Tag: Smash (1-10 of 21)

Apr 16 2013 09:48 PM ET

Welcome to the 21st century, Twentieth Century Fox

Anyone wondering when Twentieth Century Fox was going to finally step into the 21st century, today’s the day. Sort of.

News Corporation, Twentieth Century Fox’s parent company, is preparing to split its entertainment assets from its publishing units. The name News Corporation will stay with those publishing units, which include The Wall Street Journal and HarperCollins. But the group of entertainment companies, including the studio and TV networks such as FX, will get a new name: 21st Century Fox.

But that does not mean the film studio or the television studio will have a name change — only the newly formed parent company will be called 21st Century Fox. So yes, Twentieth Century Fox studio will have a new papa that has a preference for the current century and for Arabic numerals.

CEO Rupert Murdoch announced the new name on Tuesday. With a new name will likely come a new logo, probably some variation on the film studio’s recognizable monument-and-searchlights banner. But it certainly won’t be the first time we’ve seen the logo spruced up or given a twist. Plenty of TV shows and films have had their fun with those searchlights and that catchy fanfare. Below, check out what The Simpsons, Revenge of the Nerds, and more have done with the logo, plus a few musical nods to the movie company. READ FULL STORY »

Apr 15 2013 09:00 AM ET

PopWatch Planner: 'The Vampire Diaries' go to the prom, 'Oblivion,' 'Mad Men' and more

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Image Credit: Bob Mahoney/The CW

From prom in Mystic Falls, to Tom Cruise’s new Sci-fi adventure, we’ve got your pop culture planner for the week. Check it out below! READ FULL STORY »

Mar 14 2013 12:02 PM ET

Requiem for a musical: How 'Smash' went wrong

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Image Credit: Will Hart/NBC

Smash should have been a singular sensation. When the show launched last February, it seemed to have everything going for it — an innovative concept, a killer cast of established screen stars (Debra Messing, Anjelica Huston) and beloved Broadway actors (Christian Borle, Megan Hilty), fabulous original songs from Marc Shaiman and Scott Wittman, high production values, and the stewardship of producer Steven Spielberg. And early on, ratings indicated that this potent mixture had indeed resulted in a hit — the show’s heavily-hyped premiere drew 11.44 million pairs of eyeballs and healthy demographic numbers.

Then, of course, came Smash‘s crash. As the series’s onscreen antics got increasingly absurd — Ivy’s hooked on pills! Terrible Ellis has poisoned Uma Thurman’s smoothie! Julia’s mumbly son Leo is a “straight-A student”! — viewers began tuning out in droves. By the end of season 1, Smash had been demoted from promising newcomer to a singing, dancing mascot of the hate-watching movement.

Even then, there was a light at the end of the tunnel. It came in the form of Josh Safran — a new showrunner who promised to reinvigorate Smash by ditching unpopular characters, broadening the show’s scope, and severely cutting down on its number of scarves per capita. Those who saw a diamond in the rough that was Smash’s first season were hopeful — maybe, just maybe, the show could become the hit it was always meant to be in season 2.

Or… maybe not.  READ FULL STORY »

Mar 7 2013 01:10 PM ET

Jeremy Jordan and Jonathan Groff sing gender-bending cover of 'Let Me Be Your Star' -- EXCLUSIVE VIDEO

It’s Smash as you’ve never seen it before.

What if Broadway vets Jeremy Jordan (Newsies) and Jonathan Groff (Spring Awakening) had been vying to play Marilyn Monroe on the first season of the Broadway-set NBC drama instead of Katharine McPhee and Megan Hilty? Well, alternate-universe shippers can rejoice! On Monday, Jordan and Groff belted out a gender-bent version of the show’s signature ballad, “Let Me Be Your Star,” at a benefit for the Off Broadway’s MCC Theater (whose current production, Really Really, stars Girls‘ Zosia Mamet and Parenthood‘s Matt Lauria).

This year’s “Miscast” fund-raiser featured a bunch of theater-friendly celebs performing tunes originally written for performers of decidedly different ages, genders, or ethnicities. Tony-winner Jane Krakowski tackled the title song from the Latino-centric musical In the Heights, while her former 30 Rock castmate Cheyenne Jackson paired with Jordan to play Side Show‘s conjoined twins Daisy and Violet on “Who Will Love Me As I Am.” But nothing can top Jordan and Groff’s wiggy take on “Let Me Be Your Star.”

Check out the clip below. READ FULL STORY »

Feb 28 2013 06:08 PM ET

Happy Birthday, Bernadette Peters!

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Image Credit: Andrew H. Walker/Getty Images

Today is Bernadette Peters’ birthday. Peters has taught theater geeks everywhere  to embrace both their comic and dramatic sides, to sing their hearts out, and to wear their curly hair as big as they want to. Even if you only know her as Sophie in Anastasia, you know she’s got a voice.  Here are five reasons we’ll always love the Broadway darling: READ FULL STORY »

Feb 17 2013 10:00 AM ET

PopWatch Planner: The Oscars, 'Downton Abbey,' and the Independent Spirit Awards

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Image Credit: Nick Wall/PBS

Could there be something happening next Sunday that we’re excited about? Hmm… Hmm… maybe something we’ve had two covers of, have seen all the movies for, and have debated and debated for months now? Yes, of course the Oscars are next weekend, but first up is this week’s exciting season finale of Downton Abbey, followed by the narrowed-down field on American Idol, Dark Skies opening in theaters, and more. Have a great week!
READ FULL STORY »

Feb 6 2013 07:18 PM ET

We've heard this somewhere before. Why do 'Smash' and 'Glee' keep overlapping? -- VIDEO

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Image Credit: NBC

Smash has done it again (no, not in the ratings, let’s forget about those for a minute) —we’re talking about using songs that sound pretty familiar — mainly because they’ve been on a different musical TV show, Glee, as recently as the current season.

During its two-hour premiere Tuesday night,  Ivy (Megan Hilty) covered Crowded House’s 1986 hit “Don’t Dream It’s Over” as a faraway-look-in-her-eye ballad of resilience. Except that Glee already covered the song, as a cheer-us-up chorus of resilience — and beanies.

This isn’t all that surprising: Before Smash’s debut in 2011, producer Craig Zadan said at NBC Press Tour, “I don’t think any of us feel our show is like Glee, but we feel grateful to Glee for opening that door,” – creating space for more TV musical shows. Last night’s episode certainly isn’t the first time Smash has followed in Glee‘s footsteps: In the pilot, Smash had Karen (Katherine McPhee) singing “Beautiful,” which Mercedes (Amber Riley) sang on Glee all the way back in season 1.

But there’s more! “Over the Rainbow” and “Shake It Out” have been covered by both shows. Perhaps the overlap in last night’s episode was only all the more striking since Smash has prided itself leading up to last night’s season premiere on a second-season renaissance with a new showrunner and some major cast changes.

READ FULL STORY »

Feb 5 2013 12:44 PM ET

Russell Brand gets cheeky with Katharine McPhee on 'Late Night with Jimmy Fallon' -- VIDEO

Poor Katharine McPhee did not know what she was in for when she went on Late Night with Jimmy Fallon to promote Smash last night. But she handled a flirty Russell Brand like a champ!

When McPhee came out on stage, Brand wouldn’t move from the guest chair, so she sat down on his lap. Then Brand got a little touchy-feely. Watch the awkwardness below: READ FULL STORY »

Jan 12 2013 10:00 AM ET

Golden Globes: Who will win in the TV categories? Polls!

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Image Credit: Kent Smith/Showtime

Just because most people don’t do a Golden Globes pool doesn’t mean you can’t predict if Homeland will build on its Emmy domination. Let’s take the 11 TV categories to a vote. Remember, this is who you think will win, not necessarily who you want to win.  READ FULL STORY »

Jan 2 2013 09:00 AM ET

This Week's Cover: Inside the making (and remaking) of NBC's 'Smash'

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The show that everyone wanted to love — and everyone loved to hate — is back. And guess what? It’s good. This week, Entertainment Weekly gets an exclusive inside look at NBC’s ambitious overhaul of their musical drama, Smash. (Click here to buy the issue.) There’s a lot riding on it for a lot of people, first and foremost the show’s 10(!) executive producers, including Hollywood’s biggest director, Steven Spielberg; Craig Zadan and Neil Meron (the Oscar-winning Chicago); and Tony-winning composing team Marc Shaiman and Scott Wittman (Hairspray). This impressive pedigree made Smash the most high-profile premiere of 2012, and the series started strong with a stellar pilot, which followed the team behind a new Marilyn Monroe musical called Bombshell, including the two starlets vying for the lead, Karen (Katharine McPhee) and Ivy (Megan Hilty). Then several things went wrong. Like Ellis (Jaime Cepero), the sweater-vested sexually ambiguous assistant to Broadway producer Eileen (Anjelica Huston). Or the wardrobe of Bombshell‘s lyricist, Julia (Debra Messing), which featured a collection of distractingly large — and ugly — scarves. “I thought it was really shocking, that it offended some people to their bone,” says Messing. “There were some virulent things written about these scarves.” Jokes Hilty, “Who knew that Debra Messing’s scarves would become a drinking game? When I heard that, I was like, Really?”

New showrunner Joshua Safran (Gossip Girl) got the gig after selling NBC on his plan for the new Smash: More star power (Jennifer Hudson! Liza Minnelli!), more ambitious plotting, more original music (including tunes from a new Rent-esque project called Hit List), and absolutely no more scarves. Judging by the first three episodes, Safran has given Smash some much-needed mood stabilizers to eradicate its whiplash tone and character shifts, and the new players — like bad boy songwriter Jimmy (Jeremy Jordan), a love interest for Karen, and Broadway superstar Veronica Moore (guest star Hudson) — bring fresh energy to the storytelling. Basically, this season could be retitled Smash 2.0: Go Big or Go Home.  “Some things you’ll fail with because being audacious doesn’t always fly,” says NBC Entertainment chairman Bob Greenblatt. “But I think we have to be audacious or we’re dead.”

Watch footage of EW’s cover shoot below with stars Katharine McPhee and Megan Hilty alongside Smash newcomer Jennifer Hudson, who appears in three episodes this season. READ FULL STORY »

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