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Tag: This Week's Cover (61-70 of 255)

This Week's Cover: The 100 All-Time Greatest... everything!

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Every week, Entertainment Weekly gives you tips on the latest, greatest ways to spend your limited time and money. With our new special issue, The 100 All-Time Greatest, we take on nothing short of entertainment history. This is a keepsake issue to inspire (and, yes, enrage) you for a long time to come. You’ll find the 100 best movies, TV shows, albums and novels ever, as well as the 50 greatest plays of the last 100 years and more.

We decided early on not to react to anybody else’s list — and not to try to make “statements” we didn’t really believe in. If we decided that Casablanca was the best movie of all time, then it would be number 1, whether or not people had said it before. By the way, Casablanca is NOT the best movie of all time, but it comes in at a still-impressive No. 3 on our list.
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This Week's Cover: A first look at the making of 'Divergent'

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Looking for the next YA movie sensation? This week, EW offers an exclusive first look at the making of Divergent, based on Veronica Roth’s dystopian YA best-seller. The movie’s set in a futuristic Chicago, and stars one of Hollywood’s fastest-rising young actresses, Shailene Woodley (The Descendants), who’s also snagged the Mary Jane role in the Amazing Spider-Man franchise and the lead in the adaptation of another beloved bestseller, The Fault in Our Stars. As one of her costars, Jai Courtney, puts it, “She’s going to be such a big f - - -ing star.”

In the future world of Divergent, society is divided into five factions devoted to particular virtues. But Woodley’s character, Beatrice, is classified as “divergent.” That means she’s suited for more than one faction and, as we later learn, headed for trouble. Beatrice finds an ally — and a love interest — in an instructor named Four, played by Theo James. (You may remember him dying in Lady Mary’s bed in season one of Downton Abbey). On the set, Woodley seemed delighted to find that James also took the possibility of superstardom with a grain of salt. “We’re not into the industry and have separate lives outside of it,” she told EW. “That’s refreshing. I don’t know what I would do if Four was played by someone who cared what he looked like or spent more time in front of the mirror than I do.”
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This Week's Cover: Superman at 75

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Time really does fly.

For three-quarters of a century, Superman has been fighting the good fight, keeping Earth and its inhabitants safe from all manner of villainy and disaster. As the DC Comics character turns 75, he’s also getting a major big-screen relaunch in director Zack Snyder’s Man of Steel, opening Friday.

So for this week’s cover, Entertainment Weekly is taking a look back at all the critical moments in Superman’s evolution from dimestore hero to American pop-culture icon. We start with his first appearance in 1938’s Action Comics #1, and track him along every major step (and occasional misstep) up through his reemergence in the form of Man of Steel‘s angry, passionate, lost Superman, as played by Henry Cavill.

Here’s what you can find in EW’s obsessive history of the man in the red cape:

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This Week's Cover: 'Dexter,' the killer final season

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The final season of one of the most successful and acclaimed cable dramas in TV history is coming this summer and EW has the behind-the-scenes scoop. The eighth and last outing of Showtime’s Dexter will take the Morgan siblings to darker places than ever before, as congenial serial killer Dexter (Michael C. Hall) and his now-estranged sister Debra (Jennifer Carpenter) strive to recover from last season’s shocking cliff-hanger where Deb killed their Miami Metro captain to keep her brother’s secret safe.

Unlike on some shows where writers decide an ending when working on the final season, Dexter’s fate arc has been planned for years, and producers are unusually confident their show will have an ending will satisfy fans. “It feels like the exact ending we should be doing,” says showrunner Scott Buck. “Ideally it will make our audience sit back and see Dexter a little more clearly than before. It should absolutely make sense to everybody watching it.”
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This Week's Cover: 'The Wolverine' tops your Summer Must List

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Does Hugh Jackman ever slow down? From what we can report, the answer is a definitive no way, mate. For the cover story of our annual Summer Must List issue, EW visited the actor last year on the Sydney set of The Wolverine (in theaters July 26), where Jackman jumped and leapt and charmed his way through a series of seemingly back-breaking stunts that he made look as easy as pie. That’s entertainment — and who embodies the power and pop of summer in the cinema better than Jackman? READ FULL STORY

This week's cover: Bruno Mars roars into summer!

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Locked out of heaven? Hardly. With two platinum albums, a string of No. 1 hits, and a massive tour on the horizon, Bruno Mars is set to have one hell of a summer.

For this week’s cover story, Mars invites Entertainment Weekly into his Hollywood home for a funny and frank conversation about everything from his upcoming single (“Treasure,” which he’ll debut at this weekend’s Billboard Music Awards) to why he’s totally looking forward to getting fat one day. READ FULL STORY

This week's cover: Guns! Cars! Biceps! Your guide to 'Fast & Furious'

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The day was June 22, 2001. George W. Bush was midway through the first year of his presidency. TNT had just reinvented itself with the slogan “We Know Drama.” Annoying suburban children across this country were thrilling to the pop-punk sounds of Blink-182’s latest album Take Off Your Pants and Jacket. And a movie called The Fast and the Furious was hitting theaters, opening the same weekend as Dr. Dolittle 2. It was teen-dreamboat Paul Walker’s first starring role. It more or less invented the idea of Vin Diesel, Action Star. And it launched one of the most surprising and durable franchises in modern Hollywood — which looks poised to have its biggest moment yet with Fast & Furious 6, opening Memorial Day. READ FULL STORY

This Week's Cover: 'Iron Man 3' plays rough with Marvel's top hero

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Watch out — she’s armed.

Robert Downey Jr. and Gwyneth Paltrow have been hoping to get Tony Stark’s ladylove Pepper Potts into some armor ever since the second Iron Man movie, fulfilling the character’s comic book evolution from the damsel in distress to the high-powered heroine known as Rescue. With Iron Man 3, it finally happens. “It’s sort of the comic-book version of a Cinderella story,” Paltrow says of her character’s four-film arc. “She starts timid and sort of cleaning up after Tony, and then she evolves into full strength and a superhero.”

But there’s a chance that her first time in the suit may also be her last …

In this week’s cover story, Entertainment Weekly explores a question that everyone who sees Iron Man 3 this weekend will be asking: Is this the end?

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This week's cover: Behind the scenes of the new 'Arrested Development'

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One month from now, all of your questions will be answered. What dysfunctional disasters have befallen our Bluths since we last saw them in 2006? Did Buster survive that last seal confrontation with his other hand intact? Is the stair car now a hybrid? (Probably not.) And, oh, yes, will the new Arrested Development episodes scratch that seven-year-wait of an itch?

But maybe you can’t wait another month. You need some answers now. So make yourself a breakfast of champions — vodka rocks and a piece of toast, perhaps — and check out this week’s issue of Entertainment Weekly, which celebrates AD with three collector’s covers (click through to see the rest) and fills you in on the revival of one of this century’s most beloved cult comedies. On May 26, Netflix will release 15 new episodes of Arrested all at once, and they are intended to serve as a set-up to that long-anticipated movie (which is not yet greenlighted). We spoke with all nine cast members as well as series creator/executive producer Mitchell Hurwitz about the surprisingly emotional reunion, what to expect from this batch of episodes, and more. “This year is about the enduring entanglements of family,” Hurwitz explains of the new season. “They are 10 years older than when we met, so that means emotionally they’re, like, two years older than we met them. Amazing things happen when one goes from being emotionally 12 years old to emotionally being 14 years old.” Or, as Will Arnett, a.k.a. misguided magician Gob, declares: “It’s the story of shame, cunning, thievery, dishonor, backstabbing, deceit, bold-faced lying, one-upmanship, psychological torture, lust, financial ruin, and magic, all supported by a very broad beam of dysfunctional love.” READ FULL STORY

This Week's Cover: Behind the soulful new 'Man of Steel'

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The makers of Man of Steel had to start thinking like a cadre of supervillains: how do you get under Superman’s invincible skin and really make him hurt?

This week’s cover story reveals how the new film (out June 14) attempts to humanize the superhuman by finding new flaws and vulnerabilities. The most common one, however, was off the table: “I’ll be honest with you, there’s no Kryptonite in the movie,” says director Zack Snyder (300, Watchmen) Those glowing green space rocks – Superman’s only crippling weakness – have turned up so often as a plot point in movies, the only fresh option was not to use it. Anyway, if you want to make an audience relate to a character, a galactic allergy isn’t the way to do it.

Henry Cavill (Immortals), the latest star to wear the red cape, instead plays a Superman who isn’t fully comfortable with that god-like title. This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.

That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”

Based on footage EW has seen, the film (which was directed by Zack Snyder and shepherded by Christopher Nolan) has plenty of building-smashing, train-slinging, heat-vision-blasting battles to cut through the emotional heaviness. “You want to give the audience great spectacle. You want them to go to the movie, be eating their popcorn and be like, ‘Wow!’” says Man of Steel producer Charles Roven, who also worked on The Dark Knight trilogy. “But it’s just not good enough to give them the ‘Wow.’ You want them to be emotionally engaged. Because if you just have the ‘wow,’ ultimately you get bludgeoned by that and you stop caring.”

Those who’ve long felt the super-confident, super-controlled Superman has gotten super dull may be glad to see him finally challenged in ways that go beyond bullets bouncing off of his chest.

inthisissue0410For more on Man of Steel and 108 other summer movies — including Johnny Depp’s views on playing The Lone Ranger‘s Tonto (“He’s damaged. He’s just looking to get back on track”), Jennifer Aniston’s prep work for the comedy We’re the Millers (“This fabulous dance instructor just pulled the inner stripper out of me,”), and Sandra Bullock’s first impressions of working with Melissa McCarthy and director Paul Feig on The Heat (“The first week I was like, ‘What the hell is going on here?'”)  — pick up the new issue of Entertainment Weekly, on stands April 12th.

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