Baymax’s low-battery sequence is one of the funniest sequences in Disney’s latest animated hit, Big Hero 6. Scott Adsit essentially plays the lovable robot as a drunken android, and now fans can see how the scene would play out if Baymax were actually inebriated.
Tag: Movies (11-20 of 5383)
Mockingjay is the most polarizing novel in the Hunger Games saga. Although most agree that it’s Suzanne Collins’ weakest book, some defend it; others claim it’s actually the series’ best. However, all three camps agree that, in Mockingjay, Suzanne Collins takes things to extremes, tackling traitors, murder, war, and one of the most haunting, realistic portrayals of violence in YA literature.
That being said, Mockingjay is also a study of post-traumatic stress. After two books of children both killing and being killed, Collins uses Mockingjay to finally give her characters time to be damaged. That divide—one half of the book focuses on extreme emotion, while the other half focuses on extreme action—keeps Mockingjay from flowing as smoothly as the rest of the series. But it’s also why Mockingjay—Part 1, if done correctly, should make for the best film in the Hunger Games franchise thus far. READ FULL STORY
As Freddy Krueger turns 30, take a stroll back down Elm Street and revisit some of the dream weaver’s most memorable kills.
If you happen to see Dumb and Dumber To this weekend–and I’m not at all advising that you do–you will, indeed, see that Bill Murray cameo that’s got the town buzzing. But you’ll also see another cameo by someone slightly less beloved these days: Here Comes Honey Boo Boo madre June Shannon, a.k.a. Mama June. The final film features a fantasy sequence in which Lloyd (Jim Carrey) imagines rescuing Harry’s (Jeff Daniels) gorgeous adult daughter from a trailer park in which Harry is hitched to none other than McIntyre, Georgia’s most controversial current export.
Shannon recently came under fire after the confirmation that she was allegedly dating a convicted sex offender, according to the state of Georgia’s sex offender registry. Shannon then revealed Thursday in an exclusive interview to Entertainment Tonight that she is also involved with a second sex offender—who happens to be the father of two of her children—and was featured on a 2005 episode of NBC’s Dateline-serial To Catch a Predator. (In related news, TLC canceled the Here Comes Honey Boo Boo after four seasons last month in the wake of the original controversy.) So it begs the question: Should a madcap comedy contain all that unsavory baggage for an unsuspecting public seeking easy laughs?
Universal Pictures, the film’s distributor, had no comment for EW on the matter, but in truth, Shannon’s appearance (fully billed in the end credits) is little more than a single line of dialogue and a few grimaces from her oft-GIF’d and meme’d mug. But the trailer-park milieu for the scene is kind of troubling, not to mention that Carrey’s character is essentially lusting for a girl half his age even in the non-fantasy scenes. (A personal observation: Nobody groused at or even seemed to notice Mama June when she appeared in the all-media screening I attended.) But given that D&D To is already struggling to garner critical plaudits (though early weekend gross projections seems encouraging), it’s very possible that Jennifer Lawrence had the right idea all along by jumping out of the movie’s cameo pool.
While Monty Python member Eric Idle was directing last summer’s reunion shows, he made sure to include a small role in the Michael Palin-fronted “Blackmail” sketch that could be played by a different famous Python fan each night. That roll call of guest talent would ultimately include both Simon Pegg and Mike Myers, who was also the guest performer during the Pythons’ last performance at London’s massive O2 arena. That the Austin Powers star would agree to appear in such a tiny part speaks to the huge and enduring influence of Monty Python’s Flying Circus and the subsequent films created by Idle, Palin, John Cleese, Terry Jones, Terry Gilliam, and the late Graham Chapman.
But Myers’ presence in what is likely to be the troupe’s last-ever live performance came with a note of sadness for Idle, one that would become outright tragic over time. Why? Because Idle had originally planned that final night’s guest to be Robin Williams.
Are the Ghostbusters still taking calls 30 years later? Are the Baker Boys still fabulous? And are Dan Rydell and Casey McCall still behind the desk at Sports Night? They were for Entertainment Weekly‘s Reunions Issue.
For this year’s annual reunions issue, Entertainment Weekly spoke with all five surviving members of Monty Python about their Eric Idle-directed shows last summer at London’s massive O2 arena, the legendary comedy team’s first live performances in more than three decades. In the hope of provoking some of the semi-friendly badinage for which they are famous, we also asked the quintet—Idle, John Cleese, Terry Gilliam, Michael Palin, and Terry Jones—which other Python member irritated them most in the course of rehearsing and performing Monty Python Live (mostly) One Down Five To Go. You can read the troupe’s answers below.
The Life Aquatic with Steve Zissou may not be the first film that comes to mind when considering movies to adapt into a video game, but someone went ahead and made it anyway.
Before “tentpole” and “franchise” became two of Hollywood’s favorite words, sequels were far less common than they are now. But let’s say they were—what would that look like? Billing itself as “part tribute and part cultural commentary,” Sequel is an upcoming art show featuring the work of a number of artists imagining movie sequels that never were.
Hosted by Los Angeles based art gallery and production studio iam8bit, the ultimate purpose of the show—besides being an excuse to show off some really cool art—is to question Hollywood’s obsession with sequels, and ask a question: Should we or shouldn’t we?
Here are the details: READ FULL STORY
It’s kind of fun to compare the X-Men film franchise to its original source material. Remarkably enough, in just 14 years, the movie universe has managed to become as convoluted and confusing as 50 years of comic books—even if the two are quite different, story-wise. The big, important stuff is in place—kind of like the way a stick figure looks like a person as long as you don’t forget where limbs are supposed to go. Everything else is played pretty fast and loose. And that’s fine! Adaptations shouldn’t be slavish recreations.
But boy, did they mess up this Nightcrawler movie. READ FULL STORY
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