You wept at the book, then wept at the Meryl Streep-Clint Eastwood film, but save some more tears for the achingly lovely new cast recording for the Broadway tuner The Bridges of Madison County, composed by the prolific Jason Robert Brown (The Last Five Years, Parade), which gives listeners the unique pleasure of preserving two of the very best vocal performances of the last few years, by dynamite duo Kelli O’Hara and Steven Pasquale, whose stirring chemistry could set a cornfield ablaze. The musical — about a lonely Iowa farm wife (O’Hara), happily married but stifled, falling in love with a handsome photographer (Pasquale) blazing through town to capture the historic bridges of the title — has earned stellar reviews since opening in February (including one by senior editor Thom Geier), and the new album contains 20 tracks (including “Falling Into You” and “It All Fades Away”) in total. READ FULL STORY
Tag: The Bridges of Madison County (1-3 of 3)
Jason Robert Brown just might be one of the busiest individuals currently on the theater scene. The composer and lyricist, best known for his off-Broadway hit The Last Five Years, is currently preparing for the release of the musical’s film adaptation and is also on track to bring a new production to the stage: a musical comedy called Honeymoon in Vegas, based on the 1992 film of the same name starring Sarah Jessica Parker and Nicolas Cage. In addition, his newest Broadway offering, The Bridges of Madison County, just opened at the Schoenfeld Theatre.
EW talked to the talented composer and writer about the process of bringing Bridges to the stage, and also about his excitement about bringing one of his most popular musicals to the silver screen. READ FULL STORY
Broadway Box Office: 'Bronx Bombers' is striking out with audiences, while Shakespeare hits a grand slam
Broadway’s New York Yankees love-fest Bronx Bombers, starring Peter Scolari as Yogi Berra, isn’t exactly pulling major-league numbers at the box office. In the first full week since its Feb. 6 opening, the new drama took in a measly $177,559, according to figures released by The Broadway League. That’s less than a quarter of the potential gross at Circle in the Square (one of Broadway’s smallest theaters) — and does not bode well for its future.
The biggest surprise this winter has been the season’s unlikeliest but very palpable hit(s): the Mark Rylance-led productions of Twelfth Night and Richard III playing in repertory (and breaking house sales records) at the Belasco. For the week ending Feb. 16, the shows grossed a remarkable $944,755 — a tally that exceeds all of the season’s new musicals. The takings have topped the potential gross for the Broadhurst for the third straight week, suggesting that producers have been able to goose their earnings by selling ever more premium tickets at $247 a pop. READ FULL STORY
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