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Tag: About That Ending (1-2 of 2)

'X-Men: Days of Future Past': Oh God, let's talk about that ending (SPOILERS!) (ANALYSIS!) (FUTURE!) (PAST!)

X-Men-trailer

Let’s get two things out of the way here: I really liked X-Men: Days of Future Past. And I have complicated feelings about the X-Men movies, but one thing that doesn’t bother me is their screwy internal chronology. I am not a a continuity pedant; the fact that X-Men: First Class directly overrules several parts of X-Men 1 doesn’t lessen my enjoyment of either of them.

So what follows is not meant to nitpick the plot of Future Past. Rather, this is an inquisition, an attempt to seriously understand what the space-time continuum really looks like after it has been twisted into fifty pretzel-spirals of insanity. SPOILERS FROM HERE. READ FULL STORY

Opinion: About that 'Elysium' ending...

For most of its running time, Neil Blomkamp’s Elysium is a uniquely well-conceived futuristic action thriller. It is set in 2154, in a slowly-corroding world that realistically imagines what our current society will look like when aged forward 14 decades. The technology is familiar, even when it’s elaborate. The characters make recognizably human-like decisions. The whole world appears to operate in a familiar manner, with a struggling underclass striving for a better life while a corporate uber-class jealously guards its decadent lifestyle. Elysium is like a third-world race-against-time thriller written by David Simon, with some robots sprinkled in. It is realistic, grounded, thought-provoking.

Until the ending.

Let’s set the stage here a bit, because the roots of Elysium‘s curiously silly final act appear early. (Spoilers from here.) 

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