With your regular procedural patroller Alynda Wheat on vacation, it falls to me to embed this clip from last night’s vampire fetish/comic book happy Castle, or what my colleague Marc Bernardin has referred to as “officially, the geekiest hour of television ever.” It opened with Nathan Fillion trying on a familiar “space cowboy” costume for Castle’s annual Halloween party. Daughter Alexis (Molly Quinn) wasn’t quite as psyched as we were for the Firefly reference:
Tag: Castle (81-90 of 93)
'Castle' Halloween episode: Vampire fetish + costumes = promising!
ABC has released photos from the Oct. 26 episode of Castle title “Vampire Weekend.” Per the episode synopsis, “As Halloween approaches, Castle and Beckett are called to a graveyard where the body of a young man sporting vampire fangs has been discovered with a wooden stake driven through his heart. Their investigation takes them deep into the heart of New York’s underground Vampire Fetish Community, where they learn that the secret motive for the victim’s murder may be hiding within the pages of the graphic novel he was writing before his death.” I can hear Castle’s Buffy, Twilight and True Blood references now, and I like it.
What do you think of their costumes? I’m guessing Beckett is a classic femme fatale (or perhaps Nikki Heat), and Castle is Edgar Allan Poe. Then, I’m thinking we’ve got ourselves a Doogie Howser, M.D., a Cruella De Vil, a Catwoman, and the guy from The Hurt Locker?
Photo Credit: Michael Desmond/ABC
Alynda Wheat's Beat Cop: In which Wentworth Miller, Cromartie, and Benjamin Button crash our sets
Come on, people, you never leave the perp with Wentworth Miller! That’s Article 96, Section 242, Clause 3 of the Procedural Code! Wait, wait. Before we get too shouty about last night’s Law & Order: SVU, let’s call the meeting to order and go over some Beat Cop business.
At our last meeting, commenter Judy Woodruff (let’s just assume that’s an alias, and the PBS anchor is way busy with actual news) asked if we’re going to loop Southland (tonight at 9 on NBC) into our discussions. This brings up an excellent point, Coppers: What counts as a procedural? The matter is open to a vote, but these are the general guidelines we’ll work under:
The series is typically one hour long.
The series is on a nationally recognized TV network (e.g., ABC, NBC, CBS, Fox, The CW).
The series typically concludes with the resolution of a mystery (crime, court case, medical diagnosis, etc.).
The series is primarily focused on said mystery, rather than the personal lives of those involved.
The series is ghost-free.
What does that mean? That Southland totally counts, because it’s all about catching bad guys, just more cinematically. That Medium, Ghost Whisperer, and Supernatural all solve mysteries, but bite it on the ghost clause. That House weasels its way in because the show treats sick people more like Sudoku than soap opera. (So suck it, Grey’s Anatomy!) And that we’re going to talk about Castle, even though it’s arguably weighted as much on the charm and talents of one Nathan Fillion as it is on dead people, because Fillion is one of our many imaginary boyfriends. (Though apparently, we’ve got competition for his affection.)
Now that our Cop business is concluded, let’s get to it!
Law & Order: SVU
We begin with another man in our imaginary boyfriend stable, Wentworth Miller, late of Prison Break. I dug the episode, but here’s the quibble: You saw (nearly) all that coming, right? Once I got past the idea that there actually was someone employed by the NYPD that was ragier, jerkier, and more unstable than Stabler (Chris Meloni—and don’t you roll your eyes at me, you know it’s true!), Miller’s backstory unfolded like origami. He’s a jackass, but a tragic one! He’s terrible to women, but wonderful to kids! He believes in the law, but God forbid if you’re too stupid to realize he shouldn’t be taking a confessed rapist/murderer to the john. I admit, I thought it was going to be a “You know what? He totally slipped and smashed his head into the porcelain sink…twice,” kind of thing. But they got me on the defenestration. I imagine they got all of us on that sick little legal twist that keeps the innocent dude in prison. And will somebody please get Diane Neal’s Casey Novak back here before we do something unspeakably hinky to vicious new ADA Christine Lahti? It is SVU—we can get creative. READ FULL STORY »
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Law & Order is touchy. Maybe it’s age—after all the show is an admirably ancient 20 years old, which in TVworld means Willard Scott should’ve offered them congratulations about five seasons back. But this past episode had the reigning Queen Mum of procedurals wagging a bony finger in all sorts of directions, including—perhaps unwittingly—its own.
There was a book? All this time there was an actual, buyable, readable Castle book and nobody told me? I mean sure, I could’ve read
Let’s bow our heads for a moment of silence. As we learned last night, NBC snuffed out one of our favorite procedurals, the gritty, fantastically acted Southland. You’d think shoving Jay Leno down our throats for five hours of primetime would be injury enough, but no—they had to add insult. This, NBC. This is why TV viewers are dropping network for cable in ever-greater numbers. Viewers know cable offers the kind of risky, investment-heavy programming that’s rare on network television these days, and what’s better, cable will actually stick with it.
It’s a sign of this dramedy’s growth that we put Stana Katic’s name in the headline and not just Nathan Fillion’s.
Our time has come, procedural watchers. This is Beat Cop, and it’s our TV watch. Well, it’s a mini-watch…in PopWatch…and we’ll cover lots of shows instead of getting all precious about just Lost or Fringe, but we’re doing God’s work here, ladies and gents.







