After Meryl Streep presented Viola Davis with a Crystal + Lucy Award last night, Access Hollywood‘s Shaun Robinson asked about the possibility of a Devil Wears Prada sequel. With the nonchalance of any old Oscar night, La Streep admitted she hadn’t heard anything about the project but might be game — except for one major downside. Fast forward to 3:35 in the (semi-NSFW) video below to find out the obstacle that could keep Miranda Priestly from returning to the big screen. READ FULL STORY
Tag: Meryl Streep (11-20 of 38)
Well, I just lost my afternoon. In honor of Paramount’s 100th anniversary, Vanity Fair has “assembled 116 of the greatest talents ever to work at the studio.” That means Leo, Bob, and Marty, some icons of the studio’s golden age (hello, Eva Marie Saint, Jerry Lewis, and Michael York!), almost the entire casts of Transformers and Star Trek, and even that Canadian whippersnapper Justin Bieber, whom you might remember from a little indie film called Never Say Never. And that’s just the tip of the iceberg (Titanic zing, hey-yo!).
Because Vanity Fair knows you want to see every one of those 116 faces up close and personal, they’ve installed a zoom function on their site. Fair warning, PopWatchers: This thing is addictive. Click through at your own risk. Below, we scope out a few of the famous faces and hand out our portrait honors. READ FULL STORY
Back in 1988, Meryl Streep earned an Academy Award nomination for her role in A Cry in the Dark as Lindy Chamberlain-Creighton, an Australian mother accused of murdering her child. The movie’s most famous line — when Streep proclaims “A dingo took my baby!” — became an oft-parodied gag in the ’90s thanks to Seinfeld. But now, according to People, an Australian coroner has officially confirmed that a dingo (a wild dog found in the Outback) really was responsible for the death of baby Azaria Chamberlain on a 1980 camping trip. The real-life Chamberlain-Creighton spent three years in prison for the crime before a retrial found her innocent. Watch a clip from the film below: READ FULL STORY
A pair of (movie) star-crossed lovers! Kevin Kline, 64, and Meryl Streep, 62, are set to play Romeo and Juliet (approximate ages: 16 and 13) in a one-night-only staged reading of the play at the Public Theater in New York’s Central Park.
The momentous coming together of two sexagenarian thespians is in celebration of the 50th anniversary of Shakespeare in the Park, a theater series in which both Kline and Streep have participated in the past. The staged reading — which means you won’t see a full-on balcony scene or Renaissance nobility couture — will play the Delacorte Theatre on June 18, but tickets for the starry event start at $1,500 a pop (unless the Public opts to let in groundlings this year). Al Pacino will also be honored at the gala for his work with the Public Theater.
Kline and Streep certainly have the gravitas to pull off Romeo and Juliet, but the wrinkled elephant in the room — their ages. Will Montague be played by Mickey Rooney? Will the nurse be less of a matronly figure for Juliet, and more of a Golden Girl BFF? And will Friar Laurence look like the Crypt Keeper? I know 60 isn’t that old, but a more appropriate title may be Romeo & Juliet: Off Their Rockers, would it not?
PopWatchers, monologue for me: How will Kev and Meryl pull this one off? Aren’t they just a little old? Are you planning to grab a ticket for the spectacular Shakespearean event?
Even before Meryl Streep was awarded her third Oscar last night, there was no denying that she is among the most honored movie actors of our (or any) time. Since co-starring in The Deer Hunter 34 years ago, she has been nominated for 17 Oscars, a Ruthian record that appears unbreakable. She’s five nominations ahead of Jack Nicholson, who’s tied with Katharine Hepburn for second place of all time, and 36-year-old Kate Winslet is only one-third of the way to eclipsing Streep, who, by the way, is far from finished (See: the upcoming Great Hope Springs, with Tommy Lee Jones; and August: Osage County, opposite Julia Roberts). Twenty Oscar nominations is certainly within her reach.
You could argue that she should be there already. Though it seems like Streep has been nominated for every role she’s ever played, there have been times where she’s actually been overlooked. I’m not talking about Mamma Mia! or The River Wild, though they were two of her most popular movies. I’m talking about numerous carefully calibrated turns that if you don’t have her IMDb page open in front you, you’d swear she was nominated for. When you’ve been nominated as many times as Streep, it’s difficult to recall which ones were recognized by Oscar and which ones were merely excellent films, sans nomination. A little test, to prove my point: I’ll list five of her movies, three of which earned her nominations.
Without Googling, pick the two that didn’t make the cut:
-Music of the Heart
-One True Thing
Click below for the answers and for three of my favorite non-nominated Meryl Streep performances.
Put down those Pop Rocks and Diet Cokes. We’ve got some A-list myths to examine! Ahead of this Sunday’s Oscars, we’ll be taking a look at some of the most famous myths to rise out of the annual awards ceremony. Want to know if being nude will get you a Best Actress statue? Or if the Best Supporting Actress trophy is indeed a curse? You’re in luck -- we’ll be investigating one Oscars-related urban legend each day this week. Today, we’ll see if we can bust the presenter-winner nepotism myth: Over the past 25 years, has everyone been as connected as, say, 1994 presenter and winner Harrison Ford and Steven Spielberg? Read on to find out. (And click here for more of EW’s Oscars Myth Busting.)
Oscar myth: Presenter-winner nepotism
What Is It?: In some quarters, there is a belief that Oscar presenters are handpicked to deliver the award to their A-list buddies or former costars. READ FULL STORY
The boards had a busy week. The Book of Mormon won a Grammy. Broadway’s upcoming Once musical gave us a video sneak peak. Jeff Goldblum announced that he is replacing Alan Rickman in Seminar. Chris Colfer, Kevin Bacon, and John C. Reilly joined the star-studded cast reading of Dustin Lance Black’s Prop 8 play. Spider-Man: Turn off the Dark’s producers reached a settlement with the union that represents Julie Taymor. The film adaptation of August: Osage County finally secured leads Meryl Streep and Julia Roberts. The stage version of The King’s Speech found a spot on the West End. The Bodyguard musical got closer to actually happening, while the Sleepless in Seattle musical was delayed. The Newsies cast asked Christian Bale to come see their show. And our critics reviewed five plays in New York and Los Angeles.
How I Learned to Drive: Film critic Lisa Schwarzbaum gives a B- to this off-Broadway revival of Paula Vogel’s Pulitzer Prize-winning two-hander about a girl who is molested by her wayward uncle. READ FULL STORY
In the current issue of Entertainment Weekly, columnist Libby Gelman-Waxner opines on the healing power of Michael Fassbender’s mesmerizing costar in Shame, and why Meryl Streep’s Iron Lady is even sexier than Michelle Williams’ Marilyn.
But with the Academy Awards just around the corner, Libby is eager for more of your burning questions for her recurring Ask Libby column here in PopWatch. Need help filling out your office Oscar pool? Is there any role that Meryl Streep can’t play? Have a suggestion for an award category that the Oscars don’t, but should recognize? Just tap the “Ask Libby!” button to submit, then check back soon for her next column.
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