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On the Scene: 'Idol' Top 10 Results Night

Mar 29, 2007, 04:27 PM | by Adam B. Vary

Categories: 'American Idol'

Akon_l I was thrown all out of whack at last night's results show, Popwatchers. No recognizable mashup background music. The only celebs in the house were, er, A.J. Tabaldo, Sabrina Sloan and Ashley the Crying Girl. (Yes, she was there. Again. Yes, she was crying. Again.) LaKisha "Kiki" Jones, in previous weeks a stone-faced pro at the vacant stare, was one of the most talkative and upbeat of the Top 10. Heck, even Corey the Warm-Up Comic was thrown off his scripted-to-the-second pre-show routine when he pulled up a dude from the audience to enact the hip-swivel-and-booty-shaking portion of the evening and said dude instead broke out into a bizarre and slightly manic full-bodied, high-kicking spaz-out that would put Elaine Benes to shame. (I should point out the same dude turned out to be one of "Haley Scarnato's Friends" according to the Idol TV title machine. Just connecting the dots, people.)

The weirdness didn't end when the cameras went live either. I was grateful to learn that the home audience was treated to very little of Ryan clutching his Sanjaya wig once it'd come off — the thing looked like the worst-groomed Lhasa Apso ever. After Phil and Haley got bottom three'd, they cut to commercial, and the crew began setting up Gwen Stefani's band equipment. Um. Isn't there already a band there? On the stage? With equipment set-up, powered and all out-of-the-way like?

I'd harp on this more, but I soon became obsessed with an even greater mystery: When those ubiquitous Harajuku Girls made their way to the stage, who was out of his seat first and greeting them like they were all old friends? Would it be disappointing if I said anyone other than Sanjaya? He couldn't have been happier to see them, either. This mystery was soon resolved — kinda — when it was revealed later in the show that the Top 10 had visited the rehearsals for Ain't-No-Hollaback-Girl's upcoming tour, but it also gave me the oddly disturbing image of Sanjaya lying on his stomach, head on hands, gazing up dreamily as the Harajuku Girls practiced their steps and Sanjaya found inspiration for next week's hairstyle.

Where was I? Oh yes, the part about how I couldn't hear Akon's mic at all during the live performance (pictured). I know his part in "The Sweet Escape" is little more than a constant loop of "Woooohoooo! Yeeeehoooo!" But still, compared to the TV version, the studio's speakers were blasting Gwen's voice and barely catching Akon's. (This was more than made up for later in the show... but I'm getting ahead of myself.) By the looks of it, y'all also missed Gina and Jordin singing along to the song together like they were sitting front row in the audience — which, come to think of it, they pretty much were.

The highlight of the show, though, was the second-grader in the audience who, when asked for his best Simon Cowell impersonation by Corey the WUC, bellowed "what the bloody hell was that?!" The tyke brought the house down — even Simon broke into genuine guffaws.

Usually I would conclude with some snarky comment on the fact that to my ears Sligh kept the Singing on Wednesday What You Should've Done On Tuesday streak very much alive. Or let the DVR viewers in on the fact that Sligh made his way over to all the finalists while he was singing for an on-camera good-bye hug, stopping at Phil to tell him "You owe me 50 bucks." (Seems this bit was cut off from most recordings of the show.)

And, indeed, for you viewers at home, that is where the show ended. But not for us in the audience. No, we were asked to stay while the Idol cameras taped a solo performance by Akon, and then a separate solo performance by Robin Thicke, both for "use on a later show." (Which show? They dunno.) While they set up for Akon, Corey the WUC snagged some from-the-back body doubles for Randy, Paula and Simon from the audience. Yes, the judges blew off Akon and Robin Thicke. No, I don't blame them. Why? Because apparently, when it's not live, the Idol crew takes their sweet time doing anything, from plugging in a DJ booth to placing new cymbals on a drum kit.

It took so long, in fact, that to kill time exec. producer Nigel Lythgoe took questions from the audience — and a few snippets of interesting dish emerged. Beyond the fact that Nigel's vineyard has seen much better days, we learned that the guest mentors most likely after Tony Bennett will be: J. Lo doing a Latin night, then Bon Jovi doing a rock night, and then Martina McBride doing a country night. Also, Annie Lennox and (wait for it...) Borat will appear on the Idol Gives Back night, which is sounding more and more like a pretty darn huge event.

Nigel was in such an expansive mood, in fact, that when a young woman asked if she could bypass the lines for Idol 2008 and just audition for him right then and there, Nigel, without missing a beat, said "sure, come on up!" Akon's set-up finally finished as she made her way to the stage, however, but Nigel promised the young woman would get her shot during the set-up for Robin Thicke.

So, finally, Akon performed "Don't Matter," gamely getting the audience to wave their hands (including the stand-in Paula) and sing along. Just as he finished, and the audience breathed a sigh of relief that their unexpected hostage crisis was half-way over, the stage manager announced they were doing "one more for safety." So Akon sang "Don't Matter" again, the audience waved their hands and sang along again, and just as the song was wrapping up, Akon looked down into the audience and…cracked up. Someone'd made a funny face at him. The take was ruined. Could we just go back 20 seconds and start over? No, the DJ can't handle that, gotta start from the top. So, for a third time, we wove our hands and sang along to "Don't Matter" like the I-wanna-be-on-TV cult that we were.

Akon, all smiles throughout, left the stage, and just as the audience thought it'd reached its limit, Corey the WUC pulled that young woman up for her Idol 2008 audition. At which point she explained that she was, er, you know, kinda kidding, but, since she was up there, mic in hand, why not tackle a rendition of "The Star-Spangled Banner"? As I girded my eardrums for an all out assault, the woman opened her mouth and... sounded pretty darn good. Solid control. Great tone. Totally on pitch. Good stage presence. The audience loved it. So you've read it here first: Mary Jane Anel, 23, from Long Beach, CA (who told me she never made it past the Rose Bowl when she auditioned for season 2) could very well be your next American Idol — in 14 months.

Oh, and how was Robin Thicke? No idea. After I saw the crew placing another cymbal on yet another superfluous drum kit, I left. (Truth be told, by this point a good third of the audience had snuck out too.) Guess we'll have to find out together, whenever his performance airs, but at least we'll all know why Paula Abdul is suddenly sporting a ponytail when we do.


Mary Jane Anel Mon, Apr 2, 2007 at 11:18 AM EST

Hey Adam! I cant believe you actually posted my faux-audition. lol! thanks for the good review though! appreciate it =D Hope to see you on Tuesday night!

jen Fri, Mar 30, 2007 at 05:23 PM EST

Wooo Hoo, Weee Hoo. Okay enough. I have a question. Wasn't Gwen supposed to be a coach this week? Why didn't she give any advice to the singers, but instead they only showed her giving the advice WELL after they showed her with each contestant? Just a little confusing. I think at this point Gwen and Fergie are just battling it out to produce the most catchy (in the sense that when you hear it-you can't get it out of your head) worthless music. Anyone agree?

Liza Fri, Mar 30, 2007 at 02:21 PM EST

I loved Gwen back in the day, with no Doubt. Her solo stuff stinks. I hate her yodeling, the sweet escape and the Harajuku girls. She needs to go back with ND.

Tim Fri, Mar 30, 2007 at 01:25 PM EST

I don't understand the appeal of Akon at all. The music's so dull and redundant. He wouldn't make it through the audition rounds of Idol, singing through his nose the way he does.

Stephanie Fri, Mar 30, 2007 at 12:00 PM EST

I saw it too. Before the end, Chris jokingly told Phil that he owed him 50 bucks. The direct quote was "You owe me 50 bucks." Remember, this is the same guy who said that he wanted to make David Hasselhoff cry.

Abby Fri, Mar 30, 2007 at 09:14 AM EST

I just read an article about Chris Sligh and the bet was over who, between the two of them, would get kicked off first, not Sanjaya. Can I PLEASE pay someone to get Sanjaya the heck outta there?!

Jaded1 Thu, Mar 29, 2007 at 10:14 PM EST

For once, I'm glad I got to watch the show from home. Being there, having to suffer through 3 performances from Gaykon, is worse torture than Abu Ghrab (sp.?). Adam, we appreciate your dedication....now you may go clean out your ears.

Marisa Thu, Mar 29, 2007 at 07:19 PM EST

My friend and I are 98% that Phil and Chris had a bet. Chris bet that he would leave the show before Sanjaya, Phil thought Sanjaya would be kicked off first. Well. Phil owes Chris 50 bucks.

Ellipsian Thu, Mar 29, 2007 at 05:36 PM EST

Laurien, Adam said the DVR viewers didn't get to see it since the show went longer than it was scheduled for. Just FYI.

Elizabeth Thu, Mar 29, 2007 at 04:59 PM EST

I can't believe you didn't meant the fact that R. Seacrest said before the commercial break . . "Phil and Stacey" when he meant to say "Phil and Haley." The look on her face was priceless!

Laurien Thu, Mar 29, 2007 at 04:52 PM EST

You mentioned that the television audience didn't get to see Chris Sligh tell Phil he owed him 50 dollars but I saw it!

Royale with Cheese Thu, Mar 29, 2007 at 04:33 PM EST

I have nothing against harajuku girls. And yes, it WAS fresh and original. But then she pretty much mentioned them in EVERY freaking song that she put out.


For those of us not willing to throw down that harajuku style (and, honestly, as a guy, why would I?), it got a bit old.


And "Hollaback Girl" is just an awful piece of drivel. Just for saying...

Ed Thu, Mar 29, 2007 at 04:25 PM EST

I think The harajuku girls speak of Gwen's talent. It's fresh and original. Who else but Gwen could pull off a trend in Asian culture and bring it to the U.S.

But I will say that Sweet Escape is one of my least fav songs on her album. I wish she would have debuted a new song last night. Maybe 4 a.m?

harry Thu, Mar 29, 2007 at 04:23 PM EST

Go Adam! your tid bits about the behind the scenes is more entertaining than the show its self. LOL!

Tiki Thu, Mar 29, 2007 at 04:10 PM EST

More interesting info on what goes into the Idol tapings thanks a bunch, but where's the real dish? Do the other contestants embrace Sanjaya or are they keeping him at arms length like it seems? Are the "cool kids" still cool or do they look a little more anxious as we go on?

Ugly Allie Thu, Mar 29, 2007 at 04:07 PM EST

I know that members of the press get their tickets because of their jobs, but how do regular joes get theirs? Do they have to buy them? Can you win them? Does anyone know?

Oh, and thank the heavens the producers/camera crew did not submit us to more gratuitous shots of Crying Girl. Tony Bennett week should be fairly dull, but JLo, Bon Jovi and Martina weeks should be exciting!

Stephanie Thu, Mar 29, 2007 at 04:04 PM EST

I don't care for her solo work only because minus "Don't Speak" the stuff she did with N.D. was raw. This new music sounds too comfortable. It is like constantly lying on a bed of feathers. And her Harujuku girls? Ok, we get it already. It has been killed like Kenny too many times.

Royale with Cheese Thu, Mar 29, 2007 at 03:55 PM EST

I am no huge fan of Gwen's solo stuff. I gave it a chance, and it is okay. I don't totally hate it.


What I do find annoying is her CONSTANT reference to harajuku girls. I mean, she mentioned them in like her first 500 songs. What's the point? It got old fast. Yeah, we know you love the harajuku girls, Gwen. Let's move on now. Jeez.


Oh, and American Idol still sucks...

Matt Thu, Mar 29, 2007 at 03:52 PM EST

God, that sounds like a HORRIBLE experience!


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