Does this week’s issue of Entertainment Weekly defy the laws of physics by being bigger on the inside than it would appear from looking at its exterior? Fans of the British science fiction show Doctor Who may well think so. For this week’s cover story, senior writer Clark Collis travels to the UK to meet with Peter Capaldi, the new star of the now 51-year-old time travel saga, and to find out what fans can expect from the forthcoming season of Doctor Who, which premieres on BBC America on Aug. 23. “He’s more alien than we’ve seen him for a while,” says the actor, speaking about his version of the eccentric Time Lord. “He is less patient with the foibles of human beings.”
Tag: This Week's Cover (11-20 of 256)
If you’re part of a group that has already saved the world nine times, eventually you can’t help but wonder: Isn’t it somebody else’s turn?
Unfortunately, that kind of thinking directly leads to the latest global threat in Avengers: Age of Ultron, and Entertainment Weekly‘s Comic-Con 2014 preview gives you an exclusive First Look at the big, bad robot causing all the grief in next summer’s superhero team-up.
A lot of people think EW writers spend their days boozing it up with stars. In the case of this week’s cover profile of actor Chris Pratt, that’s 100 percent accurate. The Parks and Recreation star already has one box office hit under his belt this year thanks to The LEGO Movie, and he might well have another when the latest Marvel spectacular, Guardians of the Galaxy, arrives in theaters Aug. 1. On a break from shooting next summer’s dinosaur fourquel Jurassic World, Pratt hoisted some beers with EW’s Clark Collis in New Orleans while recounting his unlikely career trajectory. READ FULL STORY
Cop shows, doctor shows, courtroom-based dramas–for years, Halle Berry had heard pitches for just about every iteration of what’s already on TV. Nothing seemed invigorating enough for her to briefly abandon a still-thriving film career. Then, in the fall of 2013, a spec script called Extant started a feeding frenzy in Hollywood, with just about every major TV player–ABC, FX, Netflix, you name it–trying to buy the sci-fi thriller. As soon as CBS prevailed, CBS Entertainment Chairman Nina Tasser knew exactly who she wanted to play Molly Woods, an astronaut who returns from a year-long solo mission in space with a baby (possibly alien in origin) in her belly. READ FULL STORY
Thirty-five years ago, George Miller re-imagined the action movie with his visceral, dystopic 1979 debut Mad Max, starring a 23-year-old Mel Gibson in one of his first movie roles. Flash forward two sequels and many decades later and the 69-year-old Miller returns with a new cast and a story that is sure to take the road chase to an entirely new realm of chaos and carnage.
In an exclusive first look at the the May 2015 film in this week’s Entertainment Weekly, we talk to Miller about what prompted his return to the beloved franchise: a story that popped into his head fully formed back in 2000 but that took more than a decade to realize. This time, Tom Hardy takes over for Gibson as the very damaged road warrior Max Rockatansky, while a shaved-headed Charlize Theron plays a bad-ass commander named Imperator Furiosa. The stars spent a harrowing seven months in the desert of Namibia to shoot the film. “It was mental in a brilliant way,” says Hardy. “You have no concrete, no coffee shops. We were in the middle of a sandpit.” READ FULL STORY
Viewers will need to savor these last few drops of Blood. In just a few weeks, production will wrap for good on HBO’s True Blood after seven seasons (the final batch of episodes begin Sunday at 9 p.m.). In the most basic terms, the show — based on the Sookie Stackhouse series by Charlaine Harris and created for TV by Alan Ball (Six Feet Under) — follows half-faerie waitress Sookie (Anna Paquin) and her relationship with gentlemanly vampire Bill (Stephen Moyer). But there have been detours into witches, werewolves, orgies, and one really nasty meat tree.
Blood has been a huge hit for HBO, averaging 11.4 million viewers a summer, but for Paquin and Moyer it’s been life-changing. The pair met filming the series, married in 2010, and had twins, Charlie and Poppy, in 2012. Says Paquin, “Because it has lasted seven years and because of the relationships, not just between us but the way they all evolved as a family, it’s been extraordinary to have that experience that is completely life-changing in all of the best possible ways — and with the person you want to spend the rest of your life with. We will always have this.”
For this week’s cover, EW sat down with Paquin and Moyer at Bellefleur’s, in the very booth where Bill first saw Sookie, for a revealing (take a glance at that cover!) look back at their bloody good time in Bon Temps. Here’s a brief tease: READ FULL STORY
JH + CT 4EVA.
Jonah Hill and Channing Tatum are perfect for each other — anyone can see that. The stars of 22 Jump Street may be going back to school this Friday, but they have a kind of chemistry that can’t be taught. “If I wasn’t with my wife and Jonah had lady parts,” says Tatum, “I would probably ask him out.”
In this week’s Entertainment Weekly, Hill and Tatum discuss their new movie, a sequel so self-aware it’s practically sentient, and trade jokes, compliments, and insults like one of those couples who finish each other’s sentences and french fries. “We are a quote-unquote odd couple,” says Hill. “That dynamic is true of our relationship on screen and off screen. We are incredibly different, we come from incredibly different worlds, and it is a yin and yang thing.” READ FULL STORY
One of the summer’s smartest and sudsiest shows also happens to have the steamiest title. Showtime’s Masters of Sex makes a red-hot return to your TV this July with its scandalous second season, and Entertainment Weekly has the scoop on who’s in (Sarah Silverman!), who’s out (Allison Janney!), and what’s to come in Michael Sheen and Lizzy Caplan’s sophomore year as sexologists Bill Masters and Virginia Johnson.
“One of the things that’s exciting about our show — daunting but exciting — is that every year is going to look pretty different,” teases showrunner Michelle Ashford. “Bill and Virginia’s careers changed and they went from total obscurity to the front of Time magazine. The sexual revolution was exploding, and Masters and Johnson were a huge part of that.” Season 2 picks up immediately after a newly unemployed Bill showed up on Virginia’s doorstop with a desperate declaration of love, and viewers will get a taste of our favorite sex researchers taking their academic relationship out of the lab and into the bedroom. READ FULL STORY
It’s summertime, when the pop-culture mercury starts to boil. Three months of big-name blockbusters, new TV, music festivals, and more await us, which is why we’ve gone ahead and stuffed all the season’s best stuff into this week’s Summer Must List issue.
And who better to heat up its cover than Jessica Alba, the midriff-baring star of Frank Miller’s Sin City: A Dame to Kill For. Alba returns as lasso-swinging stripper Nancy Callahan in the hyper-violent, hyper-sexy, hyper-everything sequel to 2005’s live-action comic book, co-directed once more by Robert Rodriguez and Frank Miller. But this time, Alba’s character has a little more bite. “She was more naive in the first film. Ignorance was bliss,” Alba says. “In this one there’s no bliss and no ignorance. I wanted her to transition from being a victim to being someone who’s in control of her own story.” READ FULL STORY
We here at Entertainment Weekly like to think of our jobs as highly specialized. (Not just anyone can push that little voice-recorder button while simultaneously asking questions and nodding, wisely, you know.) But when the Black Keys said they wanted to be interviewed by Danny McBride, how could we refuse? After all, the platinum-selling, Grammy awards-collecting rock duo just released their eighth studio album, Turn Blue, and will be dominating festivals and headlining arena shows from Croatia to Cleveland this summer. We asked McBride, 37 — so memorable as egomaniacal pitcher Kenny Powers on HBO’s late, lamented Eastbound & Down and as himself in last year’s star-packed apocalyptic meta-comedy This Is the End — to kick off our Summer Music Preview issue by manning the tiny microphone. READ FULL STORY
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