tennessee Williams’ classic memory play The Glass Menagerie, chances are you had an extremely good week, as the production received raves by NY critics, signaling a must-see to the theaterati. (And make sure you get tickets soon, as it closes Jan. 5.) Actually, Tennessee Williams seemed to inform much of this past week; joining Menagerie is an unearthed work by William Inge that explicitly references another Williams play (they were famously pals), and look sharp for an upcoming review of True Blood star Joe Manganiello in a revival of A Streetcar Named Desire, playing up in New Haven, CT. And yes, he does appear shirtless, but don’t even think of snapping a photo of him during the show! And a little-known TV star named Bryan Cranston (you know, from that small show Breaking Bad) takes on Lyndon Johnson in a new play with designs on Broadway (click on the links below for the full reviews): READ FULL STORY
Star Trek fans everywhere have been watching, sharing and re-watching The Challenge, a sly Audi ad that, as a comedy vehicle, comfortably seats a pair of mismatched Spocks: Leonard Nimoy, the television and sci-fi icon, and his on-screen heir, Zachary Quinto, who wears the ears in Star Trek Into Darkness.
They are trash-talking frenemies in the mini-movie, but Trek producer Bryan Burke says that in grand Spock tradition there’s a vast emotion hidden behind that frosty artifice.”Their relationship is not a working relationship at all,” Burke said. “They’re family.”
As Hollywood relationships go, the bond between Nimoy and Quinto is an anomaly. Not only does it bridge a vast generation gap (Nimoy is 82, Quinto is 35), it defies the Hollywood undertows of rivalry and status anxiety, which have made actors in similar situation behave like Betta fish when paired up.
”We spend a lot of time together, we keep in touch,” Quinto said in February just a few days after he filmed the Audi ad. “He’s a great friend. I value his presence in my life far beyond the experience we had making the first Star Trek movie and I’m grateful that it brought us together but now the friendship is a thing — it’s own thing. I love Leonard a lot.” READ FULL STORY
Another Tennessee Williams masterpiece is coming to Broadway and it’s bringing Zachary Quinto and Cherry Jones along for the ride.
Producers Jeffrey Richards said Thursday he’ll transfer the American Repertory Theater’s production of The Glass Menagerie to New York for a 17-week engagement starting this September.
Quinto, who plays Spock in the Star Trek reboots and wowed audiences in a recent off-Broadway production of Angels In America, will be making his Broadway debut as Tom.
Jones, the two-time Tony Award winner for Doubt and The Heiress who played President Allison Taylor in the TV series 24, will play Amanda Wingfield. READ FULL STORY
Zachary Quinto has managed to somehow become even more endearing (You might be thinking, how is that possible when most of his characters are so sinister? And yet it is … ). Starting today, he is starring in the worldwide digital release of a short film called Dog Eat Dog.
The true story of how Quinto found his first dog, it is a
tail tale of determination as he outwits another potential dog owner (actor Philip Baker Hall) who hopes to adopt the same puppy.
“This story is very close to all of us, as we have all rescued or fostered dogs over the years,” Quinto said of the film and its contributors in a statement.
Check out the film’s trailer below:
Zachary Quinto opened up for the first time about his relationship with Glee and Boss star Jonathan Groff in Out magazine’s October issue. While declining to give specifics, he said, “I’m incredibly happy, I’m incredibly lucky.”
Quinto also spoke of his decision to come out last year. “I thought about it as coming out from behind the wall,” Quinto told the magazine. “Walls now are only as high or as thick or as strong as we allow them to be.” Later, he further explains, “One of the defining conversations that I had with myself was that absolutely no good can come from me staying quiet about [my sexuality]. Literally, no good can come from it. But if I take the step to make the acknowledgment and be honest, so much good could potentially come from it.”
In this week’s Entertainment Weekly special report cover story, writer Mark Harris examines the new, casual method gay celebrities are using to reveal their sexuality publicly for the first time. Fifteen years ago, when Ellen DeGeneres decided to come out of the closet, it was big news. Not just big: It was the cover of Time magazine, and a major story on Oprah, Primetime Live, and CNN. Last month, another star of a popular TV comedy went public with his homosexuality. But the news that The Big Bang Theory’s Emmy-winner Jim Parsons is gay was reported with such matter-of-fact understatement that many people’s first reaction was a quick Google search to see if maybe he was out already and we’d all just failed to notice.
But sometimes big news arrives quietly. That new blink-and-you’ll-miss-it style is an important hallmark of changing times. READ FULL STORY
Well, I just lost my afternoon. In honor of Paramount’s 100th anniversary, Vanity Fair has “assembled 116 of the greatest talents ever to work at the studio.” That means Leo, Bob, and Marty, some icons of the studio’s golden age (hello, Eva Marie Saint, Jerry Lewis, and Michael York!), almost the entire casts of Transformers and Star Trek, and even that Canadian whippersnapper Justin Bieber, whom you might remember from a little indie film called Never Say Never. And that’s just the tip of the iceberg (Titanic zing, hey-yo!).
Because Vanity Fair knows you want to see every one of those 116 faces up close and personal, they’ve installed a zoom function on their site. Fair warning, PopWatchers: This thing is addictive. Click through at your own risk. Below, we scope out a few of the famous faces and hand out our portrait honors. READ FULL STORY
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