John Cameron Mitchell, who co-created Hedwig and the Angry Inch, will play the “internationally ignored song stylist” once again on Broadway. READ FULL STORY
Tag: Hedwig and the Angry Inch (1-10 of 26)
Broadway box office: Michael C. Hall's 'Hedwig' scores, but Carol Burnett can't boost 'Love Letters'
It’s a tale of two A-list replacements: Dexter star Michael C. Hall put on some makeup for Hedwig and the Angry Inch and kicked up $544,166 for his first six performances, according to figures from the Broadway League for the week ending Oct. 19. That’s down just 4 percent per-show from what Andrew Rannells took in during his final seven shows the previous week—but it still represents an impressive 85 percent of the potential gross for the Belasco Theatre.
But another high-profile substitution proved less successful: Carol Burnett, returning to Broadway for the first time in a decade, failed to lift ticket sales for the already flagging revival Love Letters that opened last month with Mia Farrow and Brian Dennehy. Dennehy is still in the two-hander, but box office for Burnett’s first eight-show week fell nearly 6 percent, to $319,810. That’s only 36 percent of the show’s maximum earnings—a bad sign. Maybe Carol should bring on Andy Cohen’s dog and reprise her Tarzan yell? READ FULL STORY
Two buzzy new plays opened on Broadway this week. It’s Only a Play, a Terrence McNally comedy reuniting Nathan Lane and Matthew Broderick, is proving to be anything but an only at the box office. It’s averaging 1.2 million bucks per week and 101 percent attendance. The madcap sendup of Broadway roasts a lot of boldface names; one of its biggest targets — New York Times critic Ben Brantley — had a surprisingly good sense of humor about the depiction of himself. Also opening this week is the stateside premiere of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon’s best-selling 2003 novel. (Note: If you see the show, don’t head too quickly for the exit post-curtain call, trust me.) In other news, after falling slowly (ba-dum-bum) for some months now in ticket sales, the Tony-winning musical Once is throwing in the towel on Jan. 4 after a nearly two-year run. Andrew Rannells winds down his run in Hedwig and the Angry Inch this weekend to make way for Dexter star Michael C. Hall in his first musical role on Broadway in over 10 years. Here are EW’s reviews of this week’s new Broadway plays (click on the links below for full reviews): READ FULL STORY
Broadway’s most exhilarating rock concert burst onto the boards earlier this year when Neil Patrick Harris stepped into the silky fishnets of Hedwig and the Angry Inch, earning a Tony for the role and ushering the East German rocker into the hands of a new generation of fans. After Harris departed the show in August, The Book of Mormon veteran Andrew Rannells was tapped to fill Hedwig’s high heels. To say his turn is electric, heartbreaking, and wholly different from Harris’ would still be underselling the performance.
With TV turns on Girls (as gay frenemy Elijah) and How I Met Your Mother and movie appearances in Bachelorette and The Intern, Rannells’ return to his theater roots is a thrill for fans and for the actor himself. EW paid a visit to Rannells’ dressing room backstage at the Belasco Theatre to quiz the Tony nominee about his Broadway return.
EW: I went running five days ago and my legs hurt, and I just had pad thai for lunch, and now I feel gross. Do my pitiful body woes make you laugh?
ANDREW RANNELLS: Oh, please. No! This is certainly unlike any show I’ve ever done before and has very unique challenges, but this is sort of what I was used to for so long, this schedule and this physicality. There’s something about it that feels really normal for me, to snap back into this eight-show-a-week thing.
Is the snap reminiscent of Mormon, or eight shows a week dancing in the chorus of Hairspray?
In terms of the pain… there are moments in The Book of Mormon. I remember doing “All American Prophet,” which is that song in the middle of the first act where I was just running all over the stage and there were a million words and nothing ever repeated. It was hard as hell to learn, and doing that and thinking please, Jesus, let me survive through this. If I don’t die in the middle of this number, it’ll be a good one. But the crazy thing about this show is that, really, the anticipation of it starting is the worst part. Because once you’re doing it and you’re in it, it’s fine, and it moves really quickly once it starts, but it’s that gearing up to do it—that’s stressful.
Do the nerves kick in when you get here for make-up?
Until the second I set foot on stage. READ FULL STORY
Dexter will be your next Hedwig. Michael C. Hall is set to take over for Andrew Rannells in the Tony Award-winning production of Hedwig and the Angry Inch, EW has confirmed. Hall will begin his run Oct. 16 and will leave the show in January. Hall recently appeared on Broadway in the play The Realistic Jones, but he is a veteran of taking over roles in storied Broadway musicals, making turns as Billy Flynn in Chicago and the Master of Ceremonies in Cabaret. The latter role proves he’s also used to copious amounts of makeup.
Girls star Rannells made his debut as the titular transgender rocker from East Berlin in August after Neil Patrick Harris, who won a Tony for his work, departed the show. Lena Hall—another Tony winner, who plays Hedwig’s husband, Yitzhak—will remain in the production alongside Michael C. Hall.
Neil Patrick Harris may have hung up his five-inch pumps, but audiences are still lining up for Hedwig and the Angry Inch. According to figures from the Broadway League, the Tony-winning musical revival took in $648,738 for the week ending Aug. 24—the first with Book of Mormon alum Andrew Rannells in the cross-dressing title role. While that’s a steep drop from NPH’s final week, when the show grossed a whopping $1.14 million, it still represents an enviable 82 percent of the potential earnings for the 1,007-seat Belasco Theatre. (Harris’ star power enabled producers to sell many more “premium” tickets for well above the average price.)
Broadway’s other new production, a revival of Kenneth Lonergan’s ’90s drama This Is Our Youth starring Michael Cera and Kieran Culkin, took home a decent $365,614 from its first seven preview performances. That’s about 58 percent of the maximum potential gross, and represents a good start for a show that will officially open Sept. 11. READ FULL STORY
In comes Andrew, out goes Neil, but the glitter will always remain the same.
A new poster has been released for Andrew Rannells’ stage return in the Broadway rock musical Hedwig and the Angry Inch. He replaces Tony winner Neil Patrick Harris as the German transvestite rocker intent on putting on a concert across the street from his ex-lover’s rival show.
With the announcement of Rannells’ casting in June, the Tony-winning revival of Hedwig also announced its extension beyond Harris’ originally scheduled end date of August 17. Rannells will step into the role for a limited eight-week engagement beginning August 20.
Hint: Click the photo above for full-size Rannells.
Neil Patrick Harris, in fishnets and heels, has officially torn down the Broadway box office.
Less than three months after opening, the Harris-led, Tony-winning revival of Hedwig and the Angry Inch has recouped its initial investment on Broadway. Harris won a Tony last month for playing the titular German transgender rocker in the John Cameron Mitchell and Stephen Trask musical, breaking the fourth wall and directly interacting with the audience at the Belasco Theatre seven times a week (unlike most shows, which are scheduled for eight performances). The production, directed by Michael Mayer, took home a total of four Tony Awards, including best revival of a musical and performance awards for Harris and co-star Lena Hall.
“Well, I guess New York loves Ms. Hedwig!” producer David Binder said in a statement. “Our girl is feeling it now! All of us at the Belasco Theatre couldn’t be more thrilled. We’re so grateful to all the folks who have turned out and we’re especially thankful to all the fans that have flown in from around the world to join our celebration on 44th street. It has been an incredible journey.”
Girls star and Tony nominee Andrew Rannells will take over wig-in-a-box duties from Harris next month, when he steps into the role of Hedwig beginning Aug. 20.
To paraphrase Stephen Sondheim: Another theater season just got off of the train. But the start of the 2014-15 season is already threatening to jump off the track a little. After Sunday night’s mixed-results Tonys ceremony (No “in memoriam” segment? And did we really need to see Hugh Jackman
embarrass himself rap?), the Tony administration committee announced that they would be discontinuing the sound design categories, to much consternation; in fact, 19,000 theater professionals and fans have already signed a petition to reinstate them, and the number keeps growing. (Ironic, too, as the Tony telecast at Radio City Music Hall is often criticized for poor sound quality.) But one of the show’s highlights was big winner Neil Patrick Harris essaying the flirtatious rocker “Sugar Daddy” from Hedwig and the Angry Inch (which won best musical revival), and EW proudly scooped the news that The Book of Mormon and Girls star Andrew Rannells will take over the role after Aug. 17, which is Harris’ final day. And given that he’s done it before, he should have no problem assuming those sausage curls and platform boots (though he’ll do it eight times a week after the summer, as opposed to Harris’ seven). And despite the season anew, there are no shortage of new shows opening around the country, including Blythe Danner taking on L.A. before Broadway this fall, a threesome of new works by one of the stage’s leading comedy writers, a new musical from the folks at Playwrights Horizons, and Noah Baumbach’s muse (and real-life partner) Greta Gerwig in her first NYC stage role in a new play from Britain (click on the links below for full reviews): READ FULL STORY
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