Tag: NCIS (31-40 of 44)

Jan 13 2010 05:20 PM ET

'NCIS' celebrates 150th episode: DiNozzo Sr. nice, but Gibbs still the man

Robert Wagner guest-starred on last night’s 150th episode of NCIS as Tony DiNozzo Sr., and seeing he and Jr. (Michael Weatherly) together was both a delight (charm²) and heartbreaking: We learned that after Tony’s mother died when he was 8, his father sent him to boarding schools and summer camps, and once left him alone in a Maui hotel room for two days when he was 12 because he had a deal to close (with a beautiful woman) on the Big Island. Tony never really knew his father — or that he’s been secretly broke for years. Choosing not to bust his dad’s charade at the hotel checkout counter was a great moment. (Instead, he used the money he was going to spend on a spring cruise with his old frat buddies — which I would’ve liked to have seen during May Sweeps, btw — to pay for the grand-a-night room and a plane ticket for his dad to catch up with his Saudi prince friend in Monte Carlo. Do you think his dad really thought that was from the prince?) But for me, the best scene was when Gibbs (Mark Harmon) sat Mr. DiNozzo down to tell him that he should get to know Tony as an adult. “Tony likes to hide behind the face of a clown, but he’s the best young agent I’ve ever worked with.” I teared up. Gibbs has always been the father figure of the show, but I’ll never get tired of tiny moments that remind us of that.

Since that scene wasn’t embeddable, I’ve included the scene in which Gibbs discovers Tony doing morning yoga after spending the night partying with that Saudi prince’s son, who NCIS was guarding following an assassination attempt while he was in a Navy pilot training program. If you’ve watched any number of NCIS episodes, you knew what was coming. But surprise! It was multiple smacks to the head. Gotta go big for the 150th episode.

Nov 14 2009 12:00 AM ET

Sound Bites: Best TV clip of the week?

Why watch an entire week’s worth of TV when you can just watch EW.com’s Sound Bites? There are so many reasons. Thousands, really. But watch this anyway. My name is @EWAnnieBarrett and I happen to enjoy showing people clips of Larry David wearing women’s panties.


Nov 6 2009 11:05 PM ET

'Sound Bites': Vote for this week's funniest TV

Are you confident in your sexualité, just like Mariska Hargitay? Good for you! You should watch our Sound Bites video after the jump! Vote for your favorite clip in the poll, or nominate your own line from this week’s TV in the comments. And if you have suggestions for next week’s show, or just want to share your feelings about The Net, email me or tweet me @EWAnnieBarrett.

READ FULL STORY »

Nov 6 2009 12:58 PM ET

Alynda Wheat's Beat Cop: The Last Patrol

There’s no way I’m going to get this right. We never say precisely what we ought to when we part, the words are never perfect enough — not even for those of us who get paid to write them…or used to, anyway. I’m sorry to say that this is the last time we’ll walk the Beat together as I’m leaving EW. So I’ll tell you what, Coppers, let’s save the hugs for the end, stuff down the tears (I grant that they’re probably all mine), and take a stroll. I’m ready if you are.

This, at least, I know you’ll love: Let’s talk about Criminal Minds! There’s a new team leader at the BAU, and he’s one tall drink of water, that Derek Morgan (Shemar Moore). He’s also pretty damned good at running the show. (And to think, you were worried! Okay, no, that was me.) We could tell from jump that Derek had this by the way he masterfully deflected Strauss’s (Jayne Atkinson) attempt to sow discord by trying to hand him Hotchner’s (Thomas Gibson) office. It was respectful but authoritative, clear and firm — and I’m totally taking notes on how to pull that move. Morgan was also in full control on the ground, calling orders and dispatching the team to track an UnSub who blitzes his victims, slices their throats, then uses some kind of freaky ocular melon-baller to remove their eyes. READ FULL STORY »

Oct 16 2009 01:54 PM ET

Alynda Wheat's Beat Cop: We come to bury 'SVU,' not to praise it

Now it’s official. Law & Order: SVU is on the crazy train, jumping tracks and stranding passengers in Nowheresville. Some of us (okay, mainly me) carped about Christine Lahti’s role as fill-in ADA Sonya Paxton from the beginning. When she wasn’t belittling Stabler (Christopher Meloni) she was sneering at Benson (Mariska Hargitay) or taunting suspects, all the while teary-eyed and callow. The character was inconsistent, insulting, and insufferable. Wednesday night we learned it was all, theoretically, because she’s a lush. Oh, let us rewind this one, because there was plenty to gnash at in this episode appropriately titled “Hammered.”

It started well, as anything guest-starring Scott Foley would. (I was a fan of The Unit until that, too, no longer pointed north.) Dalton Rindell (Foley) woke up on his bathroom floor, a gash on his forehead, blood on his walls, and a dead lady in his apartment. We soon learned that the lady was an abortion doctor (the episode’s red herring) and that she’d left a bar with Dalton after he suffered through a feral meeting of real-estate investors, pissed that he and his partner weren’t delivering on an apartment building they promised. Of course, Dalton remembered none of this, what with his killer hangover. All of which brings us to our Defense Issue of the Week: the altered brain chemistry of alcoholics. Now, I have no intention of wading into that morass (and I’m getting pretty tired of watching everyone in the squad room do it too—it’s so forced and false they way the “debate” every salient societal issue). My only criticism of the episode is that it set up Sonya’s exit in a ridiculous way. READ FULL STORY »

Oct 5 2009 04:51 PM ET

Alynda Wheat's Beat Cop: 'Three Rivers' might need some CPR

My name is Alynda and I am an organ donor. There, now everybody knows and we don’t have to go through any confusion or sticky sitches in the hospital, Three Rivers-style. What did you think of the Rivers debut, the few of you who watched it? (If you missed it, by the way, you can catch it here.) I’m still trying to decide if I’m giving it too much leeway because star Alex O’Loughlin is in my imaginary-boyfriend stable (and we’re pretty serious, with his having met my mom and all). But I’ll try to be objective. READ FULL STORY »

Sep 25 2009 05:32 PM ET

Alynda Wheat's Beat Cop: In which Wentworth Miller, Cromartie, and Benjamin Button crash our sets

Wentworth-Miller_lCome on, people, you never leave the perp with Wentworth Miller! That’s Article 96, Section 242, Clause 3 of the Procedural Code! Wait, wait. Before we get too shouty about last night’s Law & Order: SVU, let’s call the meeting to order and go over some Beat Cop business.

At our last meeting, commenter Judy Woodruff (let’s just assume that’s an alias, and the PBS anchor is way busy with actual news) asked if we’re going to loop Southland (tonight at 9 on NBC) into our discussions. This brings up an excellent point, Coppers: What counts as a procedural? The matter is open to a vote, but these are the general guidelines we’ll work under:

The series is typically one hour long.

The series is on a nationally recognized TV network (e.g., ABC, NBC, CBS, Fox, The CW).

The series typically concludes with the resolution of a mystery (crime, court case, medical diagnosis, etc.).

The series is primarily focused on said mystery, rather than the personal lives of those involved.

The series is ghost-free.

What does that mean? That Southland totally counts, because it’s all about catching bad guys, just more cinematically. That Medium, Ghost Whisperer, and Supernatural all solve mysteries, but bite it on the ghost clause. That House weasels its way in because the show treats sick people more like Sudoku than soap opera. (So suck it, Grey’s Anatomy!) And that we’re going to talk about Castle, even though it’s arguably weighted as much on the charm and talents of one Nathan Fillion as it is on dead people, because Fillion is one of our many imaginary boyfriends. (Though apparently, we’ve got competition for his affection.)

Now that our Cop business is concluded, let’s get to it!

Law & Order: SVU

We begin with another man in our imaginary boyfriend stable, Wentworth Miller, late of Prison Break. I dug the episode, but here’s the quibble: You saw (nearly) all that coming, right? Once I got past the idea that there actually was someone employed by the NYPD that was ragier, jerkier, and more unstable than Stabler (Chris Meloni—and don’t you roll your eyes at me, you know it’s true!), Miller’s backstory unfolded like origami. He’s a jackass, but a tragic one! He’s terrible to women, but wonderful to kids! He believes in the law, but God forbid if you’re too stupid to realize he shouldn’t be taking a confessed rapist/murderer to the john. I admit, I thought it was going to be a “You know what? He totally slipped and smashed his head into the porcelain sink…twice,” kind of thing. But they got me on the defenestration. I imagine they got all of us on that sick little legal twist that keeps the innocent dude in prison. And will somebody please get Diane Neal’s Casey Novak back here before we do something unspeakably hinky to vicious new ADA Christine Lahti? It is SVU—we can get creative. READ FULL STORY »

Sep 23 2009 10:36 AM ET

'NCIS' season 7 premiere: Gibbs is still the man

SPOILER ALERT! If you haven’t seen last night’s season premiere of NCIS, and you intend to, stop reading now. Do not click through to watch the clip of Gibbs (Mark Harmon) stealing the episode from Tony (Michael Weatherly), who risked his— and McGee’s — life to rescue Ziva (while working in a nice True Liesreference, as naturally Tony would). Do not get excited when Tony tells the bad guy Saleem (Omid Abtahi, who I do not find all that scary since I’ve seen him on episodes of Bones and Ghost Whisperer), “Remember when I told you my boss was a sniper?” (Clearly, Tony was describing the team for the benefit of new viewers, which was a little frustrating for fans, but that ending almostmade up for it.) Do not chuckle inappropriately when you see Gibbs emerge in his desert camouflage like some kind of burlap monster with curlie-q fur to shoot another guy dead and say, “Let’s go home.” Do not join the applause when the team returns to the office. Do not get pumped for next week’s episode, when Ziva (Cote de Pablo) reacts to what Tony was willing to do for her. READ FULL STORY »

Sep 21 2009 06:02 PM ET

Beat Cop: It's a TV watch just for you, procedurals fans!

House-Hugh-Laurie-premiere_lOur time has come, procedural watchers. This is Beat Cop, and it’s our TV watch. Well, it’s a mini-watch…in PopWatch…and we’ll cover lots of shows instead of getting all precious about just Lost or Fringe, but we’re doing God’s work here, ladies and gents.

No really! The hallmark of the procedural fan is that we have an overdeveloped sense of justice. We seek resolution, answers. We like our bad guys nabbed, diseases diagnosed, cases closed. It’s not that we mind continuing storylines—we like our cops, docs, investigators, and fake psychics to have personalities (even Columbo had a missus to whom he frequently referred, even if her spin-off wasn’t quite worthy of the man, himself). But there’s something about wrapping up misery and mystery in a neat little bow at the end of an hour that just feels satisfying.

So here’s what we’ll do: We’ll meet here twice a week (let’s start with Mondays and Fridays and see how that goes) and discuss our favorite procedurals. It’ll be a mix of review and preview, in that if I’ve seen an episode, I’ll tell you about it in as spoiler-free a manner as possible. Otherwise, we’ll just chat about what happened on CSI, Lie to Me, NCIS, and myriad other shows. Understand, though, this is an advocacy blog, which means I’m not even aiming for fair. I’ll talk about Castle more than I should because I adore that show (seriously, the chemistry between Nathan Fillion and Molly C. Quinn makes them cutest damned father/daughter pair on television). I’ll coo over Criminal Minds Kirsten Vangsness’s flirty banter with Shemar Moore, and make snippy comments that Richard Belzer and Ice-T don’t get nearly enough face time on Law and Order: SVU. I’ll ask you to explain–since somebody needs to tell me–why I just can’t seem to get into Cold Case even though I watch literally every other network procedural out there. We’ll talk. READ FULL STORY »

Aug 12 2009 07:00 AM ET

Open letter to showrunners of procedurals starring actors we'd like to see shirtless

eddie-cibiran_lDear showrunners,

Hi. We know you’re back in production because your Twitter updates tell us so. You’re busy breaking stories, thinking up cases that will play well in syndication and, just maybe, reveal something about your characters. Do not neglect your men’s chests. Look at what the folks at CSI: Miami have already accomplished with new addition Eddie Cibrian (pictured, courtesy of a People First Look). To stop a gunshot victim from bleeding out, he must take off his shirt and use it as a tourniquet. Totally believable. All this required was a little forethought: Presumably, his character, an officer from the Hollywood division who transfers to Miami, does not believe in belts.

We realize this shirt-as-tourniquet routine won’t work for all of you. Fans of Bones, for instance, already know that David Boreanaz‘s FBI Special Agent Seeley Booth loves his “Cocky” belt buckle. Alex O’Loughlin, on his new CBS medical drama Three Rivers, plays a cardiothoracic surgeon who’ll have actual instruments that can be used to apply pressure. Get creative. Both those jobs are stressful — have them work out to relax. Then shower. Or take baths. (We’ve already seen Booth in the tub once, with his beer helmet and comic book — it’s not gratuitous to do it again; it’s continuity!)

We’ll ask our readers to suggest other ways to get your leading men shirtless, so please continue reading the comments. (Maybe Cibrian is really, really clumsy when he eats? Or perhaps he’s prone to getting residue from the crime scene on his clothing, and it has to become evidence each week? If you’re very creative, you can use that to get two men shirtless at once, like they did on NCIS when Sean Murray‘s McGee had to bag and tag his top, and Michael Weatherly‘s Tony DiNozzo gave him the shirt off his back rather than a fresh one from his desk.)

All our best,

PopWatch

Photo credit: Cliff Lipson/CBS

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