Tag: Inception (21-28 of 28)

Aug 6 2010 10:00 AM ET

Joseph Gordon-Levitt should host the season premiere of 'SNL'

Joseph-Gordon-LevittImage Credit: Bob Charlotte/PR PhotosJoseph Gordon-Levitt should host the season premiere of Saturday Night Live. There, I said it. Inception‘s the summer’s buzziest movie so far, and Gordon-Levitt’s been a total charmer on every talk show promoting it. He’s funny (read his blog!), he’s done it before with aplomb, and this summer doesn’t have another pop rallying point. Team JGL!

I do think there’s a legit chance that JGL will host, but I wouldn’t be too surprised to see Steve Carell do it, either: He’s had two movies this summer, and he’s gearing up for his final season of The Office, which conveniently airs on NBC. Julianne Moore, fresh off The Kids Are All Right, is another possibility, or maybe Katy Perry, from whom summer jams flow.

Who do you want to see host the premiere, PopWatchers?

Aug 5 2010 10:00 AM ET

The Christopher Nolan Flowchart: What movie are you watching right now?

Christopher Nolan has directed only seven feature films, but it feels like he’s made more. That’s because all of his films– the indie thrillers Following and Memento, the moral-corrosion duet of Insomnia and The Prestige, the genre-redefining Batman films, and the WTF-tastic Inception — are all constructed to reward (if not require) repeat viewings. His films are confusing. You might forget which movie you’re watching. Perhaps you’ll even forget your name. Motifs run rampant across his filmography. Is that Michael Caine, playing a wily old mentor? Is there a character named Cobb who steals things? How many dead wives does it take to screw in a lightbulb? It’s easy to get lost in the Nolanverse without a trained guide.

Here at the National PopWatch Asylum for Cinemaniacs, we’ve constructed a rudimentary Christopher Nolan flowchart. Print out a copy and carry it with you whenever you think you may be watching a Christopher Nolan film. Think of this flowchart as your own personal tiny spinning top, keeping you grounded in reality, and check it out after the jump… (SPOILER ALERT!) READ FULL STORY »

Aug 4 2010 11:00 AM ET

'Inception' and 'Mad Men' are telling the exact same story

inception-mad-menImage Credit: Melissa Moseley; Frank Ockenfels 3/AMCIn the acclaimed movie Inception, the central figure — a handsome, emotionally damaged thief who manipulates dreams for profit using his imagination and a briefcase full of cutting edge technology — is named Dom Cobb. In the acclaimed TV series Mad Men, the central figure — a handsome, emotionally damaged ad man who manipulates yearning using his imagination and a briefcase full of pens and paper — is named Don Draper.

Dom.
Don.

That’s right. The heroic anti-hero of the summer cinema’s brainiest adult entertainment is exactly one consonant away from having the same name as the heroic anti-hero of summer TV’s brainiest adult entertainment. Coincidence? Of course I would say “Of course!”… until you realize upon further inspection that yes, Inception and Mad Men are exactly the same thing, give or take a few extraordinarly picayune differences like period setting (see: Mad Men) or Lionell Richie-inspired dancing-on-the-ceiling special effects (see: Inception). WARNING: Appreciating my culturally valuable scholarship and intellectually unassailable logic requires that I totally ruin Inception for you, so MASSIVE SPOILER ALERT! (But just for Inception, assuming you’re up-to-date on Mad Men.) READ FULL STORY »

Aug 3 2010 05:15 PM ET

'Inception': Only good if you're young?

InceptionImage Credit: Melissa MoseleyPatrick Goldstein at the Los Angeles Times has an interesting piece today about Inception‘s reception. (It’s just his perception, and preconceptions lead to misconceptions and self-deception.) “If you were a young moviegoer, you loved the visually arresting puzzle-box thriller,” he writes. “But the older you got, according to polling data, the more likely you were to detest its run ‘n’ gun, dream-within-a-dream complexity. ” He compares the film to earlier generation-separating movies like Breathless and Bonnie and Clyde. Multimedia scholar Henry Jenkins argues that familiarity with video games makes Inception easier to understand. That last point is quite interesting: is Inception the first great video game movie? Not based on one specific game, but rather, on the whole stylistic structure of video game storytelling?

READ FULL STORY »

Jul 30 2010 08:23 AM ET

'Inception' ending secrets revealed at last in parody clip

Everyone’s still talking about the last scene of Inception. (I guess I should put a SPOILER ALERT here for anyone who somehow hasn’t gotten around to seeing it.) READ FULL STORY »

Jul 28 2010 08:43 PM ET

'Inception' infographic: It's like CliffsNotes for your mind!

You know a movie is complicated when Internet artists start creating infographics to explain its plot. Such is the case with Inception. While I more or less followed the film’s labyrinthine head trip during my first viewing, don’t ask me to tell you exactly what happened to every character and in what level of dream. I couldn’t. That’s what second (and third) viewings are for. But if you want a little help now, a 3-D modeler called dehahs has designed this rather ingenious visualization of Inception‘s storyline. (Click on the image to the left for a much larger version.) If you haven’t seen Inception, it goes without saying that the larger graphic includes SPOILERS, although you probably wouldn’t understand what you were looking at anyway.

It’s all there: the multiple layers of dreaming (including Limbo), the various “kicks,” and the paths of all seven team members. However, what’s perhaps the most awesome thing about this graphic is that the artist molded the timeline to resemble an optical illusion “paradox,” like one of M. C. Escher’s endless staircases. Someone needs to turn this design into a poster, pronto. Or, better yet, Warner Bros. should print it on a card and ship it with every Inception DVD/Blu-ray.

PopWatchers, on a scale of 1 to 10, how much of Inception did you comprehend the first time around? As for me, I’d say 7. And no, Christopher Nolan, you don’t get to play along.

Jul 26 2010 04:34 PM ET

'Toy Story 3: Inception': Watch this dream of a fake trailer

ken-leonardoImage Credit: Disney/Pixar; Melissa MoseleyWill we ever tire of movie mash-ups? Not when they’re as imaginative as this few-weeks-old faux trailer for Toy Story 3: Inception, a clip that — depending on your point of view — imbues the Pixar blockbuster with a sense of brooding menace, or gifts Christopher Nolan’s brain-acher with yet another layer of phantasmagoric weirdness.

Either way, the result does make you wonder, A) if these two films are really as different as one might have previously imagined, and B) whether there’s any movie that can’t be improved by the presence of a jovial toy octopus.

Check out the trailer after the jump and give us your thoughts.

READ FULL STORY »

Jul 24 2010 11:59 AM ET

'Inception': Behind the scenes of a movie about movies -- and the mind of its maker

inception-box-officeImage Credit: Stephen VaughanJust a few weeks ago, the buzz on director Christopher Nolan’s new film Inception was that it might be too complex and too difficult to become a true blockbuster hit with mainstream audiences. Today, the buzz on the helmer’s puzzle-box thriller about thieves who steal ideas from dreams is that audiences can’t get enough of it. The film opened last weekend at $62.8 million and could reach $140 million at the box office by the end of this weekend. It’s tempting to say something like “maybe Inception wasn’t as daunting as advertised” or “maybe audiences aren’t as stupid as assumed”—although both are surely true. Perhaps it’s what Roger Ebert (@ebertchicago) recently tweeted: “Inception has entered into the category of a film people think they must see so they can participate in dinner conversations.” (Of course, that dinner conversation could be rather contentious, as not everyone thinks Inception is all that dreamy. Case in point: Our own Owen Gleiberman, who was less than impressed.)

Like Nolan’s other movies Memento and The Prestige, Inception is a lean-forward-and-pay-attention experience that takes chances with the narrative and invites various interpretations about its themes, meaning, and plot. My initial thought was that Nolan had crafted an elaborate allegory for filmmaking and moviegoing. There’s a lot to be said about this theme—and it’s already being said, including Devin Faraci’s smart and lengthy essay at CHUD.com.

In the new issue of Entertainment Weekly, which features Inception on the cover, Nolan says that the metaphor for cinema developed organically as he wrote the script over a 10-year period. Cobb’s crew of mind-hackers don’t infiltrate people’s “real” dreams—they actually build ersatz dreams and place them inside people’s heads, in the same way moviemakers craft worlds that are transmitted into our brains via movie projector. Nolan explained that each member of the team serves a role that has a movie analog. The Architect (Ellen Page) would be the production designer. The Forger (Tom Hardy) would be the actor. The Point Man (Joseph Gordon-Levitt) would be The Producer. The Extractor (DiCaprio) would be the director. And The Mark (Cillian Murphy) would be us—the audience. “In trying to write a team-based creative process, I wrote the one I know,” says Nolan.

There’s actually a great deal more of Nolan in the film. Inception is also a reflection of his artistic life. The various dream scenarios are implied homages to his favorite movies (including 2001: A Space Odyssey) and filmmakers, including Alfred Hitchcock, Ridley Scott, and Michael Mann. He also says he can relate very much to his hero, Cobb, who is at risk of becoming lost in dreams and must fight to reconnect with reality and return to his family. “I can lose myself in my job very easily,” says Nolan. “It’s rare that you can identify yourself so clearly in a film. This film is very clear for me.”

For more on Inception, pick up the new issue of Entertainment Weekly, on stands July 23rd.

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