After seeing Safe Haven this weekend and not shedding a tear, I realized I don’t cry at Nicholas Sparks movies — even though they pull out all the stops: war, cancer, the beauty of nature, Alzheimer’s … sometimes all in the same film. Although this fills me with pride, it also makes me think about when I do cry at movies, and it turns out, the issue might be with me. So here goes my confession: I cry at all the wrong movies. READ FULL STORY
Tag: Ghost (1-5 of 5)
Ghost sex: all the kids are doing it!
Okay, maybe not, but some kids are doing it. Now that Ke$ha has come out of the supernatural closet by telling the world about her sexual ghost encounter, we realized that there’s been a lot of pop-culture instances of such relations.
Here are some of our favorite incidents of ghost sex:
Ke$ha in “Supernatural”: She says the song is “about experiences with the supernatural, but in a sexy way.” Sample lyrics include “Boy, this love is supernatural/Can you feel it,” which is a good question — can one feel ghost sex? We’re not sure, but maybe giving the song a listen will help:
The ghost is leaving the theater.
The producers of Ghost The Musical announced today that the show will play its final Broadway performance on August 18. The show opened on April 23 this year and played 136 regular performances.
The musical, based on the Oscar-winning movie starring Patrick Swayze and Demi Moore, was first a London West End hit, and original stars Richard Fleeshman and Caissie Levy reprised their roles as Sam and Molly for the New York show. READ FULL STORY
Even before Christian Borle picked up his Featured Actor Tony for Peter and the Starcatcher Sunday night, the Peter Pan prequel was winning over Broadway audiences. The play had its best week ever, earning $541,177 for the week ending June 10, according to figures from the Broadway League. That’s a healthy 27-percent jump from the previous week — certainly nothing for Borle’s Black Stache to snigger at. (In addition to Borle’s acting prize, the show earned three other Tonys in technical categories.) Overall, Broadway box office was up nearly $1.9 million last week — an impressive achievement considering that the $1 million-grossing drama Death of a Salesman had closed on June 2.
Given the promotional platform of last night’s all-time-lowest-rated Tony telecast, we should expect a box office windfall in coming weeks for the evening’s big victors, particularly eight-fold musical winner Once. (Last week, the movie-based musical played to nearly full houses and grossed $845,343, 85 percent of its potential gross. Look for both ticket prices and profitability to climb quickly.) Musicals like The Gershwins’ Porgy and Bess, Newsies, and Nice Work If You Can Get It boasted both multiple Tony wins and solid production numbers that translated well to the small screen. Even musicals like Evita, Jesus Christ Superstar, and Ghost that came up empty-handed in the Tony derby may see a modest uptick in advance sales thanks to their televised numbers.
Some of the Tony broadcast’s production numbers may have a more cautionary effect. I suspect that virtually no Tony viewers were swayed to buy tickets to the long-flailing revival of Godspell — or to book a Royal Caribbean cruise to see that shaky non-Equity production of Hairspray. Indeed, Godspell posted its worst box office returns ever last week, down 7 percent to $156,437. Prepare ye the way of a closing notice. And last season’s musical Priscilla Queen of the Desert, which will have its last performance June 24, was down 6 percent to $487,923 — the second worst full week in the production’s 15-month run.
As for straight plays, Tony winners such as Clybourne Park and One Man, Two Guvnors now have fresh promotional fodder to lure audiences. The acting prizes arrive too late to help two long-running new plays, Other Desert Cities and Venus in Fur, which are due to close this Sunday. And without Tonys to tout, some other new non-musical plays may struggle to hang on through the end of summer. The Blair Underwood-led revival of A Streetcar Named Desire was flat compared to the previous week, grossing $299,235, and The Lyons took in a mere $239,983 — in both cases, that was less than 30 percent of their potential gross.
This Week on Stage: Broadway season wraps up with 'Ghost,' 'Leap of Faith,' and Matthew Broderick singing Gershwin
There was a mad crush of premieres this week on Broadway — seven in all, vying to open just under the eligibility wire for this June’s Tony Awards. (Nominations will be announced Tuesday, May 1.) It’s been a surprisingly deep year in each of the four major categories (play, play revival, musical, musical revival).
• A Streetcar Named Desire Despite the occasional jarring moments in director Emily Mann’s revival of Tennessee Williams’ drama — which features TV stars Blair Underwood (The Event) as Stanley and Nicole Ari Parker (Soul Food) as Blanche DuBois — EW critic Lisa Schwarzbaum found the production “still reaches its destination as a mid-century classic of American theater.” EW grade: B+
• Ghost I was disappointed by the musical version of the 1990 Oscar winner, which features a new score by the Eurythmics’ Dave Stewart and veteran hitmaker Glen Ballard (as well as “Unchained Melody”). The chief draws are the high-tech set and magic effects that let the hero walk through walls. “Like Spider-Man Turn Off the Dark, the musical version of Ghost haunts the eye, not the ear.” EW grade: C READ FULL STORY
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