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Tag: High Noon Showdown (1-10 of 12)

Wikipedia to go dark on Wednesday for web blackout in response to SOPA, PIPA

If you need to find something on Wikipedia, you’d better do it today. Beginning Wednesday, the free online encyclopedia behemoth, along with websites such as Reddit and Boing Boing will go dark to protest two Congressional bills, the Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA.)

According to The New York Times, the controversial bills “have attracted fierce opposition from many corners of the technology industry. Opponents say several of the provisions in the legislation, including those that may force search engines and Internet service providers to block access to Web sites that offer or link to copyrighted material, would stifle innovation, enable censorship, and tamper with the livelihood of businesses on the Internet.”
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GOP debate moderators: The Donald out, Stephen Colbert still very much in

Much like Herman Cain dropping out of the presidential race, the news that Donald Trump will no longer be moderating his own GOP debate in Iowa is tremendously disappointing (to the world of comedy). Of course, no one may have been more let down than The Donald The Trump’s BFF Stephen Colbert, who announced his own South Carolina Seriously, Classy Debate (Sometime in January) last week.

But rather than scold his bestie for his decision to drop out, citing the possibility of Trump’s own “candidacy for president of the United States as an Independent” (“This would be hugely embarrassing — if that were an emotion he were capable of feeling”), Colbert simply decided to re-announce his own spectacularly awesome-sounding debate on The Colbert Report last night. (His possibly-televised-by-National-Geographic debate will not only be held in a zoo, but a polar bear will pick the winner!) Heck, even Newt Gingrich and, less to Colbert’s delight, Rick Santorum (he probably Googled him) are invited. Watch: READ FULL STORY

Alec Baldwin has words for flight attendants in online, er, 'apology'?

Alec Baldwin was kicked off of an American Airlines flight on Monday, in part, for refusing to stop playing Words With Friends, but the 30 Rock star certainly had no shortage of words when he wrote a piece for The Huffington Post regarding the incident titled “My Flying Lesson.” (Ah, if only Carol had been his Captain!)

The now Twitter-less star (he quit the social networking site hours after sending out a series of angry tweets at the airline) had way more than a 140 characters in what can only be described as a non-apology apology. While Baldwin does begin his open letter by apologizing to his fellow passengers on the flight (“It was never my intention to inconvenience anyone”) the actor mostly aired his frustrations with the airline industry in general. READ FULL STORY

Bill Maher and Elisabeth Hasselbeck battle on 'The View': Watch it in all its uncomfortable glory

You’d be hard-pressed to find two people in entertainment with more conflicting views on politics than Bill Maher and Elisabeth Hasselbeck. So it only made television sense during his visit to The View on Tuesday, that they were positioned as close as uncomfortably possible to one another. In fact, uncomfortable was the key adjective to describe just about every moment of their tense meeting.

Mere moments into his visit, Maher, who stopped by to promote his new book, was halted by Hasselbeck (who didn’t appear on Wednesday’s installment of The View) to discuss a particular joke he made on his HBO show, in which he stated that upon Lara Logan’s return to the U.S. after her sexual assault in Egypt, America would send Hasselbeck in her place. [Update: Hasselbeck tweeted on Wednesday, "Comfronting someone who suggest ( even in jest) that you should be traded and gang raped for another woman IS NOT an ATTACK. #standup #women"]

Hasselbeck, who needled Maher (“Forgive this idiotic Republican for bringing this to your brilliant mind”), told him it wasn’t so much the joke at her expense that bothered her. Rather, she was speaking on behalf of women and that the joke itself wasn’t funny. (Because if there’s anything Hasselbeck cares about, it’s preserving the sanctity of comedy.) At one point, Maher explains he says these sort of things to stand on the edge for the sake of comedy, to which Hasselbeck fired back, “Thanks for being the hero.”

You can relive the interview in all of its painfully awkward, yet undeniably entertaining glory below, in which the two continue to hurl zingers at each other. READ FULL STORY

'South Park' vs. 'The Simpsons': Which is the better beloved animated comedy?

Comparing South Park to The Simpsons is like comparing cheesy poofs to doughnuts. Both are delicious, rich, and stay with you even after they’re finished. (Gross!) So how can we possibly determine which is the more superior animated comedy? It’s a tough debate, but Sandra Gonzalez and I attempted to name a victor. So read on, neighbor-inos, and let us know what you think in the comments below, m’kay?

(This is part of an ongoing series of posts in which EW writers debate the most defining pop culture rivalries. Past subjects have included Britney Spears/Christina Aguilera, Schwarzenegger/Stallone, Godfather/Goodfellas, Movies/Videogames, and the neverending boy-band battle between ‘N Sync and the Backstreet Boys. Come back here Thursday for more exciting face-offs!)

Kate Ward (South Park: Oh, awesome!): Okay, let’s get this started. Now, if the argument here was South Park versus The Simpsons seasons 1-11, I’d say you’d surely win in a landslide. Unfortunately, The Simpsons has allowed itself to shrink into a state of irrelevance over the past decade. Say it with me: D’oh! READ FULL STORY

Videogames vs. Movies: Have games replaced films as the modern popular narrative medium?

Comparing one narrative medium to another is a tricky business. Anyone who has read a Harry Potter book and then seen the ensuing film adaptation — which is to say, almost everyone on earth —  knows that every storytelling method has its own strengths and weaknesses. Still, there is something particularly fascinating about the rivalry between movies and videogames. Cinema was the original popular art form, but it has spent over half a century fighting against rival media: Television, home video, and finally the videogame, which has evolved in just a few short decades from the primordial elements of Pong into the culture-defining medium of Call of Duty, Grand Theft Auto, and The Legend of Zelda.

The key to the great Film/Videogame debate is that the two have evolved alongside of each other. Videogames have become more “filmlike,” with more realistic characters and complex plotting. In turn, movies have absorbed many lessons from videogames, some of them good (films like The Hurt Locker and Children of Men have a you-are-there grandeur that feels very gamelike) and some of them not so good (watching Michael Bay’s Transformers trilogy is are exactly as enjoyable as watching your little brother play videogames you used to love before you turned 6). Now, I and fellow videogame fiend Adam B. Vary debate whether videogames have outright passed the movies as the popular narrative medium. Tell us your own thoughts in the comments. READ FULL STORY

Britney Spears vs. Christina Aguilera: Who's the greater turn-of-the-millennium pop diva?

Britney or Christina? It’s a question that philosophers have been contemplating since approximately 5 A.D. (after Disney). One’s the ultimate American girl, the other’s multi-lingual and multi-talented. One’s got enormous popularity; the other’s got an enormous voice. One’s a blonde ex-Mouseketeer who was romantically linked to Fred Durst, the other’s… a blonde ex-Mouseketeer who was romantically linked to Fred Durst. How to choose? It was a tough debate for Leah Greenblatt and me. Check out our arguments below, and tell us what you think in the comments.

(This is part of an ongoing series of posts in which EW writers debate the most defining pop culture rivalries. Past subjects have included Schwarzenegger/Stallone, Godfather/Goodfellas, and the neverending boy-band battle between ‘N Sync and the Backstreet Boys. Come back here on Thursday for a duel over the relative greatness of Movies and Videogames, and then spin back here in one week for a cage match between The Simpsons and South Park to decide the great American animated comedy.) READ FULL STORY

'The Godfather' vs. 'Goodfellas': There can only be one Boss

When you think of mafia movies, do you immediately hear the mournful trumpet from The Godfather‘s elegant main title? Or do you hear Eric Clapton’s “Layla”? It’s the question at the core of a crucial cinematic debate. What is the greatest mob movie ever? Francis Ford Coppola’s epic drama, The Godfather? Or Martin Scorsese’s gritty masterpiece, Goodfellas? Even though Sonny would’ve been pals with Jimmy Conway, and Paul Cicero would’ve been welcome in Don Corleone’s home, these are two very different Italian-American filmmakers telling very different tales about the Italian-American experience. But there can only be one boss, so Kevin Sullivan and I are mere loyal soldiers willing to go the mattresses to argue which film kisses the other’s ring. READ FULL STORY

'N Sync vs. Backstreet Boys: The great boy band debate

backstreet_boys_nsync

There was a time — 1998, to be exact, when the Backstreet Boys backed out of a planned Disney concert due to Brian Littrell’s heart surgery and ‘N Sync stepped in and became swoonworthy overnight — when I thought I had to choose between the Backstreet Boys and ‘N Sync. I could appreciate both groups’ music, but I could only care about one of them enough to surf the Web when my computer screen was visible to two coworkers. Looking back, it was probably a lingering effect from my years as a devoted New Kids on the Block fan, which culminated in my high school yearbook being full of classmates wishing me a lifetime of happiness with Jordan Knight. I was a one-group kind of girl.

Thirteen years later, however, I’m still being asked to choose between Backstreet and ‘N Sync. And today, so are you. Join myself and Dave Karger as we take our turn in the ring for EW.com’s ongoing series of pop culture face-offs. We’ll put it to a vote at the end. Ding. Ding.  READ FULL STORY

Arnold Schwarzenegger vs. Sylvester Stallone: The great '80s action movie star debate

If you want to understand America — what we are, what we were, and most of all, what we want to be — then you have to understand Arnold Schwarzenegger and Sylvester Stallone. The two actors exemplify two of our country’s most primal national myths. Stallone is a classic Horatio Alger protagonist, rising from impossibly humble beginnings into a world of fame and fortune and triumph and tragedy. Schwarzenegger is simply the Great American Immigrant Success Story, a boy from the forests of Austria who became a national celebrity, a canny businessman, and the chief executive of the eighth-largest economy in the world.

In the 1980s, the two men owned Hollywood, releasing a relentless series of blow-em-up action movies whose ridiculous excesses were perfectly matched by the stars’ impossibly muscular physiques. But which of the ’80s action gods reigns supreme? Read on for a spirited discussion about the eternal battle between the Italian Stallion and the Auspicious Austrian. Or, put simply: “Ooouuuggghhhh?” or “Aayyaayyuuggghh!READ FULL STORY

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