Some of the BBC’s biggest TV shows could soon come together like they never have before—as amusement park attractions.
Tag: Doctor Who (1-10 of 72)
While he won’t be going by The Teacher anytime soon, Doctor Who‘s 12th Doctor will now be helping children to learn how to code.
On Monday, the BBC announced a new game based on world of Doctor Who titled The Doctor and the Dalek. The game will be written by one of the show’s writers, Phil Ford, and it will tell the story of the Doctor as he teams up with one of his mortal enemies, a Dalek, to save all of creation.
This is the first-ever edition of the Entertainment Geekly Mailbag, where you send questions, aggressive clarifications, or angry rebuttals to me at email@example.com, and I attempt to answer those question, declarify those clarifications, and angrily rebut your rebuttal.
Regarding your ‘Doctor Who’ piece…
The Doctor is NOT immortal or semi-omniscient.
Time Lords have a limited amount of regenerations and can be killed as the show has stated. The regeneration limit was 12 but he just got a new batch from the Time Lords and it’s not clear how many that was. Maybe a new cycle? But that was presented as a special case. Of course The Doctor will not be killed for the same reason Sherlock Holmes and James Bond would not be killed. :)
As for omniscient, he frequently finds himself at a loss as to what’s going on or what the cause is. He has to work to find out. He is, at core, a very knowledgeable and curious scientist/humanist.
P.S. You didn’t like ‘Hide’? It was one of the highest regarded stories from the last series.
Those people down there. They’re never small to me. Don’t make assumptions about how far I will go to protect them, because I’ve already come a very long way. And unlike you, I do not expect to reach the Promised Land.
About two years ago, I found Doctor Who on Netflix. This is a classic better-late-than-never situation. At that point, the Doctor Who notion—calling it a “franchise” feels reductive—had been in a perpetual state of existence for 49 years. Long story short, assuming you don’t know: Time-traveling alien named the Doctor goes on adventures. Real name unknown, possibly forgotten. Long story slightly longer: The time-traveling alien is also a shape-changing immortal, and “death” is just a momentary glowing-light distraction before the alien’s rebirth, with a new body, a new attitude, and a new fashion sense. READ FULL STORY
A lot of people think EW writers spend their days boozing it up with stars. In the case of this week’s cover profile of actor Chris Pratt, that’s 100 percent accurate. The Parks and Recreation star already has one box office hit under his belt this year thanks to The LEGO Movie, and he might well have another when the latest Marvel spectacular, Guardians of the Galaxy, arrives in theaters Aug. 1. On a break from shooting next summer’s dinosaur fourquel Jurassic World, Pratt hoisted some beers with EW’s Clark Collis in New Orleans while recounting his unlikely career trajectory. READ FULL STORY
The Doctor Who brand is riding high into 2014, with a couple of record-setting specials and the buzzy debut of Peter Capaldi as the twelfth Doctor. Now, the BBC has announced a new partnership with Titan Comics to create a new series of comic books centering on the time-traveling man from Gallifrey. According to a press release, the comics will be standalone adventures that will focus on three different iterations of the Doctor: David Tennant’s sandshoe-modeling 10, Matt Smith’s bowtie-rocking 11, and Peter Capaldi’s yet-to-be-costumed 12. READ FULL STORY
Nobody wants to see the doctor on Christmas: it usually means you’ve either gone into hot cocoa-induced diabetic shock or have been impaled by an errant candy cane. But having a visit with “the Doctor” has become a venerable Yuletide tradition. In honor of the upcoming Doctor Who Christmas special—in which Matt Smith’s beloved Eleventh Doctor will regenerate through the magic of TV acting contracts into his latest incarnation, played by Peter Capaldi—we’ve whipped up a whimsical bit of poesy that combines the work of two of our favorite doctors without medical licenses. So without further ado, and with copious and appropriate apologies to Steven Moffat, Theodor Geisel, and you, the reader, we present…
Doctor Who’s How The Dalek Stole Who’smas
Every Who fan in Whoville liked Who’s-mas a lot
Except for perhaps a certain murderous robot
With spruces and gooses and red-and-green jelly
And a brand-new hour of Doctor Who on the telly
They drink till they’re punchy and they eat till they barf
Put up lights as colorful as Tom Baker’s scarf
And toast to good cheer with a bottle of Malbec
While up in the mountains stewed the crotchety Dalek READ FULL STORY
Entertainment Geekly is a weekly column that examines contemporary pop culture through a geek lens and simultaneously examines contemporary geek culture through a pop lens. So many lenses!
James Bond and the Doctor don’t have very much in common. Bond is a violent British superspy. The Doctor is a pacifist alien traveler. Bond jets around to exotic locations and uses expensive gadgets; the Doctor spends a curious amount of time in Wales and uses semi-abstract technology that makes funny noises. Weirdly, if the two characters ever met, they would probably be enemies. Bond is the kind of guns-blazing loose cannon the Doctor hates; in turn, the Doctor is practically a Bond villain, a stateless entity with a sci-fi lair that houses several weapons of mass destruction.
Bond is a hedonist with rampant sex drive, a figure of pure id. The Doctor is a vaguely ascetic intellectual, a figure of pure superego. Except when he’s not, which brings up a more important difference: Whereas the Platonic Ideal of James Bond was chiseled in granite from the word go, the Doctor is less a character than a series of variables. James Bond has always kind of looked the same; the Doctor can look like a scary philosopher hobo or the internet’s dream of combining every member of a British boy band into one perfect human. Both characters are essentially immortal, although in different ways. The Doctor frequently mentions his age, although he could be lying, or just forgetful. James Bond is always a man just old enough to have the athletic prowess of a peak Olympian and the refined taste of a retiree millionaire. READ FULL STORY
We all know that Doctor Who fans are a special kind of beast — fiercely loyal, dedicated, and operate somewhat as a kind of perpetually enthusiastic cult. So it should come as no surprise that when BBC America invited fans to a series of 50th anniversary screenings across the globe, fans showed up in droves. Like, Hunger Games-esque droves.
In the US alone, the 11 nationwide screenings of Doctor Who: The Day of the Doctor that took place Monday night — after the special had aired on TV, by the way — scored a per-screen average of $13,603, performing better than The Hunger Games: Catching Fire, which had a $12,300 per screen average and was shown on more than 4,000 screens. Globally, the screenings earned $10.2 million. That’s pretty huge.
These results — combined with the overall buzz surrounding the sold-out screenings — also begs the question: Do we want to see more cult television screened in theaters? READ FULL STORY
The Doctor Who 50th anniversary special was a twirling infinity vortex. It was set in the present and the past and another past and every time at once. There were multiple versions of every character, including Queen Elizabeth I. In the most Moffat-y script Steven Moffat has ever written for Doctor Who, the show took a deep dive into its own history, and it appeared to partially destroy that history, and it also provided a peek at its own far-flung future. At one point, three different time periods attacked one time period by traveling through another time period. And because this is Doctor Who, there were plenty of big red scary monsters. READ FULL STORY
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