Tag: Box Office (1-9 of 9)

May 17 2013 02:34 PM ET

Box-office preview... from Your Grandparents

grandparents

Image Credit: Jupiterimages/Getty Images

EW’s box-office prognosticator Grady Smith is on vacation. Fortunately, your grandparents just sent you an email, and they made their own predictions about the weekend box office. Read on!

Dear Sport,

Your grandmother and I sure are excited about all the movies coming out this winter. Wait, it’s summer? I must have switched up my pills again. Anyhow, you forgot about Mother’s Day. Grandmothers are still mothers!

We’ve been to the movies quite a bit lately. It’s hard to put on 3-D glasses on top of bifocals. But we were so excited about Bash Lerman’s The Great Gatsby, which reminded us of the good old days. It would have been lovely if it had been a silent film and also if it had been much shorter. READ FULL STORY »

May 6 2013 05:04 PM ET

Broadway box office: Despite Tony snub, Bette Midler sees a big boost in ticket sales

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Image Credit: Richard Termaine

Tony, Schmony. Bette Midler may have been snubbed by Tony nominators for her one-woman comedy I’ll Eat You Last, but she’s having the last laugh at the box office. According to figures from the Broadway League, ticket sales for the Divine Miss M’s first Broadway show in 30 years jumped 17 percent for the week ending May 5, to $753,217. That’s a record for the relatively tiny Booth Theatre and comes despite the fact that Midler performed only seven shows (most Broadway productions schedule eight performances per week). Her producers took advantage of premium pricing and stellar reviews, but the Tony snub also allowed them to deny Tony voters free tickets before the June 9 ceremony and re-sell those prime seats at full price.

So what’s a Tony nomination worth these days? For the musical revival Pippin and the star-studded comedy Vanya and Sonia and Masha and Spike, the first week since the Tony noms boosted ticket sales by a healthy 10 percent. Pippin, which earned 10 nods (including Best Musical Revival), took in $785,386 for the week ending May 5 — an impressive 85 percent of the potential gross for the Music Box Theatre. Vanya, which earned 6 Tony noms, including Best Play, generated $449,073 at the Golden Theatre — roughly 60 percent of that 804-seat house’s maximum earnings. READ FULL STORY »

May 6 2013 04:00 PM ET

Summer Box Office: You predict the top films of the season

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Image Credit: Marvel/Disney

With Iron Man 3‘s $175 million opening weekend, the summer box office race has officially begun. From now until Labor Day, expect a huge turnout at the theaters for the tentpole releases this season.

EW staffers Grady Smith, Darren Franich, Mike Bruno, Jeff Labrecque and Denise Warner each give their expert* picks for the top 10 movies at the box office this summer. See them below, and then use our ranking tool to predict your own top 5! READ FULL STORY »

Apr 1 2013 04:43 PM ET

Broadway box office: An Easter-bunny bounce for 'Cinderella,' 'Motown,' and more

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Image Credit: Carol Rosegg

The Easter Bunny brought a special treat to Broadway last week, with overall grosses up 24 percent for the week ending March 31, according to figures from the Broadway League. With a deluge of tourists in New York City for the springtime holiday season, virtually every show saw a sizable bunny-hop in sales (and far less discounting than usual). Wicked and The Lion King both topped $2 million in grosses for the week, while 11 other shows crossed the $1 million threshold.

Among the week’s Million Dollar Club were three new-this-season productions: Rodgers + Hammerstein’s Cinderella ($1.4 million), the Tom Hanks-led drama Lucky Guy ($1.25 million), and Motown: the Musical ($1.16 million). That’s the third consecutive $1 million-plus week for Motown since it began previews, a record for a brand-new show opening cold on Broadway (without a previous production Off Broadway or out of town). READ FULL STORY »

Mar 11 2013 04:50 PM ET

Broadway box office: Tom Hanks boosts one very 'Lucky Guy'

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Image Credit: Joan Marcus

There are a small handful of proven box office draws on Broadway: Hugh Jackman, Al Pacino, green-faced witches. Now we can add a new name: Tom Hanks. The two-time Oscar winner’s Broadway debut, Lucky Guy, raked in an astonishing $1.1 million for its first full week of previews ending March 10, according to figures from the Broadway League. It’s rare for a nonmusical to top $1 million in weekly grosses, but the late Nora Ephron’s play (starring Hanks as another departed New York legend, tabloid columnist Mike McAlary) managed to earn 112 percent of the potential gross for the Broadhurst Theatre. Thanks to demand-driven premium pricing, the average ticket climbed to $134.41 — second only to Broadway’s priciest get, The Book of Mormon (average price: $188.57). Lucky Guy, which may become an even hotter ticket after its official opening April 1, is currently selling tickets for performances through June 16. READ FULL STORY »

Feb 4 2013 04:57 PM ET

Broadway box office: Jessica Chastain lights a way to profitability for 'The Heiress' in its final week

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Image Credit: Joan Marcus

Heading into its final week on Broadway, The Heiress is emerging as a surprising box office hit. Producers of the drama revival starring Jessica Chastain and Dan Stevens announced that the show should recoup its investment before the final performance this Saturday. Ever since Chastain won the Golden Globe last month for Zero Dark Thirty, ticket sales have spiked. According to the Broadway League, the show had its best-ever grosses for the week ending Feb. 3: $673,973, a 11 percent gain from the previous week and 71 percent of the potential earnings for the Walter Kerr Theatre. (Perhaps Chastain should have her three-legged dog, Chaplin, make more impromptu cameos in the production to boost sales even more.)
READ FULL STORY »

Jan 28 2013 03:23 PM ET

Broadway box office: Scarlett Johansson sells tickets -- but Jessica Chastain has star power, too, post-Globes

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Image Credit: Joan Marcus

January is typically a slow period on Broadway, given the seasonal dip in post-holiday tourism, but shows headlined by Hollywood starlets are bucking the trend this year. In its first full week since its Jan. 17 opening, the Scarlett Johansson-led revival Cat on a Hot Tin Roof clawed in $886,531 for the week ending Jan. 27, according to the Broadway League. That’s a modest 5 percent dip from the show’s premiere week and represents a strong 67 percent of the potential gross for the Richard Rodgers Theatre. Since reviews for Rob Ashford’s production were generally mixed, the popularity of the 28-year-old Avengers star (and improbable doppelganger for a young Christopher Walken) will be a big factor in the revival’s fortunes during its limited run through March 30.

Meanwhile, the recent Golden Globe win for Zero Dark Thirty star Jessica Chastain has proven to be a sudden box office bonanza for the actress’ Broadway debut, The HeiressThe drama revival, which opened last November and will end its limited run Feb. 9, grossed $604,765 last week, a nearly 36 percent jump from its total two weeks ago and two-thirds of the potential haul for the venue. (Of course, it probably doesn’t hurt that her costar Dan Stevens is back in the public eye with the return of Downton Abbey on PBS.) READ FULL STORY »

Nov 26 2012 04:30 PM ET

Broadway box office: Christmas comes early as 12 shows top $1 million

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Image Credit: Joan Marcus

For Broadway producers, Thanksgiving brought some extra trimmings this year. According to figures from the Broadway League, a dozen Broadway shows topped $1 million at the box office for the week ending Nov. 25 — the first time that’s happened all year. Perennial musical hits led the list: Wicked ($2.3 million), The Lion King ($2.1 million), The Book of Mormon ($1.8 million), and Spider-Man: Turn Off the Dark ($1.78 million). The fifth slot went to the just-opened revival Annie (pictured above), which took a stroll down Easy Street by selling $1.5 million in tickets, 105 percent of the show’s potential gross and a house record for the Palace Theatre. (Premium ticket charges spiked the average ticket price to $116, from $89 the week before.) READ FULL STORY »

Sep 4 2012 03:46 PM ET

Broadway box office: 'One Man, Two Guvnors' ends its run on a high

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Image Credit: Johan Persson

In its final week on Broadway, the hit British comedy One Man, Two Guvnors starring irrepressible Tony winner James Corden shattered the box office record at the Music Box Theatre, pulling in $853,518 (91 percent of the venue’s potential gross), according to figures from the Broadway League. That’s a remarkable achievement for a nonmusical production on the Great White Way. One Man is one of only three straight plays that have opened this year and recouped their producers’ initial investments (in this case, $3.25 million). The others are the acclaimed Tony-winning revival of Death of a Salesman starring Philip Seymour Hoffman, which earned back its $3.1 million investment 14 weeks into its 16-week run this spring, and the star-studded election-year revival Gore Vidal’s The Best Man, which announced last week that it had recouped its own $3.25 million investment (the show is scheduled to close this Sunday, Sept. 9).

Meanwhile, Bruce Norris’ topical drama Clybourne Park, which also had its last performance on Sept. 2, concluded its five-month run with a (modest) bang. Final-week ticket sales climbed 15 percent to $486,336, nearly 57 percent of the show’s potential gross. Despite winning the Pulitzer Prize and this year’s Tony for best drama, the production featured a cast unfamiliar to non-theatergoers and never really caught fire at the box office. It’s not expected to make back its initial investment.

As usual, Broadway’s box office was dominated by the familiar stable of musical powerhouses. The Lion King led the charge with $1.72 million for the week; followed by Wicked ($1.7 million); The Book of Mormon ($1.67 million, a new house record); Spider-Man: Turn Off the Dark ($1.43 million); and the Ricky Martin-led revival Evita ($1.1 million).

Read more:
‘Motown the Musical’ headed to Broadway
Fall Theater Preview: 10 shows we’re dying to see
EW’s Stage Hub: News, reviews, and listings

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