The other week, in my holiday viewing, I re-watched an old Paul Walker film I own called Noel. It’s yet another cheesy Christmas movie about a number of strangers whose lives all intertwine on Christmas Eve, but for the time being, it was exactly what I wanted. However, I hadn’t seen it in a few years, and I had forgotten that it included a “twist.” Spoiler alert: Robin Williams plays a kind ex-priest who bonds with Susan Sarandon’s sad single older woman … or so it seems. At the end of the film, we find out Charlie (Williams) is actually about 30 years older than he seemed, and this entire time, he’s been unconscious in a bed at a geriatric home. Essentially, Sarandon bonded with a ghost.
I tend to let that sort of angel/ghost stuff slide with Christmas movies, but in Noel‘s case, it felt incredibly unnecessary. The story would’ve had the same amount of impact if he had just been a nice guy who helped out a lonely woman. Where is the benefit in making him a ghost? READ FULL STORY