Tag: Snap Judgment (71-80 of 276)
“I am so excited to see those little Fockers!” Blythe Danner, aka Dina Byrnes, intones while heading to see her two Focker grandchildren in the Little Fockers trailer. Now that we’re moving into the kids phase of this movie series, I’m wondering if we can expect lots of “little Fockers”-type jokes in this latest flick. Seems like that could be inappropriate, but honestly, with a movie titled like Little Fockers—which is genius, BTW—isn’t that sort of required? I sort of hope so. I couldn’t help but smile when Danner said that line.
But I digress… Before I go further, why don’t you focus and watch the Little Fockers trailer here: READ FULL STORY
In the grand tradition of shirtless warriors — see: Brad Pitt (Troy) and Hugh Jackman (Wolverine) — today we add a new hunk to that list: Jason Momoa as Conan the Barbarian 2.0. The founding father of muscle, Governor Schwarzenegger, originated the role in the 1982 film, about a child sold into slavery who must avenge the massacre of his tribe.
This is the first still the studio has released for the film (due out next year), and judging by the long hair, biceps, and steel-cold face, I think Momoa fits the part quite nicely. For those of you less focused on his pecs, what do you think of this first image? Does it fit the bill for you?
Photo: Nu Boyana Studios
Sofia Coppola, the much-lauded director of the 2003 critical hit Lost in Translation, spent a good portion of last summer shooting her new film, Somewhere, in L.A. and Italy — and today, Apple has the trailer for the film, which revolves around a bad-ass actor (Stephen Dorff), his young daughter (Elle Fanning) who shows up unexpectedly, and their blossoming relationship.
It looks like we can expect more of the same from Coppola, but lucky for her, that’s a good thing. We get the melancholy, gray overcast and a tiny flicker of light at the end of the tunnel, not to mention what seems like will be rock solid performances from both actors, particularly Fanning, who now gets the chance to truly shine as someone other than “Dakota’s little sister.”
What do you guys think of the movie? The Chateau Marmont may be Somewhere‘s answer to Lost in Translation‘s Park Hyatt Tokyo, but do you think it’ll be the next big thing?
Nightline‘s Vicki Mabrey appeared on Good Morning America today and revealed more footage from her exclusive interview tomorrow night with Sandra Bullock’s estranged husband, Jesse James. James admits that he still has feelings for the actress. “I still really love her and care about her,” he says, adding, “I knew I would get caught eventually and I think I wanted to get caught.” Mabrey also revealed that James said he knows that Bullock will definitely divorce him and that the public’s reaction has been hardest on him. READ FULL STORY
departure from Grey’s Anatomy, it seemed like Katherine Heigl made a decision to stick with comedy in her on-screen life. She’s starring in the action comedy Killers (out June 4) and the upcoming child-rearing rom-com Life as We Know It (slated for October), followed by the plum role of Stephanie Plum in an in-development adaptation of Janet Evanovich’s One for the Money — a potential franchise, since the series has 19 books.After the high drama of her
But now The Hollywood Reporter says Heigl is set to star in an “epic love story” about woman who ceases to grow older, entitled The Age of Adaline (or, as it will undoubtedly be known in the EW office, Benjamina Button). Looks like a surefire hankie-drencher, what with all the potential storylines about Adaline’s friends growing old and dying while she’s cursed with immortally smooth skin and sag-resistant cleavage. (Oh, the agony!)
I have to admit, the movie sounds a little melodramatic for me, although I do think it’s a good idea for Heigl to get some heavier roles on her resume if she wants to earn some respect for her work. But what do you think, PopWatchers? Will you buy Heigl as a drama queen on-screen, or would you rather see her stick to fluffy fare?
Conan O'Brien opens up to '60 Minutes' about his NBC exit; is vulnerable -- but still funny -- in the hot seat
And on the seventh day, Coco spoke.
Yes, we’d been waiting months-that-felt-like-years to hear from Conan O’Brien about his unplanned, unpleasant exit from NBC and The Tonight Show. Legally prohibited from criticizing the network — and from giving interviews until May 1 — he was left with little choice but to amuse himself (and us) on Twitter and on the stage with his “Legally Prohibited From Being Funny on Television Tour.” Tonight’s 60 Minutes interview was his first real chance to share what was on his mind. At least as much as he legally could. (Non-disparagement agreements, what lurks behind you?)
So, how’d he do? He came across as likable and funny, yet didn’t rely on humor as deflection. He came across as sad, yet didn’t wallow in it. He came across as honest, but also tactful. He showed vulnerability at times — and, yes, hints of defensiveness — but did not resort to turning Jay Leno or NBC into a punching bag. He was also self-aware enough to share his predicament, but to also keep it in perspective. (After all, in the land of $32 million exit packages, is anyone truly getting screwed?) I liked and respected how O’Brien ended his last Tonight Show broadcast on a classy, gracious note — thanking the network for the times that were good and urging his fans not to give into cynicism — and I think he worked hard here to answer Steve Kroft’s to-the-point questions while seeking to uphold that philosophy.
Some highlights from the interview: READ FULL STORY
Oprah Winfrey had her high-profile interview with John Edwards’ mistress Rielle Hunter this afternoon. It comes as a bit of an anticlimax in the wake of GQ‘s profile of her from last month, if only because a lot of Hunter’s more gossipy bombshells about the endlessly sordid tale of her affair with the one-time presidential candidate have been picked over by now. Still, it made for some compelling TV to watch Oprah walk the line between sympathetic listener and skeptical inquisitor.
As in the GQ interview, Hunter had an endless supply of New-Age nuggets about helping Edwards find “his authentic self” and “live a life of truth.” What struck me as I was watching was how — dare I say — Oprah-esque Hunter often sounded when it came to spirituality. Still, under Oprah’s firm questions, it was not hard to see the limits of Hunter’s brand of mysticism, when anything Edwards did, no matter how unethical or sleazy or dishonest, could be explained away as just another step on a person’s path to enlightenment. I couldn’t help thinking back to a Salon post I’d read post-GQ that defended Hunter, not because the writer thought she was misunderstood or sympathetic, but because Hunter just sounded so dreadfully, terribly naive. Among the Oprah highlights (or, I guess, lowlights, depending on your point of view):
- 'Rush Hour,' 2 more pilots ordered by CBS
- 'Chicago P.D.' role for 'Shameless' alum
- Emma Watson as 'Beauty and the Beast' Belle
- Sam Smith's 'Stay With Me' = Tom Petty cash
- Dropkick Murphys vote no on pol using song
- Chris Weitz in as 'Star Wars' film writer: Report
- Cosby accused by ex-film exec Cindra Ladd
- 'Birdman' wins Best Cast at SAG Awards
- Nick Jonas + Ryan Murphy's 'Scream Queens'
- 'Mission: Impossible 5' moves to July 31
- Tom DeLonge: 'I'm not leaving Blink-182'
- 'X-Men' TV series? Fox in early stage talks