Tag: Oscars (91-100 of 525)

Feb 23 2012 09:25 AM ET

Shira Lazar of 'What's Trending': Which Oscar contenders have generated the most online buzz?

Tags: , Movies
SHIRA-LAZAR

As we move closer to Hollywood’s biggest night, fans and industry insiders continue to connect with their favorite stars and films with online updates that create word-of-mouth across the web.

Oscar.com has created an “Oscar Buzz” page to track real-time tweets and conversation of nominees and fans using the #Oscars and #OscarBuzz.

The L.A. Times partnered with the USC Annenberg Innovation Lab to create an interactive “Senti-meter.” Just click on a date on the graph and see what actors, actresses, and movies were getting the most love on Twitter that day. As of 2/13, The Artist was in the lead with 2,800 Twitter mentions after the dog @Uggie_TheArtist (who has his own account) won The Golden Collar Award, followed by online chatter around Moneyball, Hugo and The Help.

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Feb 22 2012 10:00 PM ET

Sacha Baron Cohen wants to walk the Oscar red carpet dressed as a Middle Eastern dictator. Should the Academy let him?

THE-DICTATOR

Image Credit: Mark Seliger

Sacha Baron Cohen apparently wants to bum rush the Academy Awards. The comedic merry prankster—who, you might recall, descended on wires crotch-first into Eminem’s face at the 2009 MTV Movie Awards to promote his comedy Brüno and has pulled similar guerilla stunts in the guise of Borat and Ali G—would reportedly like to strut down the Oscar red carpet this Sunday as his character in the upcoming movie The Dictator: a Qadaffi-esque Middle Eastern leader named General Aladeen.

The plan, if he pulls it off, would obviously give a huge publicity boost to Paramount’s The Dictator, which opens on May 11. Perhaps not surprisingly, though, the Academy doesn’t see the comic value in Baron Cohen’s fictional strongman rubbing elbows with Hollywood royalty in all their formal finery. “We would hope that every studio knows that this is a bad idea,” a spokesperson for the Academy of Motion Picture Arts and Sciences told Deadline. “The red carpet is not about stunting.” That said, the Academy has stopped short of banning Baron Cohen outright; a spokesperson told  The Hollywood Reporter, “We don’t think it’s appropriate. But his tickets haven’t been pulled. We’re waiting to hear back.” [UPDATE: Deadline reports that the Academy has said that it will, in fact, rescind Baron Cohen's tickets if he intends to proceed with the Dictator stunt. Otherwise, as an Academy member and one of the stars of the Best Picture-nominated Hugo (which is also a Paramount film), he is invited to attend the show. Baron Cohen's rep tells EW, "We have no comment." Stay tuned...]

The Academy is in an awkward position here. On the one hand, this isn’t some raucous, anything-goes awards show like the MTV Movie Awards we’re talking about—this is the Oscars, the venerable, tradition-bound granddaddy of all awards shows that’s supposed to honor cinema’s highest values and achievements. The Academy has a longstanding policy of not allowing the promotion of specific movies during the telecast (though, to be fair, there have been occasional exceptions, like when Ben Stiller presented with Starsky & Hutch co-star Owen Wilson wearing his Starsky duds in advance of their big-screen reboot of the ’70s cop show). Banning obvious shilling for particular movies seems reasonable enough: Would anyone really like to see the Academy Awards reduced to a cheesy plug-fest? On the other hand, the venerable, tradition-bound granddaddy of all awards shows could use a little shaking up, couldn’t it? If the Academy tried to put the kibosh on Baron Cohen (who has already reaped some nice publicity simply from this idea being floated), it would risk looking like a bunch of humorless fuddy-duddies—not the ideal image for an institution that needs to attract younger viewers in order to maintain the Oscars’ relevance going forward.

There are potential risks for Baron Cohen, too, of course: The stunt could fall flat (the Oscar red carpet, packed wall-to-wall with stressed-out stars and their equally stressed-out handlers, is not exactly the most comedy-friendly environment). Or, even if it succeeds, it could do so at the cost of making Baron Cohen—who you have to assume wouldn’t mind getting some Oscar love of his own some day—about as welcome a figure at the Academy as Brüno was when he showed up at that Arkansas steel-cage wrestling match.

What do you think? Should the Academy relax and embrace the spectacle of Baron Cohen sauntering down the red carpet in his medal-bedecked military uniform and long fake beard? Or are they right to try to dissuade him from potentially making a mockery of the industry’s biggest night?

Feb 22 2012 08:00 PM ET

This Week's Cover: An exclusive interview with Oscar host Billy Crystal

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No one knows the ins and outs of hosting the Academy Awards better than Billy Crystal. For the eight-time host, who will take the stage this Sunday to emcee Hollywood’s biggest night for the first time in eight years, the Oscars have always been deeply personal. ”When I would first watch it—[at] 6 or 7 years old, watching on a black-and-white TV—I very rarely could stay up until the Best Picture award, so my mother would write down who won and when I came into the kitchen the next morning, the list of winners would be in my cereal bowl,” he tells EW in an exclusive, wide-ranging interview in this week’s issue. “It’s important that the show be good, and I take it really seriously.”

Still, when he makes his entrance for this year’s show, Crystal may not find that Oscar stage as cozy a place as he did 21 years ago, when he first took on the gig. Ratings for the telecast have steadily ebbed in recent years, complaining about the show has become a national pastime, and last year’s Oscars, hosted by Anne Hathaway and James Franco, were widely slammed as a clumsy attempt by the Academy to lure in younger viewers. Crystal says he knows how high the stakes are for this year’s show: “There’s a big responsibility to the job—I think more so this year because people were not happy last year,” he says. “I’ve got to deliver.”

Crystal tells EW he first got the itch to return to the hosting gig during last year’s show, when he sat backstage and watched moments like actress Melissa Leo dropping the F-bomb go by without a single joke from the hosts. “They didn’t say a word!” he says, still sounding shocked. “That’s when I knew maybe I should come back. It’s fun to be out there when moments like that happen.” That’s not to say the hosting job is a cake walk by any stretch. “As a comedian, you have everything working against you,” Crystal says. “It’s like a bad seder towards the end: We’ve had plagues, we’ve had pestilence—and we still haven’t eaten. My opinion about it is you really have to want to be up there—and those who haven’t, you could tell they really didn’t embrace it the way you have to.”
Some may see Crystal—who stepped in to replace Eddie Murphy—as a safe choice for Oscar host, but in the EW interview he pulls no punches. He shares his unvarnished feelings about the go-for-the-jugular hosting style of Ricky Gervais: “That whole concept of ‘I want to really go after people’—I don’t understand that. Is it a roast or is it an awards show?” He gives his contrarian take on the Academy’s obsessive pursuit of young viewers: “I say if there are young filmmakers making really good, strong movies for that age group—and not just vampire movies—[and those movies are nominated] then young people will watch. But, I mean, look at the nominees this year for Best Director: Woody is 76, Marty is 69. Those are the best films. Is Twilight a Best Picture?” And he reveals that, while he won’t make any jokes in the show about the controversial “rehearsal’s for fags” remark that led Oscar producer Brett Ratner to step down in November (“Rehearsals are for gags,” he says, deadpan), he does intend to use this year’s heated presidential campaign as fodder for comedy: “How funny are these idiots?” he says. “There will be something that will filter into it.”
Despite the inevitable Monday-morning quarterbacking about the show and the hand-wringing over ratings, Crystal says he will have his own internal barometer of whether he succeeds as this year’s host. “There’s a younger audience—some of them will be seeing me for the first time. Hopefully, they’ll watch the show and they’ll say, ‘He’s really funny.’ That’s important to me.”

For more of our interview with Crystal — including the never-before-reported backstory on how he came to host this year’s show, his Oscar-watching ritual at home, and his thoughts on which movies should have gotten more Oscar love this year — pick up the new issue of Entertainment Weekly, on stands this Friday.

Entertainment Weekly is now available on most tablets, including the iPad, Nook Color, Kindle Fire, and Samsung Galaxy. Think of it like the EW you already love, but on steroids: With our digital magazine, you can buy the recommended movies, albums, books, and DVDs while you’re reading about them. Plus you can watch music videos and film trailers, and find movie showtimes in your neighborhood. Current subscribers can access the digital version of EW for free by downloading EW app (also free) and logging in using your name and address or the information on your subscription label. Single copies of the magazine are also for sale through the app if you prefer to read EW that way. If you’re not a subscriber, but would like to become one, you can can do so by going to ew.com/allaccess.

Feb 22 2012 04:00 PM ET

Inside the Best Picture nominees: A deep dive into 'Moneyball'

brad-pitt-moneyball

Image Credit: Melinda Sue Gordon

There are a whopping nine films nominated for Best Picture at this year’s Academy Awards. And between your work, family, and constant USA marathons of Law & Order: SVU (when will those ever stop being addictive?!), you simply do not have time to catch all nine in the theaters or on DVD. But never fear, dear PopWatchers — that’s why we’re here! Each day leading up to the Academy Awards Feb. 26, we’ll be providing you with a deep dive into one of the nine Best Picture nominees. Fear showing up to your Oscars party unprepared to discuss the year’s most notable films? We’ve got you covered. (Just beware: SPOILERS AHEAD!) And if you’ve already seen all nine films, even better — our inside look at each nominee will serve as a handy guide to remind you of the best and worst moments from every Best Picture candidate this year. In this installment we’ll break down all the statistics of Moneyball. (And be sure click here for more deep dives into this year’s Best Picture nominees!)

Name: Moneyball

Release date: September 23, 2011

DVD release date: Available now

Run time: 2 hours, 13 minutes
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Feb 21 2012 04:00 PM ET

Inside the Best Picture Nominees: A deep dive into 'Midnight in Paris'

midnight-in-paris

Image Credit: Roger Arpajou

There are a whopping nine films nominated for Best Picture at this year’s Academy Awards. And between your work, family, and constant USA marathons of Law & Order: SVU (when will those ever stop being addictive?!), you simply may not have time to catch all nine in the theaters or at home. But never fear, dear PopWatchers — that’s why we’re here! Each day leading up to the Academy Awards on Feb. 26, we’ll provide you with a deep dive into one of the nine Best Picture nominees. Fear showing up to your Oscars party unprepared to discuss the year’s most notable films? We’ve got you covered. (Just beware: SPOILERS AHEAD!) And if you’ve already seen all nine films, even better — our inside look at each nominee will serve as a handy guide to remind you of the best and worst moments from every Best Picture candidate this year. Today, we take a look at Woody Allen’s Midnight in Paris. (Be sure to click here for more deep dives into this year’s Best Picture nominees!) 

Name: Midnight in Paris

Release date: May 20, 2011 (Limited), June 20, 2011 (Wide)

DVD release date: Available now

Runtime: 1 hour, 34 mins. READ FULL STORY »

Feb 21 2012 01:15 PM ET

Oscar Myth Busting: Does a director's Oscar win mean their film will walk away with Best Picture?

SPIELBERG-OSCAR

Image Credit: Eric Draper/AP

Put down those Pop Rocks and Diet Cokes. We’ve got some A-list myths to examine! Ahead of this Sunday’s Oscars, we’ll be taking a look at some of the most famous myths to rise out of the annual awards ceremony. Want to know if being nude will get you a Best Actress statue? Or if the Best Supporting Actress trophy is indeed a curse? You’re in luck – we’ll be investigating one Oscars-related urban legend each day this week. Today, we investigate whether a director winning the Oscar for Best Director means their film will be announced mere moments later as Best Picture. In the past 25 years, has it come true? Read on to find out. (And click here for more of EW’s Oscars Myth Busting.)

Oscar Myth: The Best Director-Best Picture connection. 

What Is It?: The Best Picture Oscar will be awarded to a movie immediately after its director has been announced the winner of the Best Director trophy.
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Feb 20 2012 04:00 PM ET

Inside the Best Picture Nominees: A deep dive into 'Hugo'

hugo

Image Credit: Jaa

There are a whopping nine films nominated for Best Picture at this year’s Academy Awards. And between your work, family, and constant USA marathons of Law & Order: SVU (when will those ever stop being addictive?!), you simply may not have time to catch all nine in the theaters or at home. But never fear, dear PopWatchers — that’s why we’re here! Each day leading up to the Academy Awards Feb. 26, we’ll provide you with a deep dive into one of the nine Best Picture nominees. Fear showing up to your Oscars party unprepared to discuss the year’s most notable films? We’ve got you covered. (Just beware: SPOILERS AHEAD!) And if you’ve already seen all nine films, even better — our inside look at each nominee will serve as a handy guide to remind you of the best and worst moments from every Best Picture candidate this year. Today, we take a 3-D look at Hugo, Martin Scorsese’s lush adaptation of Brian Selznick’s The Invention of Hugo Cabret. (Be sure to click here for more deep dives into this year’s Best Picture nominees!)

Name: Hugo

Release date: Nov. 23, 2011

DVD release date: Feb. 28, 2012

Run time: 2 hours, 5 minutes READ FULL STORY »

Feb 20 2012 03:00 PM ET

Nominated for Nothing: Why '50/50' should have had better Oscar odds

50-50

Image Credit: Chris Helcermanas-Benge

Every year, brilliant movies are utterly ignored by the Oscars. The Searchers, Groundhog Day, Persona, Breathless, Hoop Dreams, King Kong, Caddyshack — the Academy has a long history of overlooking comedies, action movies, horror flicks, artsy foreign films, and documentaries that aren’t about World War II. This year, we’ll be taking a closer look at films that were too small, too weird, or perhaps simply too awesome for the Academy Awards. These are the Non-Nominees.

The Film: Loosely based on screenwriter Will Reiser’s real-life battle with cancer, 50/50 is equal parts tear-jerking (but never manipulative) cancer drama and R-rated Seth Rogen buddy comedy. Filled with heartfelt, nuanced performances from Anjelica Huston, Anna Kendrick, and leading man Joseph Gordon-Levitt at his career best as Adam, a 27-year-old coming to grips with his cancer diagnosis, the film excelled at taking an honest and funny look at the rarely accurately portrayed tragedy (and yes, comedy) of coping with the disease. [SPOILERS AHEAD!]
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Feb 20 2012 01:27 PM ET

Academy Award voters are old, white, and male: Study

Tags: , Movies

The Academy Awards chooses its winners based on the votes of a select group of Hollywood insiders, but it turns out that group might be more select than we might think. According to a study conducted by The Los Angeles Times, the Academy, which boasts 5,765 members, is 94 percent Caucasian and 77 percent male. Only 14 percent of the Academy is younger than 50, and as for its minority voters: Only 2 percent are African-American, while 2 percent are Latino.

It’s not an entirely surprising result — after all, the industry is known for being primarily male and white. And Academy President Tom Sherak says that’s part of the problem. Sherak told the L.A. Times that he has attempted to diversify the Academy, but has trouble doing so, since it mirrors a very white industry. Says Academy governor Phil Alden Robinson, “We start off with one hand tied behind our back… If the industry as a whole is not doing a great job opening up its ranks, it’s very hard for us to diversify our membership.” READ FULL STORY »

Feb 20 2012 01:15 PM ET

Oscar Myth Busting: Will going nude get you a Best Actress Oscar?

The-Reader_320.jpg

Image Credit: Everett Collection

Put down those Pop Rocks and Diet Cokes. We’ve got some A-list myths to examine! Ahead of this Sunday’s Oscars, we’ll be taking a look at some of the most famous myths to rise out of the annual awards ceremony. Want to know if being nude will get you a Best Actress statue? Or if the Best Supporting Actress trophy is indeed a curse? You’re in luck – we’ll be investigating one Oscars-related urban legend each day this week. Today, we investigate one of the most common myths: Going nude will get you a Best Actress Oscar. In the past 25 years, has it come true? Read on to find out. (And click here for more of EW’s Oscars Myth Busting.)

Oscar Myth: Will showing breast assets win a performer Best Actress?

What Is It?: The award for Best Actress will most often go to the actress who appears nude in her film. READ FULL STORY »

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