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Watch outtakes from Dave Franco and Conan O'Brien's Tinder bit


Conan O’Brien recently enlisted Dave Franco to go on a Tinder adventure with him. The stars set up profiles using fake names—Chip Whitley for O’Brien; Djengus Roundstone for Franco—and new profile pictures, then got to it. And by “got to it,” we mean they tried very hard to find a woman who would agree to meet up with them.


Video: Dean Cain explains why an episode of 'The Brady Bunch' pissed him off


Fans of VH1′s Hit the Floor (Mondays at 9 p.m. ET) last saw Dean Cain’s pro basketball coach Pete Davenport unconscious in his bed after another bender. Cain can’t tell you if Peter lives or dies, but he can share a great story about how his house was built as a direct response to an episode of The Brady Bunch that infuriated him.  READ FULL STORY

Here's what it's like to attend a Nicolas Cage-themed art show


Around 9 p.m. Saturday night in Los Angeles, a small but eager group stood in a building entrance lit only by Christmas lights and the flashlight of a lone security guard. A large, service-like elevator hit the ground floor, and soon, they slowly ascended to what’s called The Syrup Loft for an event seemingly ridiculous in theory, but executed with unbridled commitment: The Nicolas Cage Art Party Los Angeles.

It all started earlier this year. While working the night shift at Bed, Bath & Beyond, producer/curator Ezra Croft had an epiphany: He should hold a Nicolas Cage-themed art show.

“I was like, we’re going to take something that the Internet thinks is a little silly, but really has a good fan base, and we’re going to make real art out of it,” Croft said.

He put out feelers on Craigslist, hoping to gather submissions for the art show. The internet promptly imploded.

“The art started pouring in, and I thought oh my God, we hit gold here,” Croft explained. “It’s been a roller coaster ever since.” The first Nicolas Cage-themed art event took place in San Francisco’s Mission District on April 12, 2014. The works featured various mediums and styles, messages and tones, but all of which had Cage as their subject. Soon, he began planning a second show in Los Angeles.

What’s so fascinating about Cage? What warrants an entire art show dedicated to this particular actor? In Croft’s words, “He becomes the character; he tells the story. It might not be a classically polished, Hollywood movie, but it’s an interesting thing. He’s not afraid to make the less-than-popular decision. It’s cool to see that. It doesn’t always make for an amazing movie but he’s doing it. He’s a chameleon.”

Inside the eclectic loft, the works were divisive: Most were taking Cage seriously, while some brought popular Internet memes to the canvas. (Note: If you have not checked out Nicolas Cage on Google images lately, do yourself a favor.) The divisiveness with the art makes sense because with Cage, there is always the question of whether he is a good actor, a bad actor, a good actor who is self-aware and in on the joke, or all of the above.


One artist—who goes by Tormented Sugar, and whose “#IHeartSugar” was featured in the show—believes there’s a parallel between the variation within Cage himself and the art he inspires. “As an artist, Nicolas Cage is appealing for the fact that he can play as many variations of characters as there are possibilities to mix colors on a palette, which to me is almost infinite,” Sugar wrote in an email. “Nic Cage is to pop culture what an artist is to canvas.”

One artist to treat Cage more seriously is Steven Holliday, whose illustrator-made portrait, “The Cage,” depicts the actor in a muted palette, looking off canvas, seemingly deep in thought. Between Cage’s over-the-top acting style, which doesn’t always work, and a handful of not-so-great films he’s acted in, Cage has become humorous to some. But Holliday wanted to step away from that, portraying the other half of Cage: a respected actor.

“Every actor, every artist in general, has a bad day, some more than others, but we have to also remember that Nicolas Cage is an Academy Award-winning actor,” Holliday said. “It’s something that people don’t really remember. That’s one of the things that I wanted to bring to the serious portrait because I do view him as more of a serious actor who can also make fun of himself.”

[Note: Cage won an Academy Award in 1996 for Best Actor in Leaving Las Vegas.]


A goal for Croft was to play with Cage’s iconography without making fun of him. As a result, most of the artists featured in the show treated Cage with revery, not irony. That being said, there was quite a bit of humor in the show, indicated by a number of lighthearted pieces. Consider Cage as Sailor Moon, Elvis, and even as a great white shark (twice). Plus, in “It’s a Trap” by Sharon Welchel, Cage was depicted as Star Wars’ Luke, Leia, Han Solo, and Obi-Wan Kenobi.

Perhaps most interestingly, though, quite a few pieces depicted Cage as a religious entity of sorts. “The Lamentation of Saint Wickerman” by Anne Walker Farrell presented Cage as both Madonna and child, being attacked by bees, in the vein of Cage’s 2006 film, The Wicker Man. “Cameron Poe’s Last Supper” by Rebecca Gonsalves acted as a play on Leonardo da Vinci’s “The Last Supper,” with Cage’s face inserting itself into all of those present at the biblical event, even Christ himself.

Then there’s Rachel McPherson’s “Saint Nicholas of Cage” (see main image), which looks like your average portrait of a saint. The piece could almost pass in a church, if not for Cage’s signature look, but McPherson maintains that the piece should not be taken too seriously.

“One can’t read too much into my painting,” McPherson wrote in an email. “Nicolas Cage is indeed an icon and an interesting person, but ‘Saint Nicolas of Cage’ is a play on words and I felt that it gave me the imagery to create a striking painting.”

By no means do Croft or the artists involved hold Cage to a literally (keyword: literally) saint-like, or even God-like, esteem, but the imagery poses an interesting idea. One should take the domain name of the event’s website—www.nicolascageisgod.com—into account. Whether artists were taking Cage seriously, portraying him as a talented actor, or respectfully poking fun at some of his notoriously bad films, they were still elevating Cage, furthering his iconography and legend. (Yes, legend.)

The Nicolas Cage Art Party Los Angeles was a singular event, but it speaks to a greater fascination with Cage. For Croft, the fascination is in the development of Cage, as an actor and as a personality. “He’s had these legendary highs and lows,” Croft explained. “The evolution of Nicolas Cage is just really interesting because there’s not many other actors out there who can do that.”

Croft will next be hosting The Murray Affair: A Bill Murray Art Show on August 8 at SF Public Works.

Video: Jordana Brewster shares her favorite fashions with 'People'

Fast & Furious franchise star Jordana Brewster has starred in roles that put her in jeans and tank tops, but right now she’s more into colorful pants and jumpsuits.

At least that’s what the actress tells People on their “I Love My Closet” series. In a tour of her house, she shares her favorite fashion tips (some culled from stints on shows such as Dallas), and the two items of clothing she’s kept over the years: her wedding dress and the jeans she wore on the set of The Texas Chainsaw Massacre: The Beginning, where she met her husband producer Andrew Form.


What does Beyonce have to do with 'Fifty Shades of Grey'?

This Thursday, Fifty Shades of Grey fans will get their first peek at the film when its trailer finally debuts. But much like its teaser, the full-length trailer won’t premiere on any website. Instead, it will debut on the Queen of Pop’s Instagram account, which prompts an important question: What does Beyoncé have to do with Fifty Shades of Grey?

So far, the only connection between Beyoncé and the film is her Instagram account, and the fact that she can be heard singing what sounds like a slowed down, sultry version of “Crazy In Love” at the end of the teaser. Could that be her only connection to the movie? It’s a possibility. But just in case it’s not, we’ve come up with a few more theories: READ FULL STORY

See New York Rangers goalie Cam Talbot's 'Ghostbusters' mask

New York Rangers’ Cam Talbot is a fan of Ghostbusters—such a fan that artist David Gunnarsson makes Zuul-covered masks just for the goalie.

Are ya ready, kids? Krusty Krab-lookalike restaurant to open in Ramallah

The Krusty Krab, a mainstay of Bikini Bottom and the workplace of Spongebob Squarepants, seems to be building a second franchise above-ground—and it appears to have chosen the Palestinian city of Ramallah as its new site.

A Facebook page is posting photos of the restaurant in construction, inspired by The Krusty Krab from the Nickelodeon series Spongebob Sqaurepants. In the photos, everything from the wall paneling to Squidward’s cashier counter looks like it does in the Krusty Krab from the show.

If the restaurant serves seafood, though, it might be hard to get customers from the area: While the Krabby Patty recipe may be halal, many types of seafood—like lobsters and oysters—are not.

Check out all the photos on the restaurant’s Facebook page.

Kanye West is a blowfish, and other ridiculous things from his 'GQ' interview

Kanye West is a blowfish—not a shark, a blowfish. At least, that’s how he describes himself in a new interview with GQ that, predictably, features many other gems from the candid star.

Sure, some of the interview is actually pretty sweet—he talks about wanting to make sure his daughter’s life is better than his own, how much he loves his wife, Kim Kardashian, how special it is to have someone to call “Mom” once again. (He also basically confirms that every insane rumor you heard about the Kimye wedding was 100 percent true.) But when we look to Kanye West, we’re hoping to get some more of his signature out-there statements—and luckily, there’s no shortage of them in this latest interview. The best examples, totally out of context:


What 'The Leftovers' could learn from 'Battlestar Galactica' about grief


It’s always a challenge when a television show kills off a sizable portion of humanity in its first episodes. I don’t mean to be flip about that proposition—it’s just there’s a certain series format, seen most recently in The Leftovers, in which the action begins after a near-apocalyptic event has run its course and then the substance of the show deals with whatever follows.

Some do it better than others. In HBO’s case, that calamity comes through a rapture of sorts: Two percent of the world’s population disappears into thin air. What follows is grief—the sudden evaporation of bodies leaves everyone in the town of Mapleton, New York, gasping for spiritual air.  The Leftovers hits hard, but so far it has struggled to weave its intersecting set of individual traumas into cohesive web of collective grief. Perhaps the feeling of empty randomness, even in the plot, is part of the point, but it also misses one if the great advantages of serialized television: the ability to build memorials, and to return to manifestations of loss. There’s one series that’s made use of this better than most others: Battlestar Galactica.


Celebrities remember James Garner on Twitter

On Saturday, Hollywood leading man James Garner died of natural causes in Los Angeles. He was 86.

When the news broke, celebrities immediately took to Twitter to remember the man behind Maverick, The Rockford Files, and so much more. Here are just a few of those tributes: READ FULL STORY

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