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'Recall the Gold': Re-voting past Oscar races, starting with the Best Picture of 1998

Oct 6, 2008, 06:28 PM | by Gary Susman

Categories: Oscars 2009, Recall the Gold

Shakespeareinlove_l What's the biggest Oscar upset of the last quarter century? It may be the victory of Shakespeare in Love over Saving Private Ryan as the Best Picture of 1998. Looking back with the perspective of time, would that race play out the same way if it could be voted on today? EW is asking that question and others like it via our enormous survey campaign, called "Recall the Gold." As of today, we're sending out ballots to 7,000 film industry professionals (many of them Academy members), asking them to vote anew on the top six categories in the Oscar races of 5, 10, 15, 20, and 25 years ago. Many of the Academy Award-winning pictures, directors, actors, and actresses will stand up to our test of time; no doubt many others will be replaced by new consensus choices. And that's where you come in, PopWatchers.

We're going to ask you to vote as well. Every Tuesday and Thursday in PopWatch, from now until the end of the year, we're going to ask you to re-vote one category from one year's race and see if, out of the five nominees, you'd pick the same winner today that the Academy did then, or if you think another one of the nominees was more deserving. After the first of the year, we'll tally all the results of both readers' votes and industry professionals' votes.

Let's kick things off with that famous upset from the 1998 Best Picture race. You'll recall that Ryan and Shakespeare were the favorites going in, with 11 nominations for Steven Spielberg's war epic and 13 for the Miramax period comedy that starred Gwyneth Paltrow and Joseph Fiennes. Also vying for Best Picture, with seven nominations each, were Elizabeth, the biopic of Queen Elizabeth I that helped launch Cate Blanchett to stardom; Life Is Beautiful, Roberto Benigni's Italian-language tragicomedy about a Jewish father who uses humor to shield his little boy from the worst horrors of the Holocaust; and The Thin Red Line, a brooding, meditative, elliptical World War II epic very different from Ryan, one that marked the return of '70s directing legend Terrence Malick to the screen after a 20-year absence.

Conventional wisdom picked Ryan as the favorite over Shakespeare, since the former was a serious war drama that seemed tailor-made for the Academy, while the latter, for all its highbrow references and costume pageantry, was still a comedy, a genre that almost never wins Best Picture. Shakespeare's victory was widely seen (fairly or unfairly) as a triumph of Miramax's Oscar-campaigning genius (the quasi-indie distributor also represented multiple winner Life Is Beautiful).

Back then, I may have been one of the few who thought Shakespeare actually deserved to beat Ryan. I found it thoroughly entertaining and inventive from start to finish, while I thought Ryan was 25 minutes of bravura filmmaking (the D-Day sequence) attached to two hours of a routine WWII drama and marred by a superfluous, blatantly manipulative framing device. Today, however, I'm not so sure. Shakespeare looks to me now like an extremely well-crafted trifle, while Ryan retains its moral force. Elizabeth, with its stylish, gritty approach to period drama, looks better and more influential to me each time I see it. My feelings are still mixed about Life Is Beautiful; I'm still not sure it ever reconciled its light, bittersweet comic tone with the horrible gravity of its subject matter. Thin Red Line remains visually stunning and dramatically opaque.

Of course, your opinions of these movies are likely different from mine, and may have evolved in different directions from mine over the last ten years. Vote in the attached poll for the one you think is the Best Picture today. (Watch some embedded clips after the jump if you need a refresher.) Then keep an eye on this space for further opportunities to vote in the Recall the Gold poll (on Thursday, we'll look at the Best Supporting Actress race from 1983), and watch for commentary and historical context on the recall vote at Dave Karger's new Oscar Watch blog.

Elizabeth trailer

Life Is Beautiful trailer

 
Life Is Beautiful

Saving Private Ryan trailer

 
Saving Private Ryan - Trailer

Shakespeare in Love trailer

 
Shakespeare In Love - Trailer

The Thin Red Line trailer

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Aino Fri, Jan 2, 2009 at 05:09 PM EST

The Thin Red Line, hands down. Shakespeare was frothy fun, Ryan was bogged down by the grand-standing Spielberg had Hanks do, Life was average and Elizabeth the period drama nomination. Line was haunting and has true relevance for generations to come.

Matt Thu, Jan 1, 2009 at 11:59 PM EST

While I personally would have picked Saving Private Ryan over Shakespeare in Love, I still can respect Shakespeare in Love as a great movie in its genre. I agree with everyone that the Academy's true jump the shark moment was giving the Best Oscar picture to Crash over Brokeback Mountain. I think that the Academy will be trying to love this horrible tragedy for a long time.

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Ian Tue, Nov 25, 2008 at 03:22 PM EST

I am some-what biased as 'Shakespeare in Love' is one of my favorite movies of all time. Therefore, it's hands down winner!

Mike Smolinski Mon, Oct 20, 2008 at 12:08 PM EST

I side with the Academy on this one -- and I agree with Dave's original assessment of the competition. "Ryan" had one of the greatest opening sequences -- perhaps the greatest battle sequence -- we'd seen up to that point, but the rest of the film fell flat. Conventional wartime storytelling, nothing more. It remains with us because the war was so horrific, not because the movie was so terrific.
As for "Shakespeare",,,sure it's a souffle, but it's a perfect souffle. There are those who critize the Academy for not honoring enough comedies, yet when it honors a sophisticated, intelligent, well-spoken farce, they look the other way. Not since Mankewiecz wrote "All About Eve" has a script been as witty or as beautifully performed.
The other nominees remain potent in a year that offered an unusually high level of quality. But I still would have replaced "Life is Beautiful" and "The Thin Red Line" with "Pleasantville" and "Gods and Monsters."

MCB Fri, Oct 17, 2008 at 11:05 PM EST

"Retains its moral force?" What moral force? What did you actually learn from this movie? About anything? The entire movie's a pack of cheap, easy, stock war-movie cliches. The actors, talented though they are, are hamstrung by the cliche-ridden script, and aren't at their best. Hasn't the market meltdown taught you anything about the dangers of cheap, easy emotional cliches? The real-world harm that sappy, manipulative patriotic tripe does? Don't you get the connection between the kitschy sentiments this movie taps into in its bathos-ridden conclusion, and the kitschy sentiments John McCain is trying to tap into? Or that George Bush utilized when he landed on that aircraft carrier? Don't you see the deleterious effect patriotic schlock (which SPR undeniably is, for any with eyes to see) has on the real world outside the cineplex? Moral force? Get real. Your mind is so addled by emotional cliches you don't know what morality is.

Martin Brennan Thu, Oct 16, 2008 at 07:27 PM EST

I love Cate and Gwyneth (who should have been nommed for Ripley, Proof, and Sylvia) but the actress who truly deserved the best actress award of 1998 was Fernanda Montenegro for Central Station. I had assumed Cate was robbed until I saw this performance last year. Absolutley brilliant and haunting! And the little boy, Vinícius de Oliveira, was robbed of a nomination. Heartbreaking! This is what acting is all about!

RobSD Wed, Oct 15, 2008 at 11:33 AM EST

Count me as one of those who thinks the best film won that year. I was disappointed with Saving Private Ryan during my initial viewing of it. After that opening sequence, what was there except the usual odd squadron army film. Except this one was made leaden by Spielberg's overly mawkish direction. The framing device was the worst--having the old veteran return to the cemetery. I assumed that he was the Tom Hanks character since that's where the flashback started. How in the name of logic could that old man be Pvt Ryan remembering all that happened to that squad when the squad doesn't reach him until the halfway point of the film. Stupid, inane and not deserving of an Oscar for sure. Meanwhile Shakespeare was a delight, a witty inventive script that had fun with gender bending in Elizabeth I's England as well as today.

Miranda Wed, Oct 15, 2008 at 08:38 AM EST

Count me as a person who thinks that the best of the 5 is The Thin Red Line. 10 years has diminished somewhat the other four, but Red Line is still a potent picture today, maybe even moreso now than in '98. Now I am thinking that I must have a Malick marathon...although that is only 4 movies.....

Masi Vadola Tue, Oct 14, 2008 at 03:26 PM EST

Somebody needs to take that Oscar back from Jennifer Hudson and give it to Rinko Kikuchi. Heck! give it to Adriana Barazza, Cate Blanchett, Martina Gedeck, Carmen Maura, Maribel Verdu, Emily Blunt even Hudson's costar Anika Noni Rose, just frakkin get it back.
I don't know if people were driven to vote for her because of her real life cinderella story thing, but two years later, I am sure the Academy would go for someone different.
Also, I think it was absolutely ridiculous that terrible movies like Brokeback Mountain and Crash were considered the frontrunners in a year with some outstanding fare like Pride & Prejudice, C.R.A.Z.Y, Ong bak, History of Violence, GN&GL, Death of Mr. Lazarescu, The Constant Gardener, Me & U & Everyone We Know, Sin City, Happy Endings, Down to the bone,Three Burials of Melquiades Estrada... At that time, pretty much everyone who dared to diss Brokeback Mountain was being labelled a homophobe, and anyone who found Crash a mess was deemed someone in denial of racism's deep roots in our society. I hated both movies then and if we were to separate the politics from actual merit, I think those Oscars would've been very very different.

JT Mon, Oct 13, 2008 at 11:23 AM EST

Seriously!? Saving Private Ryan is one of my least favorite movies of all time! Take away the horrifying opening sequence (which would have been a stunning short film) and you are left with a pointless bore-fest, adequately acted and nicely shot.

coll Sat, Oct 11, 2008 at 08:55 PM EST

How Denzel won for Training Day over Crowe's John Nash is beyond me. They just didn't want Crowe with back-to-back Oscar wins.

Barbara Regina Walters Sat, Oct 11, 2008 at 06:00 PM EST

After the first 20 minutes of SAving Private RYan, there is nothing that distinguishes from any good war picture. 20 minutes does not make a best picture. SHakespeare is a picture that engages through the whole movie and it is fun and romantic.

Barbara Regina Walters Sat, Oct 11, 2008 at 06:00 PM EST

After the first 20 minutes of SAving Private RYan, there is nothing that distinguishes from any good war picture. 20 minutes does not make a best picture. SHakespeare is a picture that engages through the whole movie and it is fun and romantic.

whitetrash4u Sat, Oct 11, 2008 at 03:51 PM EST

I can accept "Shakespeare in Love" over "Saving Private Ryan" as best picture of '98. I like both films. There is no explaining and predicting Academy voters, so don't try. Politics and the PR campaign aside, "SPR" made the money and holds the most universal interest from the Spielberg, WWII, and Tom Hanks crowds. "SIL" is a rare romcom win as Best Picture, which is refreshing. "SPR" has a lot of sentiment on its side, and technically it is impressive. End of debate there, leave it as it stands. But, since many here are grinding their indvidual off-topic axes, I have three Best Picture gripes: The '76 win "Rocky" was idiotic. "Taxi Driver" was the best film of '76. Plus, the "Rocky" win cursed us with years and years of Sly Stallone. Second, the '80 win for "Ordinary People" gagged me with its fakery. Give me "Raging Bull" or "The Elephant Man" instead. Finally, I add to the outcry over the '05 win for "Crash" over "Brokeback Mountain." "Crash" was so transparent and calculated. Ugh.

Ken A. Sat, Oct 11, 2008 at 02:32 PM EST

I totally associate myself with the writer's analysis. Was really disappointed in "Thin Red Line", "Life is Beautiful" was simply not funny...being asked to laugh about concentration camps was offensive. The others were all good but "Saving Private Ryan" has that lasting quality and remains the best in my book.

dakalv Fri, Oct 10, 2008 at 08:18 PM EST

Here is an article that discusses Goldman's Oscar article. http://www.flakmag.com/film/spielberg/ryan.html

dan w. Fri, Oct 10, 2008 at 08:10 PM EST

And really .... Benini over McKellen? You can't even debate that one. It was horrible. I suppose the amusing foreigner was more interesting than the out homo? With the Academy not nominating Rupert Everett in "My Best Friend's Wedding" and "Crash" over "Brokeback ...", the Academy doesn't seem as enlightened as they claim to be.

dakalv Fri, Oct 10, 2008 at 08:04 PM EST

The great screenwriter William Goldman wrote a dissection of the 1998 Oscar nominees in Premiere Magazine before the awards and made a very articulate case for "Shakespeare..." over "...Private Ryan" and Gwyneth over Cate. I don't know if possible to find it on the net but it certainly would add something to this discussion.

Zach Fri, Oct 10, 2008 at 07:35 PM EST

This was the easiest best picture to pick in the past 20 years, and they got it wrong! Saving Private Ryan was miles above anything else released in 1998.

Kai Hamilton Fri, Oct 10, 2008 at 06:15 PM EST

Anyone that thinks for a second that Saving Private Ryan is better than Shakespeare In Love is (to put it bluntly) ignorant. War movies in general have something against them. You are watching war and nothing more. However, they can have something for them- character development IE: The Deer Hunter. Saving Private Ryan is a very plot-flawed film. It lacks bellow the surface emotion. When what we are seeing is a nice recreation (given if you like watching 8 hours of shacky camera work that would put the Blair Witch Project to shame) of very general war sadness. War movies should not win to win because they are political. That is not what automatically puts a film on the grand scale. It should be sized down. Shakespeare In Love was without question the best movie of the year, especially for those who respect anything about theatre; and film for that matter... seeing as though the roots of film derive from theatre. This pole is sickening. It is only for THIS voting category. Pretty sad EW

Ackerman Fri, Oct 10, 2008 at 12:11 AM EST

A good movie is exactly that - a good MOVIE. Everything has to hit it just right and the seasms have to disappear. That's why a romantic comedy can be better than a drama, a sci-fi movie can be better than a period piece based on "literature". Arguing about SIL vs Ryan forgets that (marketing aside) Shakespeare was effortless.

Forget the awful frame, forget the cheat that sets it up as if Tom Hanks is the old guy but it's actually Ryan (remembering a story he wasn't a part of!). There wasn't a single moment in Ryan (including the fantastic battle scenes) that I wasn't thinking - "Wow, what an acheivement", "what staging". Ditto Titanic. Ditto Gump. The message, the intent, the meaning - all of these are irrelevant unless you can create alchemy. That's why Sideways is "better" than Crash, LA Confidential is "better" than Hotel Rwanda, and Children of Men is "better" than Rain Man. Execution and final package.

Paul Thu, Oct 9, 2008 at 08:33 PM EST

I'm absolutely astonished that we can have a thorough discussion about the Oscar race of 1998 with over 100 comments - debating Ryan over Shakespeare, Speilberg and Madden, Gwyneth versus Cate - and not one person mentioned that the worst choice of that year was Roberto Benigni's win for Best Actor! Over Ian McKellan! And Nick Nolte! I still find that far more shocking than Gwyneth's unjust victory.

Mark Thu, Oct 9, 2008 at 06:40 PM EST

Doug - Wow. You need to learn about filmmaking, quick!

Brett Thu, Oct 9, 2008 at 04:50 PM EST

"The Green Mile" over "American Beauty"? You're scaring me. "Mile" was Stephen King at his syrupy-sweet worst. As for the person who was amazed at Tommy Lee Jones' win over Ralph Fiennes - it was because (a) He gave a better performance; and (b) Academy voters note that his name is pronounced just like it's spelled on paper. :)

Chelsey Thu, Oct 9, 2008 at 11:20 AM EST

While I do feel she deserved the Best Actress Oscar for Elizabeth, will people vote for her now?
Cate has become an Academy favorite and people are always looking for something new.
Can people get over the present and really do what is being asked? Vote for who was the best in 1998, not what you think of them in 2008.

Ron Wed, Oct 8, 2008 at 09:20 PM EST

I love the pretentious comments bashing SPR. Ask one veteran of WWII about their feeling on the movie. Not just the obvious opening sequence with the Normandy Invasion, but the entire movie with the bonding and losing of brothers in battle while performing and witnessing atrocities that they can barely believe they are involved with.
The silence at the end of the movie in the theatres spoke more then any standing ovation could have. Cast aside the bad Vin Diesel acting and you have a movie that will be remembered as one of the greatest ever made. SIL and TTRL will only be remembered because of SPR even if they were enjoyable movies.

Oscar Wed, Oct 8, 2008 at 07:29 PM EST

Saving Private Ryan may be one of the worst movies of the past 20 years. Where Malick and the Thin Red Line offered a poetic vision of war and beautiful imagery, that hack Speilberg brought about his dull direction in the boatloads in Saving Private Ryan. I mean, seriously, did we need the camera to zoom in every f***king time Hanks' hand shook? Oh my gawd his hand's shaking, it's soooo profound, I have to zoom in on this so people GET IT!
Anyway, who actually cares about the Oscars? They actually gave Crash an award along with Walk the Line and Ray. Walk the Line is Ray with a white guy, Ray is Walk the Line with a black guy; the two are the same movie, I finally figured it out! Hollywood doesn't have to remake movies anymore, they can just keep making the same movie with different actors! It's the perfect scheme!

Travis Wed, Oct 8, 2008 at 05:17 PM EST

When it comes to Best Picture, one thing to consider is what film is going to be remember by people years from now, Saving Private Ryan is still as powerful and fresh in people's minds now as it was in 1998. Even though it is a great film, too few people know Shakespeare In Love and remember it. 1998 was hands down the biggest upset in Oscar history! Runner-ups include Dances With Wolves beating Goodfellas, The Greatest Show On Earth and Chicago weren't Best Picture just good films, Driving Miss Daisy beating Born On The Fourth Of July, Tom Hanks very worthy of winning his first Oscar but Liam Neeson (Schindler's List) was better, and many more. 1994- one of the toughest years for picking Best Picture you had Forrest Gump, Pulp Fiction, and The Shawshank Redemption all worthy of winning. The hard part in this is getting everyone to agree on what should win.
ATTENTION: Titanic, Gladiator, The Lord of the Rings, American Beauty, Crash, and The Departed were all top winners in my book.

Raven_Moon Wed, Oct 8, 2008 at 05:07 PM EST

Personally, I think "Saving Private Ryan" deserved to win. I don't think this was the biggest upset, though. In my opinion, that would be "Crash" beating "Brokeback Mountain." I liked both, but "Brokeback..." was definitely the better film.

Django Wed, Oct 8, 2008 at 09:58 AM EST

Wow, Doug... you really should see more movies then!

Rick Wed, Oct 8, 2008 at 09:29 AM EST

I've been following the Oscars since 1989, when "Rain Man" won. Still think "Die Hard" is a much better film (and Alan Rickman not getting a Best Supporting Actor nod is a hugh letdown).

"Driving Miss Daisy" was a passable TV movie from Hallmark Channel... but Best Picture? "Born On The Fourth Of July" was better.

Regarding "Dances With Wolves" over "GoodFellas", Martin Scorsese should've had his golden night with "Raging Bull", back in 1981.

"The Silence Of The Lambs" (great movie by the way) was a surpise winner, and it bitters me that "JFK" didn't get the big prize.

I love "Unforgiven" and think Eastwood should have gotten the statue for Best Actor (Best Director instead? Robert Altman for "The Player").

1994 was Spielberg's year and "Schindler's List" is one of his greatest (no argue about that).

Forget "Forrest Gump", "Pulp Fiction" was a better movie but, come to think of it, "The Shawshank Redemption" is hands down the Best Picture.

Doug Wed, Oct 8, 2008 at 08:41 AM EST

The Thin Red Line is one of the worst movies I have ever seen. Saving Private Ryan should have won with the wonderful Life is Beautiful finishing a close second.

Jenny Wed, Oct 8, 2008 at 08:39 AM EST

What about Tommy Lee Jones beating Ralph Fiennes for best supporting actor? Come on. Ralph's performance in Schindler's List lost to Tommy's role in The Fugitive.

Mark Wed, Oct 8, 2008 at 05:18 AM EST

The Thin Red Line is the only great film on that list. Saving Private Ryan is pretty idiotic, as the columnist says, great opening battle, great closing battle and 2 hours in-between of Spielberg not really sure of what he's doing or trying to say. The Thin Red Line on the other hand is one of most devastatingly beautiful films i've ever seen, with a profundity and intelligence that Ryan can't even begin to compete with. Of course thinking has never been high on the criteria of Oscar-winners. Shakespeare in Love winning over The Thin Red Line is one of the most barmy Oscar decisions since Oliver! beat 2001: A Space Odyssey.

V.M.L. Wed, Oct 8, 2008 at 03:52 AM EST

BROKEBACK MOUNTAIN deserved the Oscar more than CRASH.

That's all I have to say.

Axel Wed, Oct 8, 2008 at 12:54 AM EST

How can you people even MENTION such a CLICHE FESTIVAL as SAVING PRIVATE RYAN when you have beautiful, sublime, subtle and deepy personal triumph that is THE THIN RED LINE staring RIGHT back at you, the same year, in the same best picture catagory??

Hmm, Terrence Malick V. Speilberg, oh jeez I wonder who the better craftsmen is. There is only ONE movie here that will be talked about in 100 years, and that's The Thin Red Line.

Oh and for everyone debating so "hotly" on the massive academy "snub" that was 1998, here's some news for you. The Academy Rarely, rarely, rarely, RARELY has ANY IDEA WHAT THEY'RE DOING. OMG 1998 the academy MESSED UP yah huge suprise i freakin' can't believe it.

Nathan T. Wed, Oct 8, 2008 at 12:52 AM EST

I forgot to note this below, but it should also be added that both "Saving Private Ryan" and "Shakespeare in Love" were 3 1/2 films and thus head and shoulders above their competition: "Life is Beautiful" (awful and thoroughly disrespectful to Holocaust victims), "Elizabeth" (well acted but shockingly dull), and "The Thin Red Line" (pretentious and bloated). Two more things: "Crash" beating "Brokeback Mountain" a few years back was way more egregious than this, and say what you want about "Shakepeare in Love", it's still a better film than "Braveheart," "Titanic", "American Beauty", or "Gladiator."

Nathan T. Wed, Oct 8, 2008 at 12:44 AM EST

I'd say that "Saving Private Ryan" deserved to win, although having viewed "Shakespeare in Love" again recently it's a terrific movie as well. 1998 was a very good year for film and I think it must be noted that the five best films that year-"The Truman Show", "Rushmore", "Babe: Pig In The City", "A Simple Plan", and "Happiness"-weren't even nominated. It was a terrible feat repeated in 1999 when "Being John Malkovich" and "Three Kings" were snubbed and in 2002 when the flat-out masterpiece "Far From Heaven" was skipped over along with "About Schmidt", "Punch Drunk Love", and "Adaptation." For shame.

mazen Wed, Oct 8, 2008 at 12:24 AM EST

the biggest snub happend to al pacino

al pacino should have been won four oscars

for the godfather 1&2
serpico and dog day afternoon

Peter Wed, Oct 8, 2008 at 12:00 AM EST

If you've seen Life Is Beautiful, you know it's the best film on this list easily.

Tue, Oct 7, 2008 at 10:05 PM EST

Based on trailers, I would pick "The Thin Red Line." That three minutes was incredibly cinematic and made the movie seem really good. I've never seen it, so I don't know if it actually was, but still.

even though Tue, Oct 7, 2008 at 09:54 PM EST

Crash was a decent film i don't think it deserved best picture but to call it the worst best picture winner is just stupid. Apparently you never seen The Greatest Show on Earth or Brodway Melody of 1928.

I think the most recent worst best picture was the Departed. The better movies that year were Children of Men and Pan's Labyrinth and those two were not even nominated. I think the only best picture winner release this decade that derserve it was No Country for Old Men and even that was not better then There Will Be Blood.

not unpreposterous Tue, Oct 7, 2008 at 09:41 PM EST

I still think that dvd killed The Thin Red Line's chances. This was a film with enormous visual power, made to be seen on a big screen. Shrinking it onto your tv (not to mention typical living room interruptions) reduces the attention it should receive -- from viewers and award bodies.

Jen80 Tue, Oct 7, 2008 at 09:31 PM EST

And oh, yeah--don't even get me going about the Crash/Brokeback Mountain upset. That was a flat-out crime.

Jen80 Tue, Oct 7, 2008 at 09:27 PM EST

I think this is a great feature idea. How many times have I watched contestants on jeopardy get the Oscar questions wrong because they remember the popular actor or movie from that year, and not the actual winner? This is a neat idea; I'm interested to see how it plays out.

Rider Tue, Oct 7, 2008 at 09:12 PM EST

I was actually happy with the win for Shakespeare in Love. I admire SPR for a number of reasons, but felt that it was very manipulative...beginning with the silly "old man" opening that makes the audience think that we are re-living Captain Miller's experience, only to later learn -- through the silly "old man" coda -- that we have really been looking through Private Ryan's eyes the whole time (except, how can that be when he wasn't even in the first half of the movie?!). Spielberg is a technical master without compare but his need to overmanage the audience response inevitably undercuts his effectiveness. Shakespeare in Love feels slight by comparison, no doubt, but it works end to end without the needless manipulation. If anyone should feel ripped off by Oscar, it should be John Madden.

Allison Tue, Oct 7, 2008 at 09:09 PM EST

"Shakespeare" is a lovely, enjoyable movie but best picture over "Ryan?" I think not. However, that wasn't the most glaring Oscar mistake in recent years as that honor goes to Julia Roberts (Erin Brockovich) winning best actress over Ellen Burstyn (Requiem For A Dream.) Now that was a crime.

Jennifer Tue, Oct 7, 2008 at 08:52 PM EST

The one that still galls me is Forrest Gump winning over Pulp Fiction in 1994. I might be in the minority here, but I think Pulp Fiction was a brilliant movie while Forest Gump was just a decent movie. I think Pulp Fiction was doomed to lose because of its dark subject matter in comparison with Forrest Gump's more optimistic and inspiring message. The subject of a movie shouldn't matter when the academy members votes for best picture, but it always seems to regardless. As far as standing the test of time and sheer influence on filmaking for the last 14 years, Pulp Fiction was HANDS DOWN the best film of its year if not the entire decade. And lets not forget that Samuel Jackson was also robbed out of his deserved best-supporting actor oscar for his part in the film.

Chris Tue, Oct 7, 2008 at 08:28 PM EST

Get over it!

billyc Tue, Oct 7, 2008 at 07:56 PM EST

Funny you should start with what happened that year - it really did make me change my mind about the Academy Awards and it made me realize it's about marketing and not quality. Saving P. R was flawed, but SIL, although original, is really not oscar worthy..........

BigDog Tue, Oct 7, 2008 at 07:51 PM EST

Is EW really serious with this question? Are they totally out of ideas? How about doing an article on the Top 10 Impacts the Economic Crisis will have on Hollywood. Sheeeesh!

DMC Tue, Oct 7, 2008 at 07:48 PM EST

I fell in love with "Shakespeare" when I saw it in 1998, not because of "highbrow references," but because of its light-but-heartfelt spirit. It's a successful one-of-a-kind movie that may even live up to comparisons to Shakespeare's comedies in a side-by-side comparison (discounting Shakespeare's more serious and significant works like "Hamlet"). I love that this film won because I love this film, and also because surprises like "Shakespeare's" win force filmmakers to think outside the lines of the "sure thing" tragedies. Even from a purely business standpoint, "Shakespeare" makes sense for best picture, as I (and, likely, others like me) have seen "Shakespeare" many times over--enough times to buy the DVD, which I don't usually do--whereas I've seen "Private Ryan" once, which was valuable, but which was also enough to last a lifetime.

Ida Tue, Oct 7, 2008 at 07:37 PM EST

Team Shakespeare in Love

/signed

Christy Tue, Oct 7, 2008 at 07:36 PM EST

The Green Mile is wasn't better than "American Beauty"! It was way too long and similar to "Shawshank", but in an inferior way.

Zoe Tue, Oct 7, 2008 at 07:34 PM EST

I agree so much with what "jm" wrote. Both are great movies, "Shakespeare" is better and very original. I don't even have a problem so much with Paltrow winning that year. Just because most of the stuff she has done since sucks, doesn't mean the performance does. Everyone in the cast did a great job. And I agree that Blanchett winning for "The Aviator" wasn't the best... I'm sick of biopics.

fancypants Tue, Oct 7, 2008 at 07:31 PM EST

'The Green Mile' should've won over 'American Beauty'. TGM was poignant and moving and AB was manipulative and transparent.

StaleCake Tue, Oct 7, 2008 at 06:09 PM EST

You WERE right: "25 minutes of bravura filmmaking (the D-Day sequence) attached to two hours of a routine WWII drama and marred by a superfluous, blatantly manipulative framing device. "

Who'd a thunk you were smarter 10 years ago?

Team Shakespeare In Love.

Ron Tue, Oct 7, 2008 at 05:28 PM EST

While I respect other people's opinions and each are entitled to enjoy what they want to, this is still one of the biggest crimes in the Academy's history. It should not even have been close. One of the greatest movies ever made and it should have been rewarded with the golden statue. This is not to take anything away from SIL as it is also an enjoyable movie...not my cup of tea but neither is tea for that matter.
SVP will always be the true winner that year no matter what the history books show.

Chuck Cavender Tue, Oct 7, 2008 at 04:04 PM EST

I have always felt this way, though many may think it sacrilege--"LA Confidential" is a far better movie than "Titanic." Period. Sorry.

Peter Tue, Oct 7, 2008 at 04:03 PM EST

At the time, I thought that Shakespeare was a piffle that should have won for the screenplay (very witty and intelligent) but that in no way would it have the lasting impact of Saving Private Ryan. Even worse was Paltrow's win over Cate Blanchett.

ME Tue, Oct 7, 2008 at 03:52 PM EST

I think some of the people who vote should get a slap and snap out of whatever is in their mind when they're voting.

Ana Tue, Oct 7, 2008 at 03:48 PM EST

What about the highway robbery that was the 1993 Best Actor award going to Tom Hanks for "Philadelphia" over Liam Neeson in "Schindler's List"??? Neeson's performance at the end of the movie, when the workers present him with the gold ring, never fails to bring me to tears. I didn't think Tom Hank's performance was as powerful or moving - then or now.


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