Never thought I’d be on a boat
It’s a deep blue watery road
Look at me!
Never thought I’d see the day
When a big boat’s comin’ my way
Believe me when I say
I f—ed a mermaid.
Tag: Hip-Hop/Rap (71-80 of 188)
Lil Wayne added yet another stop on the strangest press tour since Rod Blagojevich’s last night, dropping by David Letterman’s Late Show to offer the Top Ten reasons he’s looking forward to the Grammys. Since this list was scripted by Letterman’s sub-hilarious writers, instead of, say, being free-associated off the dome by the New Orleans Nightmare himself — major missed opportunity! — there were maybe two entries that elicited anything resembling a LOL from me. I’m talking about No. 8 ("I’m nominated in the category of ‘Lillest Wayne,’") and the one about how Weezy finds the Jonas Brothers "adorable." Letterman and Paul Shaffer, meanwhile, seemed thoroughly bemused by their guest, though they sure did enjoy the "joke" about crab cakes shaped like Beyonce’s anatomy. Check out the whole bizarre encounter below. I will admit that seeing this has helped me get psyched for Wayne’s Grammy performance…as long as Letterman’s staff has nothing to do with it.
More on Lil Wayne and the Grammys:
Gallery: Who will win the Grammys? Who should?
Lil Wayne’s "Prom Queen": Make it go away!
Weezy was one of EW’s 25 Entertainers of the Year for 2008
Lil Wayne’s Gatorade ads are awesome
As the economic crisis grinds on, I have a feeling we’re going to be seeing a lot more of what I call “recession rap” — a sub-genre where artists rhyme about struggling to make rent instead of buying out the bar. Case in point: Cam’ron’s best single in years, “I Hate My Job,” which premiered last night at ihiphop.com. (Check it out below; some NSFW language.) Last time we heard from Cam, he was bragging about the sparkly jewels on his wrist. And now? “I woke up late, didn’t even have a shower/Lunch break? Gimme a break: A damn half an hour/All this bulls— for 12 bucks an hour!” All of a sudden, the Harlem hustler sounds like one of the drones from Office Space. Love it.
“I Hate My Job” is recession rap at its finest: relatable, fun, and refreshingly free of materialistic posturing. I know it struck a chord with me, even though I am a pop-culture blogger who personally couldn’t hate my job less at the moment. How about you? As far as I’m concerned, the more tracks we get like “I Hate My Job” — or Rugged N Raw’s “I’m Broke and Proud,” or Young Jeezy’s “Vacation” — the better.
More on Cam’ron and pop-culture during a recession:
Office Space celebrates 10th annniversary (in perfect economy to watch Office Space again)
Jon Stewart’s beautiful (stimulus) package
“I’m Broke and Proud”: The time is right for recession rap
EW liked Cam’ron’s 2004 album Purple Haze
I was hesitant to bash Lil Wayne’s god-awful "rock" single, "Prom Queen," when it leaked this weekend. Felt too much like shooting fish in a barrel, you know? I said my piece about Weezy’s delusions of guitar-hero grandeur long ago. After seeing footage of the song’s live premiere this morning, though, I can stay silent no longer. Trout better watch out, because I’m aiming straight into that barrel.
So there you have it: Music’s reigning emperor standing bare-assed before us. This unholy combination of bargain-basement mall-metal riffage and semi-conscious Auto-Tuned moaning sounded bad enough in the studio, but seeing Wayne attempt to perform this song live is just painful. You may notice that virtually no sound comes out when Weezy starts maniacally tapping his frets around the 1:50 mark. This is because Lil Wayne cannot play guitar (even after months of "practice"!), so he’s mixed waaaay down, if he’s even plugged in to an amp at all. And he wants us to listen to an entire album of this nonsense?
I’ve said it before, but once more for the road, Lil Wayne is a genius. I firmly believe he is one of the greatest lyricists who has ever lived, when he wants to be. What’s more, I am all for artists expanding their range and confounding their audiences. (Kid A is probably my favorite album of all time. The Love Below is pretty sweet too!) None of that changes the fact that even geniuses make mistakes, and as responsible fans we have to call them out. "Prom Queen" would be lame if it was being played by a random rock band. It’s still just as lame when it’s being played by the world’s biggest rapper.
But hey, maybe there’s something wrong with my ears. Do any of you actually like "Prom Queen"?
More on Lil Wayne:
He was one of EW’s 25 Entertainers of the Year for 2008
Tha Carter III made it onto Leah Greenblatt’s 10 Best CDs of 2008
Weezy’s Gatorade ads are awesome
Thinking over Tha Carter III when it hit shelves last June
Don’t tell me everything is different now that Barack Obama is president. Not as long as Bill O’Reilly is still starting idiotic feuds with rappers for no reason at all. I wouldn’t watch that clown’s show if you paid me, but Eskay over at Nah Right notes that O’Reilly and guest Dennis Miller spent part of last night’s Factor taking aim at Young Jeezy and Jay-Z for the severe crime of…performing a pro-Obama, anti-Bush rap song a couple nights before the inauguration. Scandal! Watch the clip below, and you tell me if you can figure out what exactly Billo and Millo’s complaint was here. The verses in question contained a couple of emphatic profanities, sure — and O’Reilly knows from those — but otherwise those lyrics were fairly tame. They certainly weren’t "hateful" in any meaningful way. Obviously, though, it doesn’t take very much to get O’Reilly throwing around loaded terms like "low-class" and Miller citing condescending statistics about single parenthood rates (???).
At least O’Reilly’s honest some of the time: "I don’t know much about Young Jeezy," he admitted. "It’s possible he’ll appear on the Factor soon." So maybe this segment was all just a ploy to bait Jeezy — or, as erstwhile comedian Miller inexplicably called him, "Emphysema" — to come on the show. I bet Bill could use the extra ratings. Would you watch it, or are you already as tired of this non-controversy as I am?
More on O’Reilly and politics as entertainment:
EW Gallery: The Great Presidential Pop-Culture Debate ’08
Young Jeezy’s The Recession got a B+ review from EW
On the Scene: Nas vs. Fox News Channel
O’Reilly was one of EW’s Entertainers of the Year in 2001
2008 may already seem like forever ago. Twenty-one days? That’s, like, a decade in Twitter time! But the year in music isn’t truly over ’til the results of the Village Voice‘s Pazz & Jop critics’ poll are out. In developments that should shock absolutely no one, the Voice announced today that TV on the Radio’s Dear Science won the albums race, while critics voted M.I.A.’s "Paper Planes" the top single — both excellent choices. (Yes, technically "Paper Planes" came out in 2007, but the Pineapple Express trailer made it a major ’08 jam, and that’s good enough for P&J rules.)
In terms of sales, 2008 was either Lil Wayne’s or Taylor Swift’s year, depending how you count. But of course sales don’t mean much to many of the music writers who vote in P&J. Weezy, who managed a respectable No. 6 on the albums poll and No. 5 on the singles poll ("A Milli"), might have been undermined by the sheer volume of music heput out last year — he’s listed on no less than 21 ranking singles, all the way down to No. 1645 (Keri Hilson’s "Turnin’ Me On"). No such luck for Taylor Swift, who was relegated to the No. 58 album and No. 49 single.
My own Pazz & Jop ’08 ballot is here; EW’s Rob Brunner, Jason Adams, and Whitney Pastorek all submitted ballots, too. I know I’d probably tweak the order of mine in a few places if I were assembling it again today, but hey, a deadline’s a deadline, and these ballots were due on Christmas Eve. And while the final P&J results may be closed, the endless debate and dissection is only beginning. So what do you think of our individual picks and the overall Pazz & Jop winners? Have at it!
More on the music of 2008:
The Best and Worst Albums of 2008: Leah Greenblatt’s picks
The Best and Worst Albums of 2008: Chris Willman’s picks
The Best Albums of 2008: Stephen King’s picks
2008′s best music quotes
addCredit(“Radio: Roman Barrett; MIA: Liz Johnson”)
Once upon a time, if you built it — and handed out lots of heavy, shiny, engraved statuettes on the dais when you got there — viewers would come. These days, however, traditional awards shows like the Grammys and the Oscars face both a numbing glut of competitors (next up, Gaffers’ Choice!) and the increasingly indifferent response of audiences. That’s why the former have taken it upon themselves to sign up the likes of Rihanna, Radiohead’s Thom Yorke, Lenny Kravitz, and Lil Wayne for a major Recording Academy campaign via TV, print, radio, and the Internet. Billboard talked to the Academy’s chief marketing officer, who said the campaign cost "in the mutli-millions" and is the most the organization has spent on an ad campaign in its history.
How does it work? According to a Grammy spokeswoman, each featured artist was asked to provide 10-20 songs that influenced them; the subsequent lyrics and song titles are then used in the print andtelevision ads. For Wayne, that means showcasing rappers like Jay-Z and Young Buck; for Yorke, it’s more esoteric choices like cultishly adored singer-songwriter Scott Walker, or chaotic post-punk outfit the Liars. You can check out Stevie Wonder’s ad embedded below; does it make you want to tune in? Or would it take a personal invite and a pan of brownies baked by Rihanna herself to to get you there? What else could the Grammys do to get you to watch?
The Rock and Roll Hall of Fame announced its 2009 inductees this afternoon, and the lucky five legends are Metallica, Run-D.M.C., Bobby Womack, Jeff Beck, and Little Anthony & the Imperials. Seems like a pretty strong list to me, covering a nice variety of eras and sounds. It’ll be fitting to see Metallica honored after the blockbuster year they’ve just had. And I’m particularly happy to see Run-D.M.C. in there. They’ll become only the second hip-hop artist to enter the Hall, after Grandmaster Flash and the Furious Five in 2007. Now, I know that not everyone agrees with me on this, but as far as I’m concerned Run-D.M.C. made as much of an impact on the past 25 years of music as any recent inductees. More, in many cases. So please spare me the kvetching about how rappers don’t belong in a "Rock and Roll" museum. Any canon broad enough to encompass the Everly Brothers, Van Halen, and Miles Davis can make room for Rev Run, D.M.C., and the late Jam-Master Jay, can’t it? But you tell me. What do you think of this year’s slate of honorees?
More on the Rock and Roll Hall of Fame and this year’s inductees:
EW Gallery: 24 Metallica Career Highs and Lows
Run-D.M.C.’s Raising Hell is one of EW’s New Music Classics
PopWatch mulled over who got snubbed when the ’09 nominees were revealed
I found some of last year’s inductees a little underwhelming
addCredit(“Metallica: Steve Jennings/WireImage.com; Run DMC: Ron Galella, Ltd./WireImage.com”)
Welcome to this year’s first edition of EW’s New Music Roundup,aregular post highlighting the "Download This" track recommendationsfrom the latest crop of music reviews found in Entertainment Weekly.All songs are from albums that are in stores now, and most are readilyavailable via iTunes, eMusic, or similar services. Enjoy — and be sureto share with your fellow readers if you’ve got opinions on any of thefollowing albums or singles…
Staff Web Pick of the Week:
Covers of MGMT’s (pictured, above right) "Electric Feel"
First Katy Perry gave the electro-psych number her own smoothed-out spin last fall. Then Solange Knowles started working it into a medley in her concerts. Most recently, Atlantan hip-hop troupe Holly Weerd found a way to take this already-funky song even farther out into space — a feat we once would have thought impossible. Where will it end?!
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