Sure, it’s a tough sell — dirty cops, crooked businessmen, murder, and child abduction – all in one five-hour über-dark package? With thick Yorkshire accents and bad ’70s fashions, to boot. But trust me The Red Riding Trilogy is worth your time.
I’m trying to think of a way to describe these films – the closest I can come is: Zodiac meets The Wire meets Silence of the Lambs meets Midnight Cowboy meets meets Chinatown meets Kes meets The Godfather. Is that ridiculous enough to convince you to see it?
This is one of the year’s most ambitious film projects — maybe not in terms of budget, but certainly in terms of creative challenges. The filmmakers took acclaimed author David Peace’s Red Riding Quartet of novels and distilled them into three films (1974, 1980, and 1983), each with a different focus but overlapping some characters and settings in the North of England. The real-life Yorkshire Ripper comes into play, but a lot of this noir is fiction, about the people doing bad deeds (the aforementioned murder and child abduction) and a few brave souls who try to uncover the pitch-black truth. The project reflects the style of each director involved — Julian Jarrold (Becoming Jane), James Marsh (Man on Wire), and Anand Tucker (Leap Year) — and showcases a few of Britain’s best young actors (Andrew Garfield, Paddy Considine, Rebecca Hall). READ FULL STORY