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Tag: Damon Lindelof (1-10 of 10)

Damon Lindelof talks 'The Leftovers', 'Lost' with 'New York Times Mag': What we learned

You know him as one half of Darlton, one half of Lost – or maybe even “the guy that ruined Lost.” But there’s much more to Damon Lindelof, the creative mind behind big budget sci-fi films like the 2009 Star Trek reboot and Prometheus as well as ABC’s mysterious island drama. And as of this summer, he’s got another prominent venture to add to his resume — one that brings him back to the world of television, a place he basically left after Lost went off the air on 2010.

In anticipation of The Leftovers, which premieres on HBO on June 29, the New York Times Magazine did an in-depth interview with Lindelof that chronicles his life post-Lost, his upbringing, and the details on how he brought Tom Perrotta’s acclaimed story to life. Here’s what we learned:

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From Michael Bay to Eminem, here are creators who've (sort of) apologized for their work

When you create something for public consumption, you’re putting yourself in a very fragile position. For example, creating a popular television show means handing your beloved characters over to the world for weekly scrutinizing. Then again, it also means handing them over for weekly adoration. But no matter how beloved a show, movie, album, or book might be, no creator is perfect. And by default, no creator’s work is perfect.

That being said, there are few times in the world of pop culture where a creator has come forth and apologized for a large piece of work. Do rappers often have to apologize for certain lyrics? Yes. Are there controversial moments in television episodes that get addressed immediately? Of course. But looking back at an entire season of television or a film and saying “sorry” to fans is a rarity in this business. And in honor of Aaron Sorkin’s recent apology to fans of The Newsroom, we’ve rounded up some other notable apologies. And you know what? We’re not sorry about it.

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Damon Lindelof has left Twitter

Sigh: Looks like the idiots won.

One day after Damon Lindelof released a cryptic, purposefully unfinished tweet — “After much thought and deliberation, I’ve decided t” — it seems that the Lost creator has decided to bow out of Twitter entirely.

It’s possible that Lindelof is simply on sabbatical; before his account disappeared, Lindelof had changed his Twitter bio to read “On hiatus until the government shutdown ends.” Then again, given the amount of abuse heaped on the writer/producer via Twitter in the last few weeks — on the eve of Breaking Bad‘s finale, for instance, he was met with a barrage of messages from folks who are still angry about the way Lost ended — it’s also likely that this break could be a bit more permanent. There’s also this:

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Idiots pick on Damon Lindelof during 'Breaking Bad' finale. WE GET IT. YOU DON'T LIKE 'LOST.'

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The Lost finale aired three years ago, and people are still angry about it. It is a gaping wound in the pop culture consciousness of a certain type of human being — the same people who will never get over the vain notion that the Star Wars prequels destroyed a very special part of their childhood. The wound reopened last night during the series finale of Breaking Bad, when a whole series of people used Twitter — a technological mechanism that would have seemed like an impossible glorious utopian dream-machine 30 years ago, something that theoretically is supposed to bring us all together in something resembling the Emersonian oversoul — to tweet a bunch of snippy comments at Damon Lindelof, co-creator of Lost and masochistic recipient of fan rage.
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10 things we learned about TV exit strategies from the creators of 'Breaking Bad,' 'Lost,' and 'Six Feet Under'

There are three Breaking Bad episodes left, meaning it’s prime time to check in with Vince Gilligan on the upcoming series finale. Interview magazine’s latest issue talked to not only Gilligan, but three other series creators, with a roundtable of showrunners, including Six Feet Under‘s Alan Ball and Lost‘s Damon Lindelof and Carlton Cuse, all reminiscing, without spoilers, the final moments of writing their shows and how they dealt with audience reactions.

And as it turns out, great minds do think alike. Each of them recounted the emotional toll of writing finales and shared the lessons they learned about today’s TV audience. Read on for 10 enlightening facts Gilligan, Ball, Lindelof, and Cuse offered about their shows:
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'Star Trek': Damon Lindelof apologizes for showing Alice Eve in her underwear. (Seriously?)

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In Star Trek Into Darkness, Captain Kirk and his team take on a new foe, travel to new planets, and generally do new, sequel-y stuff. Also: New girl Alice Eve (who plays Dr. Carol Marcus) is shown in her underwear. Many (or at least a few) viewers found the scene exceptional for the way that it undercut the character’s other abilities. If she’s a super-smart scientist, why is she stripping out of her clothes for no apparent reason? Into Darkness co-writer Damon Lindelof touched on some of these concerns in a spoiler chat with MTV (warning: very spoiler-y).

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Spocks United: Leonard Nimoy and Zachary Quinto meld a friendship for the ages

Star Trek fans everywhere have been watching, sharing and re-watching The Challenge, a sly Audi ad that, as a comedy vehicle, comfortably seats a pair of mismatched Spocks: Leonard Nimoy, the television and sci-fi icon, and his on-screen heir, Zachary Quinto, who wears the ears in Star Trek Into Darkness.

They are trash-talking frenemies in the mini-movie, but Trek producer Bryan Burke says that in grand Spock tradition there’s a vast emotion hidden behind that frosty artifice.”Their relationship is not a working relationship at all,” Burke said.  “They’re family.”

As Hollywood relationships go, the bond between Nimoy and Quinto is an anomaly. Not only does it bridge a vast generation gap (Nimoy is 82, Quinto is 35), it defies the Hollywood undertows of rivalry and status anxiety, which have made actors in similar situation behave like Betta fish when paired up.

”We spend a lot of time together, we keep in touch,” Quinto said in February just a few days after he filmed the Audi ad. “He’s a great friend. I value his presence in my life far beyond the experience we had making the first Star Trek movie and I’m grateful that it brought us together but now the friendship is a thing — it’s own thing. I love Leonard a lot.” READ FULL STORY

Damon Lindelof goes on hours-long Twitter spree about Justin Bieber's hat

Justin Bieber wore a yellow hat with spikes out in public this week. That is the only background you need to enjoy Damon Lindelof’s hours-long Twitter one-liner spree. (Warning: NSFW language to follow):

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Damon Lindelof and Jeff Lemire team up for new 'Batman' story -- Exclusive interview and art!

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Today, as part of their expanding line-up of digital-first comic books, DC Comics launches a new Batman digital comic called Legends of the Dark Knight, a series of stand-alone stories about the Caped Crusader. And to kick off Legends, DC brought together a pair of powerhouse talents. The debut issue was written by Damon Lindelof (co-creator of Lost, co-writer of Prometheus) and drawn by Jeff Lemire, the ascending comic book writer-artist whose impressive credits include the creator-owned Sweet Tooth and the critically adored Animal Man. In an exclusive interview, EW got on the phone with the dynamic duo (Lindelof was calling from the West Coast, Lemire from Canada) to talk about the roots of their collaboration and why Batman looks better when his clothes don’t quite seem to fit. READ FULL STORY

Two years after 'Lost,' EP Damon Lindelof has 'no regrets' about ending

Are we still talking about Lost?! Well, executive producer Damon Lindelof still is. In a lengthy interview with The Verge, Lindelof addressed fan dissatisfaction with the supernatural saga’s polarizing ending in 2010. I’m not entirely sure whether fans are “still disappointed” about the ending, save for the grudge-holding few, but despite the untimeliness of the discussion, Lindelof provides some curious defenses to the interviewer’s extensive questioning about the show’s ending and legacy.

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