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Tag: Harvey Fierstein (1-3 of 3)

Tony-winner Harvey Fierstein returns to Broadway with cross-dressing play 'Casa Valentina'

Four-time Tony Award winner Harvey Fierstein is set to return to Broadway with Casa Valentina, about a group of heterosexual men in the Catskills in the 1960s who enjoy getting together to dress up like women. Problems begin when the men must decide whether or not to go public with their organization. Casa Valentina is Fierstein’s first play on Broadway in almost three decades; more recently he wrote the book for Tony-winning musicals Kinky Boots and Newsies.

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'Kinky Boots' original cast recording -- EXCLUSIVE FIRST LISTEN

Everybody say yeah! Get ready to dig your heels into a 15-track exclusive first listen of the original cast recording of Kinky Boots, the high-energy Cyndi Lauper/Harvey Fierstein musical currently nominated for 13 Tony Awards — including all three principal actors (Billy Porter, Stark Sands, Annaleigh Ashford). Adapted from the 2005 British indie movie chronicling the turnaround of a middling shoe factory that starts manufacturing thigh-high ‘kinky boots,’ the musical has Lauper’s signature sass and pop pep galore — we think you’ll be listening to this one… time after time. (The official CD will be on sale May 28.)

Kinky Boots is now playing at the Al Hirschfeld Theatre in New York City. Tickets are available at the show’s official website. READ FULL STORY

This Week On Stage: Tom Hanks and Cyndi Lauper take on Broadway

It was a notable week on the boards, one that included the Broadway debut of a most-beloved film star, a reboot of a musical two-hander with quite a vocal fanbase, and the Main Stem composing debut of an ’80s pop icon. (Click on the links below to read our full reviews.)

Lucky Guy A smoky, New York-flavored ode to Mike McAlary, the respected and feared tabloid journo who exposed corruption in the NYC police ranks, Lucky Guy brings two-time Academy Award-winner Tom Hanks to the Great White Way, courtesy of a script by the late, adored Nora Ephron (Sleepless in Seattle). But despite good notices for Hanks in most circles, critic Lisa Schwarzbaum was duly unimpressed, citing that “two hours of Lucky Guy and a theater-goer with no previous knowledge of McAlary and his tabloid cronies will still have no idea why Ephron was so enamored of this blowhard” and that the production “feels so inconsequential and dramatically inert.” EW grade: C+ READ FULL STORY

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