When Thor hits theaters on May 6, it’ll kickstart a summer packed full of handsomely-costumed superpowered individuals fighting expensively CGI’d evil. June brings us the franchise preboot X-Men: First Class and the space-faring Green Lantern, followed by the Nazi-punching Captain America: The First Avenger in July. It’s a feast for comic book fans, and it’s very much the culmination of a decade that saw superheroes rise to the top of the summer box office season, with a host of new trilogies (X-Men, Spider-Man, Blade, Batman), fascinating curios (Kick-Ass, Superman Returns, Ang Lee’s Hulk), and plenty of outright disasters (Daredevil and Catwoman and anything called The Punisher, oh my!). But which superhero film is your absolute favorite? Has anything equaled Christopher Reeve’s Superman? Which Batman do you prefer: Tim Burton’s, Christopher Nolan’s, or Joel Schumacher’s? (Schumacher? Anyone? Bueller?) Do you prefer Iron Man‘s braggodocio or Spider-Man‘s nerdish lovability? Check out some EW favorites after the jump, then tell us your favorite superhero film in the comments. (Extra points if you include a cogent, coherent, and obscenity-free argument for your film.) READ FULL STORY
Tag: Spider-Man (31-40 of 53)
In this week’s issue of Entertainment Weekly, we took a look at the superhero-heavy diet Hollywood is serving up to moviegoers for 2011 and 2012. It’s a regular binge of masked celebs, served with generous helpings of high-profile directors, hand-battered in sequels and reboots and deep-fried to golden crispiness. Most audiences will devour this repast of capes and tights. But what are crime-fighting movie fans with more discriminating tastes expecting?
We asked Ahmad Childress, Managing Editor of Crave Online, a media outlet that oversees such fansites as Super Hero Hype and Film School Rejects, to get his take on what comic book enthusiasts and the diehard fanboy-and-girl communities are saying about the upcoming deluge of villain-pummeling epics.
“The thing that usually polarizes people first is the casting,” Childress says. “That always gets debated to death out of everything.”
Read Childress’ take on the buzz surrounding each upcoming superhero flick after the jump: READ FULL STORY
the first image of Andrew Garfield in his full Spider-Man costume, and announced that director Marc Webb’s reboot of the Spidey franchise would be titled The Amazing Spider-Man. Last night, NBC announced that Friday Night Lights star Adrianne Palicki would grab hold of Wonder Woman’s famously elusive golden lasso in David E. Kelley’s highly anticipated reboot of the 1970s Lynda Carter TV series.It has been quite a momentous week for superheroes. On Monday, Sony released
And today, EW debuted its latest cover story featuring an exclusive first interview with actor Henry Cavill, who will don Superman’s iconic red cape in director Zack Snyder and producer Christopher Nolan’s reboot of the Man of Steel franchise.
Three superheroes. Three new actors. Three high profile reboots. But which one are you most excited to see? READ FULL STORY
Back in 2001, I had the opportunity to visit the Los Angeles set of Sam Raimi’s Spider-Man and watched the director and his star, Tobey Maguire, shoot the scene in which Peter Parker locks himself in his bedroom and plays with his newfound web-spinning powers. Raimi was a stickler for perfection that day, filming many, many takes of Maguire pretending to fire jets of silk from slits in his wrist across the room, ring and middle fingers bent back to his palm, the other three fingers extended like prongs. The webs erupting from the actor’s hands had to be imagined, but the floor of Parker’s bedroom — built on a soundstage on the Sony lot — was littered with hundreds of little pieces of kinky pasta-colored silly-stringish stuff. I swiped a strand when no one was looking — I didn’t think anyone would miss it — and it occupies a spot on a shelf in my office. I treasure it like a trophy… even if it most visitors to my office confuse it for a piece of trash. READ FULL STORY
With buzz about the troubled Broadway production Spider-Man: Turn Off the Dark reaching a fever pitch online, a few news outlets have decided to publish unofficial early reviews of the show more than a month before its current slated opening on Feb. 7. Breaking a longstanding tradition of withholding judgment until opening night, the critics for Bloomberg news service and Newsday have both posted quasi-critiques of the show — and neither paints a flattering picture.
Jeremy Gerard of Bloomsberg (who paid $292.50 for an orchestra seat) calls the musical “an unfocused hodge-podge of story-telling, myth-making and spectacle that comes up short in every department.” He also blasts the “incoherently executed” character Arachne, a new villain invented by director Julie Taymor. READ FULL STORY
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