Dear Trudy Janet,
Last night was the season finale of Swingtown, with everyone’s fate left up in the air, and CBS hasn’t said whether or not the show will continue. How am I supposed to cope?
– Mopey in Manhattan
Dear Mopey,
You could start a Jericho-style write-in campaign. Then again, what would you send into CBS HQ instead of peanuts? Cans of Tab? Pet rocks? Quaaludes? When I want to smooth things over with someone, I usually bring over a bowl of Rosy Perfection Salad, but that seems impractical in this instance. In any case, taking action will feel better than being a doormat. It’s not 1954 anymore, you know. Good luck.
Kudos to Janet, by the way, for landing the advice column gig despite every effort to turn it down. (Thanks in no small part to the insistent Henry. Speaking of Henry, those of you who guessed he was gay, good call. Janet seemed surprisingly supportive and unflustered when she found out.) Janet’s first impulse was to play the dutiful wife and support her husband’s decision to move the family to Cincinnati, where his new job awaited. But after a little feminist pep talk from Trina, she did a 180 and decided that, if Roger were really going to take a job 400 miles away, she might not go with him. Wha?!?!?! Roger didn’t help matters much by being a macho jerk and putting his foot down. Again, wha?!?!?! Who are you people, and what have you done with the real Thompsons?
Not that Roger really wants to go to Cincinnati if it means leaving Susan behind. In the episode’s final moments, we learned that Roger couldn’t bring himself to get on the plane to Ohio, that he was holing up in a hotel by the airport, and that Susan (frustrated by her increasing disconnection from Bruce) had gone to meet him there.
But wait, hadn’t Susan just taken the keys of some guy named Tim at Tom’s Labor Day clambake? What happened there? Bruce was sitting on the beach, dumbfounded. The whole thing drove him back into the arms of Melinda, where all the trouble started in the first place. Best scene of the episode was Susan’s earlier confrontation with Melinda, where the two had a frank talk about Bruce (who, at that point, hadn’t actually slept with her yet, despite his obvious lie about the briefcase. All they had done that night he snuck out to see her was talk. Way to wuss out, Swingtown scripters.) Bottom line, as Melinda explained: Bruce felt like Susan didn’t "get him" anymore. As Susan later told Trina, Melinda was probably right about that. Still, it’s been clear all season that Bruce doesn’t really get Susan anymore, either. Alas, I’m not sure we viewers got enough time to get either of them.

This week’s theme was loyalty. And with that in mind, we’ve chosen to picture JD and Galaxy. You’ll recall that the English Border Collie strained her right front shoulder muscle last episode, presumably from the 32-FT. DROP, 50-FT. LONG ZIPLINE she completed in the "Stunt Dog" competition. How sweet was JD when he carried Galaxy to her doggy bed? How sweet was Galaxy when she gave JD kisses as he tried to make her more comfortable? If the judges had seen that, they wouldn’t call Galaxy robotic.
This week some characters lost their virginities (Henry, you dog!), some got even creepier (Ben), and some walked to class with a marching band playing behind ‘em (Amy). But one thing they’ve all got in common: After next week’s season finale of
There was a certain symmetrical poetry in last night’s episode of The Closer: The juxtaposition of silence and incessant chatter, the competing tones of goofy comedy and jarring violence, the sudden and unexpected shifts in power in the ongoing marital debate among Brenda, her parents, and long-suffering Fritz. And of course, for sheer lyrical beauty, nothing could beat the climactic scene of Brenda extending her hand to terrified, terrorized Kelly Rivers (Katherine Boecher), standing in that doorway, literally at the precipice of life and death, and displaying her fresh bruises with the subtlest of gestures. (Paging, Emmy voters: Can an actress score an Outstanding Guest Star nod on the basis of a brief, light-on-dialogue scene?) Heck, even the justice was poetic last night, right down to Pope’s apology to the murder victim’s dirtbag abusive spouse: "On behalf of the entire LAPD, allow me to say how very sorry I am that you lied to us so much, and that you knocked your wife around to such an extent that we considered you a suspect in her murder."
Breaker one-nine, breaker one-nine… Oh, the nostalgic glee that filled my heart when B.J. and Rick broke out the CB radios on last night’s Swingtown. I was wondering when the show would recapture the mid-’70s moment when the CB went from being an unglamorous communication tool for professional truckers to a status-symbol accessory in the station wagons of carpooling moms. (To be followed, of course, by the radar detector, allowing every suburban dad to imagine himself as
I know I’m late filing my Greatest American Dog recap, and that the 





