Image Credit: Christopher Nolan
It’s fair to say that Sam Mendes did a pretty good job with his James Bond film. Skyfall earned rave reviews, made $1 billion at the global box office, won two Oscars, featured the first actually-popular Bond song in forever, is generally credited with re-rescuing the Bond franchise from its most recent low point, and somehow managed to introduce all the old pre-Craig tropes (Moneypenny, Q, Monty Norman’s theme, M-as-a-Man) while still feeling fresh. Perhaps unsurprisingly, the Bond producers wanted to bring Mendes back for another film — or possibly two more films, since Skyfall co-writer John Logan is reportedly working on a two-film saga. Alas, Sam Mendes announced today that he’s too busy working on Charlie and the Chocolate Factory and King Lear to make a James Bond movie. (Read that sentence a couple times and tell me Sam Mendes isn’t the luckiest kid on the playground.)
Mendes’ departure means that one of the most surefire blockbusters of the next few years needs a new director. The past history of the Bond franchise — which, unique in moviemaking, has mostly been steered by a single family and not by a studio — offers us some hints. With the exception of Marc Forster, the Bond directors have all been British, if you fuzzily consider that New Zealand — home of Martin Campbell (Goldeneye and Casino Royale) and Lee Tamahori (Die Another Day) — used to be part of the British Empire. READ FULL STORY »










