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Tag: Box Office (1-10 of 19)

Broadway box office: Michael C. Hall's 'Hedwig' scores, but Carol Burnett can't boost 'Love Letters'

It’s a tale of two A-list replacements: Dexter star Michael C. Hall put on some makeup for Hedwig and the Angry Inch and kicked up $544,166 for his first six performances, according to figures from the Broadway League for the week ending Oct. 19. That’s down just 4 percent per-show from what Andrew Rannells took in during his final seven shows the previous weekbut it still represents an impressive 85 percent of the potential gross for the Belasco Theatre.

But another high-profile substitution proved less successful: Carol Burnett, returning to Broadway for the first time in a decade, failed to lift ticket sales for the already flagging revival Love Letters that opened last month with Mia Farrow and Brian Dennehy. Dennehy is still in the two-hander, but box office for Burnett’s first eight-show week fell nearly 6 percent, to $319,810. That’s only 36 percent of the show’s maximum earningsa bad sign. Maybe Carol should bring on Andy Cohen’s dog and reprise her Tarzan yell? READ FULL STORY

Broadway Box Office: Nathan Lane and James Earl Jones pack 'em in. Mia Farrow? Not so much

It’s Only a Play doesn’t open until this Thursday, but the backstage comedy revival is already minting money for its producers at Broadway’s Schoenfeld Theatre. The star-studded show—featuring Nathan Lane, Matthew Broderick, Megan Mullally, F. Murray Abraham, Stockard Channing, and Harry Potter alum Rupert Grint—grossed an impressive $1.25 million for the week ending Oct. 5, according to figures from the Broadway League. That’s a remarkable haul for a non-musical—and actually exceeds the potential earnings for the venue (thanks mostly to premium tickets sales and high demand).

Another star-studded revival, Kaufman and Hart’s You Can’t Take It With You (starring James Earl Jones and Rose Byrne), got a giant boost from its across-the-board rave reviews. In the first full week since its Sept. 28 opening, the comedy upped its ticket stales nearly 50 percent from the previous week, to $571,079. READ FULL STORY

Broadway box office: Andrew Rannells still packs them in for 'Hedwig'

Neil Patrick Harris may have hung up his five-inch pumps, but audiences are still lining up for Hedwig and the Angry Inch. According to figures from the Broadway League, the Tony-winning musical revival took in $648,738 for the week ending Aug. 24—the first with Book of Mormon alum Andrew Rannells in the cross-dressing title role. While that’s a steep drop from NPH’s final week, when the show grossed a whopping $1.14 million, it still represents an enviable 82 percent of the potential earnings for the 1,007-seat Belasco Theatre. (Harris’ star power enabled producers to sell many more “premium” tickets for well above the average price.)

Broadway’s other new production, a revival of Kenneth Lonergan’s ’90s drama This Is Our Youth starring Michael Cera and Kieran Culkin, took home a decent $365,614 from its first seven preview performances. That’s about 58 percent of the maximum potential gross, and represents a good start for a show that will officially open Sept. 11. READ FULL STORY

Broadway box office: Bryan Cranston's 'All the Way' gets the biggest Tony bump

Broadway producers love the Tony Awards because it gives a rare national platform for their shows, typically boosting ticket sales for musicals that make the most of their televised production number. And what lucky show got the biggest boost from the June 8 broadcast? Surprise! It wasn’t a musical but the LBJ bio-drama All the Way, which won Best Play and Best Actor for Bryan Cranston (above). In the post-Tony week ending June 15, box office climbed 30 percent to a Texas-size $1.23 million, according to figures from the Broadway League.

Lady Day at Emerson’s Bar & Grill, a play with music that earned Audra McDonald a record sixth Tony, also basked in the awards afterglow. Box office climbed 19 percent last week to $457,174, an impressive 87 percent of the potential gross in the intimate Circle in the Square Theatre. And Best Revival winner A Raisin in the Sun saw a 5 percent bump to $1.29 million — an impressive haul for a non-musical on Broadway. READ FULL STORY

Broadway box office: 'Aladdin,' 'Raisin,' and 'Beautiful' are the season's hottest pre-Tony tickets

As we sneak up on this Sunday’s Tony Awards, the Broadway season’s box office winners are quickly emerging. And the biggest new hit appears to be on a magic carpet ride. For the week ending June 1, Disney’s Aladdin led new shows with nearly $1.2 million in ticket sales, according to figures from the Broadway League. The animated-film-based tuner is playing to full houses and nearly 88 percent of its potential gross in the cavernous 1,723-seat New Amsterdam Theatre. Right behind Aladdin, though, is a rare non-musical blockbuster: the Denzel Washington-led revival of A Raisin in the Sun, which soaked up $1.19 million last week (thanks in part to premium tickets selling for as much as $348). READ FULL STORY

Make your summer box office predictions now!

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No surprise: X-Men: Days of Future Past — starring just about everybody — made a ton of money this weekend…and it’s far from the first movie of the summer season to slay at the box office. Looking forward, we want to hear what you think are going to be the big hits (and misses) in the coming months.

Take our polls — about favorite on-screen couple, Guardians of the Galaxy, and more — below. READ FULL STORY

Broadway box office: Denzel Washington's 'Raisin in the Sun' is season's biggest hit

There are no dreams deferred for the producers of the Denzel Washington-led revival of A Raisin in the Sun. In its first full week since its April 3 opening, director Kenny Leon’s well-reviewed revival earned a remarkable $1.18 million, according to figures from the Broadway League covering ticket sales for the week ending April 13. That makes it the fifth highest-grossing show of the week and the only non-musical to cross the seven-figure threshold. And thanks to premium ticket prices as high as $348, Raisin actually exceeded the estimated gross potential of the Ethel Barrymore Theatre by 16 percent. READ FULL STORY

Broadway Box Office: 'Bronx Bombers' is striking out with audiences, while Shakespeare hits a grand slam

Broadway’s New York Yankees love-fest Bronx Bombers, starring Peter Scolari as Yogi Berra, isn’t exactly pulling major-league numbers at the box office. In the first full week since its Feb. 6 opening, the new drama took in a measly $177,559, according to figures released by The Broadway League. That’s less than a quarter of the potential gross at Circle in the Square (one of Broadway’s smallest theaters) — and does not bode well for its future.

The biggest surprise this winter has been the season’s unlikeliest but very palpable hit(s): the Mark Rylance-led productions of Twelfth Night and Richard III playing in repertory (and breaking house sales records) at the Belasco. For the week ending Feb. 16, the shows grossed a remarkable $944,755 — a tally that exceeds all of the season’s new musicals. The takings have topped the potential gross for the Broadhurst for the third straight week, suggesting that producers have been able to goose their earnings by selling ever more premium tickets at $247 a pop. READ FULL STORY

Broadway box office: Daniel Craig and Rachel Weisz break records with 'Betrayal'

Daniel Craig has a license to kill at the Broadway box office. Teaming the James Bond star with his real-life wife, Rachel Weisz, turns out to have been a very good idea for the producers of the Harold Pinter revival Betrayal. Though the show doesn’t open until Oct. 27, the Mike Nichols-directed drama has broken records at the Barrymore Theatre for its first two weeks of previews. For the week ending Oct. 13, it took in $1.11 million for seven performances, according to figures from the Broadway League. That tops the weekly earnings of the Philip Seymour Hoffman-topped revival of Death of a Salesman last year.

Broadway’s other big hit this fall is another starry revival. The Glass Menagerie, starring Zachary Quinto, has steadily increased its box office since opening late last month to rave reviews. Last week, it pulled in $724,363, a remarkable 91 percent of the potential gross for the modestly sized Booth Theatre. But seldom was there a tale of more woe than the box office for Romeo and Juliet. The new production starring Orlando Bloom and Condola Rashad earned $470,744 last week, or roughly 38 percent of its potential earnings.

Surprisingly, the nonmusical revivals Betrayal and Menagerie are both outperforming most of the season’s new tuners. Sales for the megabudget Big Fish leapt 33 percent from the previous week to $856,110, or 62 percent of its possible gross. A Night With Janis Joplin, which opened last Thursday, earned $353,070, or 57 percent of its potential take. First Date hooked up with $448,331, a mere 52 percent of its potential, while Soul Doctor, which closed Sunday, pulled in a paltry $128,256 — that’s just 18 percent of what the venue could have earned.

In addition to Betrayal, the other seven-figure earners last week were the usual suspects: The Lion King ($1.88 million), Wicked ($1.87 million), The Book of Mormon ($1.84 million), Kinky Boots ($1.81 million), Motown: The Musical ($1.49 million), Matilda ($1.43 million), and The Phantom of the Opera ($1.02 million).

Analysis: Brad Pitt is a box office success with 'World War Z,' but has he become less popular?

Brad Pitt should feel triumphant today. He produced and starred in World War Z, a blockbuster zombie epic that spent the better part of its production cycle drowning in bad buzz. But after a salvage rewrite/reshoot and a full-scale publicity offensive, the film opened big over the weekend with $66 million.

That’s the biggest opening that Pitt’s ever had, and the studio is already making noise about fast-tracking a sequel. However, according to General Sentiment — a leading social analytics firm that analyzes more than 60 million sources of digital content every day — Pitt’s overall popularity may have actually taken a tumble over the last couple of years. READ FULL STORY

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