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Tag: All the Way (1-6 of 6)

Tony-winning play 'All the Way' with Bryan Cranston breaks Broadway box office record

Bryan Cranston has gone from Breaking Bad to breaking Broadway box office records.

All the Way, starring Cranston as President Lyndon B. Johnson, grossed $1,425,001 for the week ending June 22. That eight-performance total is now the most money ever made in a single week for a straight play on Broadway. Earlier this month, Cranston and the play took top honors of Best Actor and Best Play, respectively, at the Tony Awards after recouping the play’s initial $3.9 million investment in May. However, the play will end its limited engagement as scheduled this week.

Cranston, of course, is still no match against those witches of Oz. Wicked holds the title for the largest gross ever for any show on Broadway when it broke the $3 million mark in one week last December.

Broadway box office: Bryan Cranston's 'All the Way' gets the biggest Tony bump

Broadway producers love the Tony Awards because it gives a rare national platform for their shows, typically boosting ticket sales for musicals that make the most of their televised production number. And what lucky show got the biggest boost from the June 8 broadcast? Surprise! It wasn’t a musical but the LBJ bio-drama All the Way, which won Best Play and Best Actor for Bryan Cranston (above). In the post-Tony week ending June 15, box office climbed 30 percent to a Texas-size $1.23 million, according to figures from the Broadway League.

Lady Day at Emerson’s Bar & Grill, a play with music that earned Audra McDonald a record sixth Tony, also basked in the awards afterglow. Box office climbed 19 percent last week to $457,174, an impressive 87 percent of the potential gross in the intimate Circle in the Square Theatre. And Best Revival winner A Raisin in the Sun saw a 5 percent bump to $1.29 million — an impressive haul for a non-musical on Broadway. READ FULL STORY

Inside the 2014 Tony Award Nominees: Best Play

As we look ahead to the Tony Awards on Sunday, June 8, EW takes a closer look at this season’s nominated selection of new musicals, plays, and revivals, all of which will be competing for Broadway’s highest honor. Today, we dive into this year’s nominees for Best Play.

Act One

Opened: March 20, 2014

Closing: June 15, 2014

Starring: Tony Shalhoub, Andrea Martin, Santino Fontana, Beatrice Kaufman, Frieda Fishbein

Directed by: James Lapine

Written by: James Lapine, based on the memoir by Moss Hart

Synopsis: Act One chronicles the life of Moss Hart (1904-61) and his growth from a poor kid interested in theater to a wildly successful playwright, who wrote (or co-wrote, with George S. Kaufman) classics such as Merrily We Roll Along and You Can’t Take It With You.

EW’s review: “Eccentricity comes easily to Shalhoub after his award-winning eight-season stint as an OCD-afflicted detective on TV’s Monk. The actor is so quirkily charming as Kaufman — and such a good match for Fontana as his high-strung extroverted writing partner — that it’s almost a letdown when he morphs back into Moss.” B- –Melissa Rose Bernardo

Tony nominations: 5 — Best Play; Best Leading Actor in a Play (Tony Shalhoub); Best Scenic Design of a Play (Beowulf Boritt); Best Costume Design of a Play (Jane Greenwood); and Best Sound Design of a Play (Dan Moses Schreier)

Odds on winning: It has an outside chance.

NEXT: All The Way

'A Gentleman's Guide to Love & Murder' top winner at 2014 Drama Desk Awards

Call it A Gentleman’s Guide to Love & Murder & Winning Big.

The musical comedy dominated the 59th Annual Drama Desk Awards, taking home a leading seven trophies at the gala held Sunday night at The Town Hall in New York City. Based on the 1907 novel Israel Rank: the Autobiography of a Criminal by Roy Horniman, the farce was named outstanding musical and received the musical direction award for Darko Tresnjak.

Star Jefferson Mays won for outstanding actor in a musical, an honor he shared with Neil Patrick Harris for Hedwig and the Angry Inch. Lauren Worsham was named outstanding featured actress in a musical. Robert L. Freedman was recognized for outstanding book of a musical and outstanding lyrics alongside co-lyricist Steven Lutvak, and Aaron Rhyne won for outstanding production design.

No production came close to topping Gentleman’s Guide‘s awards totals, though Beautiful: The Carole King Musical did win in three categories: outstanding actress in a musical for Jessie Mueller, outstanding featured actress in a musical for Anika Larsen (yes, it was another tie with Worsham), and outstanding sound design in a musical.

Outstanding play went to All the Way, which also earned a best actor win for Bryan Cranston, who plays President Lyndon B. Johnson in the historical drama. READ FULL STORY

Broadway box office: Denzel Washington's 'Raisin in the Sun' is season's biggest hit

There are no dreams deferred for the producers of the Denzel Washington-led revival of A Raisin in the Sun. In its first full week since its April 3 opening, director Kenny Leon’s well-reviewed revival earned a remarkable $1.18 million, according to figures from the Broadway League covering ticket sales for the week ending April 13. That makes it the fifth highest-grossing show of the week and the only non-musical to cross the seven-figure threshold. And thanks to premium ticket prices as high as $348, Raisin actually exceeded the estimated gross potential of the Ethel Barrymore Theatre by 16 percent. READ FULL STORY

Broadway Box Office: 'Bronx Bombers' is striking out with audiences, while Shakespeare hits a grand slam

Broadway’s New York Yankees love-fest Bronx Bombers, starring Peter Scolari as Yogi Berra, isn’t exactly pulling major-league numbers at the box office. In the first full week since its Feb. 6 opening, the new drama took in a measly $177,559, according to figures released by The Broadway League. That’s less than a quarter of the potential gross at Circle in the Square (one of Broadway’s smallest theaters) — and does not bode well for its future.

The biggest surprise this winter has been the season’s unlikeliest but very palpable hit(s): the Mark Rylance-led productions of Twelfth Night and Richard III playing in repertory (and breaking house sales records) at the Belasco. For the week ending Feb. 16, the shows grossed a remarkable $944,755 — a tally that exceeds all of the season’s new musicals. The takings have topped the potential gross for the Broadhurst for the third straight week, suggesting that producers have been able to goose their earnings by selling ever more premium tickets at $247 a pop. READ FULL STORY

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