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Tag: Nicolas Cage (1-6 of 6)

Superman's 1938 debut comic book sells for $3.21 million on eBay

Some comic book fans may consider prices for a single comic to be too high in 2014, but those same readers would likely faint at the several million-dollar price tag “Action Comics” No. 1, the 1938 comic featuring Superman’s debut, raked in over the weekend.

A copy of the issue, which first sold for only 10 cents in 1938, garnered $3,207,852 in an eBay auction that concluded on Sunday night. This final price tag was a huge leap from the initial asking price of $0.99 when the auction began on Aug. 14. READ FULL STORY

There Should Be A(nother) Sequel: 'National Treasure'


Confession: I think Nicolas Cage is a great actor. And not just because of Oscar-quality performances like those in Adaptation and Leaving Las Vegas. No, the movie that introduced me to Cage’s gifts was National Treasure. And while Cage did return to the big screen for a sequel, the series deserves to become an even bigger franchise.

The National Treasure movies were made in the wake of Dan Brown’s The Da Vinci Code, an immensely popular, thrilling, if not particularly well-written novel about conspiracy theories and mini-art history lessons. National Treasure is the American Da Vinci Code—and also much better than the actual Da Vinci Code movie, which opted for drab humorlessness instead of embracing its inherently silly premise.

National Treasure, on the other hand, is in love with its own silly premise. Basically, Cage follows a trail of clues across historical America, trying to find a treasure the founding fathers hid during the Revolutionary War. He needs to get it before the bad guys, who have more sinister plans than donating it to a museum, do. It’s everything you can want from an action movie: witty, reasonably well-crafted, and starring Nicolas Cage. READ FULL STORY

Here's what it's like to attend a Nicolas Cage-themed art show


Around 9 p.m. Saturday night in Los Angeles, a small but eager group stood in a building entrance lit only by Christmas lights and the flashlight of a lone security guard. A large, service-like elevator hit the ground floor, and soon, they slowly ascended to what’s called The Syrup Loft for an event seemingly ridiculous in theory, but executed with unbridled commitment: The Nicolas Cage Art Party Los Angeles.

It all started earlier this year. While working the night shift at Bed, Bath & Beyond, producer/curator Ezra Croft had an epiphany: He should hold a Nicolas Cage-themed art show.

“I was like, we’re going to take something that the Internet thinks is a little silly, but really has a good fan base, and we’re going to make real art out of it,” Croft said.

He put out feelers on Craigslist, hoping to gather submissions for the art show. The internet promptly imploded.

“The art started pouring in, and I thought oh my God, we hit gold here,” Croft explained. “It’s been a roller coaster ever since.” The first Nicolas Cage-themed art event took place in San Francisco’s Mission District on April 12, 2014. The works featured various mediums and styles, messages and tones, but all of which had Cage as their subject. Soon, he began planning a second show in Los Angeles.

What’s so fascinating about Cage? What warrants an entire art show dedicated to this particular actor? In Croft’s words, “He becomes the character; he tells the story. It might not be a classically polished, Hollywood movie, but it’s an interesting thing. He’s not afraid to make the less-than-popular decision. It’s cool to see that. It doesn’t always make for an amazing movie but he’s doing it. He’s a chameleon.”

Inside the eclectic loft, the works were divisive: Most were taking Cage seriously, while some brought popular Internet memes to the canvas. (Note: If you have not checked out Nicolas Cage on Google images lately, do yourself a favor.) The divisiveness with the art makes sense because with Cage, there is always the question of whether he is a good actor, a bad actor, a good actor who is self-aware and in on the joke, or all of the above.


One artist—who goes by Tormented Sugar, and whose “#IHeartSugar” was featured in the show—believes there’s a parallel between the variation within Cage himself and the art he inspires. “As an artist, Nicolas Cage is appealing for the fact that he can play as many variations of characters as there are possibilities to mix colors on a palette, which to me is almost infinite,” Sugar wrote in an email. “Nic Cage is to pop culture what an artist is to canvas.”

One artist to treat Cage more seriously is Steven Holliday, whose illustrator-made portrait, “The Cage,” depicts the actor in a muted palette, looking off canvas, seemingly deep in thought. Between Cage’s over-the-top acting style, which doesn’t always work, and a handful of not-so-great films he’s acted in, Cage has become humorous to some. But Holliday wanted to step away from that, portraying the other half of Cage: a respected actor.

“Every actor, every artist in general, has a bad day, some more than others, but we have to also remember that Nicolas Cage is an Academy Award-winning actor,” Holliday said. “It’s something that people don’t really remember. That’s one of the things that I wanted to bring to the serious portrait because I do view him as more of a serious actor who can also make fun of himself.”

[Note: Cage won an Academy Award in 1996 for Best Actor in Leaving Las Vegas.]


A goal for Croft was to play with Cage’s iconography without making fun of him. As a result, most of the artists featured in the show treated Cage with revery, not irony. That being said, there was quite a bit of humor in the show, indicated by a number of lighthearted pieces. Consider Cage as Sailor Moon, Elvis, and even as a great white shark (twice). Plus, in “It’s a Trap” by Sharon Welchel, Cage was depicted as Star Wars’ Luke, Leia, Han Solo, and Obi-Wan Kenobi.

Perhaps most interestingly, though, quite a few pieces depicted Cage as a religious entity of sorts. “The Lamentation of Saint Wickerman” by Anne Walker Farrell presented Cage as both Madonna and child, being attacked by bees, in the vein of Cage’s 2006 film, The Wicker Man. “Cameron Poe’s Last Supper” by Rebecca Gonsalves acted as a play on Leonardo da Vinci’s “The Last Supper,” with Cage’s face inserting itself into all of those present at the biblical event, even Christ himself.

Then there’s Rachel McPherson’s “Saint Nicholas of Cage” (see main image), which looks like your average portrait of a saint. The piece could almost pass in a church, if not for Cage’s signature look, but McPherson maintains that the piece should not be taken too seriously.

“One can’t read too much into my painting,” McPherson wrote in an email. “Nicolas Cage is indeed an icon and an interesting person, but ‘Saint Nicolas of Cage’ is a play on words and I felt that it gave me the imagery to create a striking painting.”

By no means do Croft or the artists involved hold Cage to a literally (keyword: literally) saint-like, or even God-like, esteem, but the imagery poses an interesting idea. One should take the domain name of the event’s website—www.nicolascageisgod.com—into account. Whether artists were taking Cage seriously, portraying him as a talented actor, or respectfully poking fun at some of his notoriously bad films, they were still elevating Cage, furthering his iconography and legend. (Yes, legend.)

The Nicolas Cage Art Party Los Angeles was a singular event, but it speaks to a greater fascination with Cage. For Croft, the fascination is in the development of Cage, as an actor and as a personality. “He’s had these legendary highs and lows,” Croft explained. “The evolution of Nicolas Cage is just really interesting because there’s not many other actors out there who can do that.”

Croft will next be hosting The Murray Affair: A Bill Murray Art Show on August 8 at SF Public Works.

Nicolas Cage swings around on Miley Cyrus' 'Wrecking Ball' -- VIDEO


After Miley Cyrus’ much-debated VMA’s performance, the singer decided the only way to top her stint of near-naked twerking on stage was to get completely naked in her newest video for the song “Wrecking Ball.” Oh, and obviously she had to lick a sledgehammer, too.

But now that (quite literally) everyone has watched the new video, what’s next? Well, thanks to one YouTube user, how about a remix of the “Wrecking Ball” video featuring none other than Nicolas Cage? How would that work, you ask? It’s simple really: Just paste Cage’s face onto Cyrus’ naked body, and watch him/her swing around on a wrecking ball. Happy Friday to you!

Watch what’s sure to become a viral video below:

'Pacific Rim' made Nicolas Cage cry -- VIDEO


Nicolas Cage and Vanessa Hudgens’ latest movie, The Frozen Ground, takes on the grisly true story of Robert Hansen (played by John Cusack), a 1980s serial killer who would take his mostly young and female victims out to the Alaskan wilderness before murdering them. Hudgens plays the lucky girl who makes it out alive, and Cage is the Sheriff tasked with tracking him down.

The line of questioning was slightly more upbeat when EW stopped by the junket to subject Cage and Hudgens to our Pop Culture Personality Test, where they talk first concerts, moments that made them cry (Pacific Rim!) and other pop culture obsessions. Hudgens was even quoting the now-famous “look at my s–t” speech by James Franco’s Spring Breakers character Alien before the cameras started rolling. But we did catch her on tape revealing a gem — that she was a member of the Mary-Kate and Ashley Olsen Fan Club.

Check out the rest of their responses below.


'Ghost Rider: Spirit of Vengeance': Five reasons why you should ride with Nicolas Cage this weekend


In 2007, Nicolas Cage starred in Ghost Rider, a film adaptation of the esoteric Marvel Comics hero who sold his soul to the devil and became a sort of unhinged embodiment of revenge. The idea of making a Ghost Rider film was a little problematic to begin with, seeing as how the mythology has always been a little muddled and he never really had a convincing villain to square off against (as is the case with most of your supernatural heroes). Still, there was a lot of fire involved and the dude rode a motorcycle, so what’s not to love?

Quite a bit, actually. Ghost Rider was mostly terrible, though that didn’t stop it from bringing in $115 million in box office receipts. But here’s the twist: Ghost Rider: Spirit of Vengeance, which opens today, is excellent. It wasn’t screened for critics (never a good sign), but whether you didn’t care for the first one or aren’t sure you would ever bother committing to a movie with such a silly title, here are five reasons why it’s well worth it to spend time with Cage’s flaming skull this weekend. READ FULL STORY

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