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Tag: Mark Rylance (1-3 of 3)

Broadway Box Office: 'Bronx Bombers' is striking out with audiences, while Shakespeare hits a grand slam

Broadway’s New York Yankees love-fest Bronx Bombers, starring Peter Scolari as Yogi Berra, isn’t exactly pulling major-league numbers at the box office. In the first full week since its Feb. 6 opening, the new drama took in a measly $177,559, according to figures released by The Broadway League. That’s less than a quarter of the potential gross at Circle in the Square (one of Broadway’s smallest theaters) — and does not bode well for its future.

The biggest surprise this winter has been the season’s unlikeliest but very palpable hit(s): the Mark Rylance-led productions of Twelfth Night and Richard III playing in repertory (and breaking house sales records) at the Belasco. For the week ending Feb. 16, the shows grossed a remarkable $944,755 — a tally that exceeds all of the season’s new musicals. The takings have topped the potential gross for the Broadhurst for the third straight week, suggesting that producers have been able to goose their earnings by selling ever more premium tickets at $247 a pop. READ FULL STORY

This Week on Stage: Billy Crystal hits a home run, Mark Rylance swaps sexes

Another week, another one swimming off the Great White Way as the large-scale musical of Big Fish announced it will play its final show on Dec. 29 after 98 regular performances. (But definitely count on it being remembered at Tony time, especially for fearless lead Norbert Leo Butz.) People are showing in droves, however, for two of this week’s new entries: The return of Billy Crystal’s 700 Sundays bagged over $1 million with only six performances last week (most shows have eight), and the Globe-inspired Shakespeare play duo at the Belasco is playing close to capacity every show, cementing Mark Rylance’s status as our premier import. Could he win, not one, but two more Tonys this season? He’s got competition aplenty already (including Patrick Stewart and Ian McKellen, also performing two shows in rep which open next weekend). But as a character in Twelfth Night says, “I have them at my fingers’ end.” Also this week is a radio play by the late Samuel Beckett (whom McKellen and Stewart are getting to know quite well with Waiting for Godot), and an Oscar-winning family dramedy that finds a new life on the NYC stage (click on the links below for full reviews): READ FULL STORY

Mark Rylance returning to Broadway this fall in Shakespeare double bill

Mark Rylance is pretty great. Mark Rylance x 2 is just beyond. But brace yourself, theater fans, as two-time Tony winner (and could it soon be three and four?) Rylance will perform Richard III (in the title role) and show his lighter side in Twelfth Night as Olivia, in full drag no less, on Broadway this fall in two all-male Shakespeare’s Globe productions. (Look out, Billy Porter!)

And don’t fret about cost, according to the official press release: “the producers are pleased to announce that at every performance, 250 seats will be set aside to be sold for $25.  These seats will include the balcony, as well as selected seats in the orchestra, mezzanine, boxes and Globe-style on-stage seating, bookable in advance. Over 20,000 $25 tickets will be made available throughout the run.”
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