Jimmy Fallon clearly loves doing musical impressions, so when he had Barbra Streisand making a rare appearance on The Tonight Show to promote an album of duets, he took the opportunity to be the legendary singer’s partner. Alongside a bemused Babs, Fallon trotted out his Elvis, his Blake Shelton, and his Michael Bublé. During the Shelton section, a rendition of “I’d Want It to Be You,” Streisand tapped Fallon, and declared, “I can hardly tell the difference.” Before moving onto the Bublé she said, “That was actually good.” READ FULL STORY
Category: Music (21-30 of 1658)
Adam Levine might have the moves like Jagger, but a now-extinct swamp creature had the lips like Jagger.
Scientists recently discovered the creature, which lived in the swamps of Africa 19 million years ago, and found that it had notable lips during its day—just like the Rolling Stones frontman. “The animal probably had a highly innervated muzzle with mobile and tactile lips,” Greg Gunnell, a Duke University paleontologist and the study’s co-author, said in a statement. Thus, the animal was dubbed Jaggermeryx naida, a scientific name translating to “Jagger’s water nymph.” (Angelina Jolie was also in the running, but study co-author Ellen Miller insisted on Jagger.)
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Seth Green wants you to know that his new movie, The Identical, isn’t about Elvis Presley. It just uses the fact that Elvis had a stillborn twin brother as inspiration for a nature vs. nurture story revolving around musically gifted twins (both played by Blake Rayne) who are unknowingly separated at birth. “It’s a story about what you’re told your life is meant to be versus what you feel in your heart you want to be,” Green says. “It’s about the identity that you choose, not the one that’s projected on you from the teachings of your parents or their learned trauma from their parents, which I think is such an important message.”
When we invited Green, who plays a best friend/drummer, to take our EW Pop Culture Personality Test, we learned of his childhood trauma—seeing Purple Rain with his mother and being frightened by the Don Knotts comedy Hot Lead and Cold Feet. Watch the video and read the transcript below. READ FULL STORY
You know Gene Simmons from KISS, currently celebrating their 40th anniversary, and as a co-owner of the LA KISS, Los Angeles’ Arena Football League team whose first season is chronicled in the new AMC docuseries 4th and Loud (airs Tuesdays at 10 p.m. ET). But did you know he won a Twist contest in school and still locks himself in his home any time there’s a Twilight Zone marathon on TV? You do now, thanks to our Pop Culture Personality Test.
Watch the video and read the transcript below. READ FULL STORY
Ah, the summer of 2014: It was the best of times, it was the blurst of times. Though mostly, let’s face it, it was the worst. Yet even as horrific violence and heartbreakingly premature deaths and hemorrhagic fevers have marred the past few months, there have also been a few spots of levity. And most are thanks to butts.
True, the humble hiney is no stranger to celebration, especially when it’s warm outside. (You may, however, be shocked to learn that Sisquo’s “Thong Song” was actually released in January.) But this summer went above and beyond, prominently featuring ladies’ posteriors in movies, TV shows, and, more than anywhere else, music. As the season unofficially comes to a close over Labor Day Weekend, let’s take a look back at the Butts of Summer.
Consider this tasty little news story an appetizer: Word breaks that Japanese Godzilla fans are incensed about the monster’s appearance in Gareth Edwards’ upcoming reboot. Why? Because it’s just so… round, and out there: “It’s fat from the neck downwards and massive at the bottom,” one says. Clearly, nobody appreciates a big ol’ booty like Americans do—as the next three months will prove.
You know how summer movie season begins over Memorial Day weekend, even though summer doesn’t technically start until mid-June? Well, the Summer of Butts officially launched when Jason Derulo first crooned “You know what to do with that big fat butt” in the music video for “Wiggle.” READ FULL STORY
Miley Cyrus brought Jesse to Sunday night’s Video Music Awards as her date. No one knew anything about Jesse, except that he was a homeless man, something viewers found out when he accepted the award for Video of the Year on Cyrus’ behalf. But thanks to The Oregonian, Jesse now has a full name: Jesse Helt.
In his speech, Jesse encouraged viewers to head to Cyrus’ Facebook page to donate to My Friend’s Place, a Hollywood center devoted to helping homeless youth get on their feet. “My name is Jesse, and I’m accepting this award on behalf of the 1.6 million runaways and homeless youth in the United States, who are starving, lost, and scared for their lives right now,” Jesse said. “I know this because I am one of these people.” READ FULL STORY
MTV’s Video Music Awards are always an exciting event: It’s where Beyoncé once revealed her pregnancy, where Madonna kissed Britney, where Kanye rudely stole Taylor’s thunder. This year, Beyoncé is returning to the MTV stage to receive the Video Vanguard Award, Nicki Minaj is performing “Anaconda” with reptile guest stars, and Aussie boy band 5 Seconds to Summer are making their VMAs debut. And EW’s own Hillary Busis and Marc Snetiker will be live-blogging every minute of it.
In the pantheon of celebrity mustaches, Justin Bieber’s recent attempt ranks somewhere between a Matthew Broderick and an Ashton Kutcher. Unlike the greats—say, Hulk Hogan’s or Salvador Dali’s—a mustache like this mostly incites a desire to shave it off.
“I have a lot of different types of music on my iPod.” That’s my go-to response when people ask for my favorite band, clearly trying to learn something about me by the fact that I like Jason Mraz or that one Mystikal song. That sentence is how I avoid judgment. But it’s also true.
I was raised on The Beatles and Queen and Simon & Garfunkel, and today, I love Mumford & Sons and The Backstreet Boys and Bon Iver and Eminem. But in between, I’ve had many musical phases, and in 2005, I was a teenager who’d just gotten her first car—equipped with a sun roof—and needed some jams that were worthy of the windows-down treatment. Essentially, I was the target audience for Danity Kane.
Danity Kane was the P. Diddy-crafted girl band formed in 2004 on the hit MTV reality show Making the Band 3. After proving their skills, both vocally and on the dance floor, Aubrey O’Day, Wanita “D. Woods” Woodgett, Shannon Bex, Dawn Richard and Aundrea Fimbres walked away the winners of Making the Band 3 and were quickly signed to Bad Boy Records. After deciding on the name Danity Kane, they released their first self-titled album two years later in 2006, with the hit song “Showstopper.”
So, at the time, as much as I loved the Beatles and Queen, 16-year-old me needed something with a little more bass if I was going to drive my besties to the mall (or wherever we went at that age). Because, you know, everything is backwards when you’re a teen and blasting Danity Kane seemed more normal than blasting Queen. (Well, that and Beyoncé’s B’Day, of course. In fact, between those two albums, I almost never rolled my windows up.)
In the next few years, I formed a relationship with Danity Kane. It wasn’t anything serious. But here’s the thing about Danity Kane’s music: You could accept it for what it was. I wasn’t walking around asking for Danity Kane to win a Grammy. I wasn’t listening to the lyrics to try and discover something about the meaning of life. I was simply playing the music at my beach house and having a dance party with my best friends in between tanning sessions and picture-taking. … Again, we were 16.
I didn’t go out of my way to keep track of Danity Kane after that. But their second album, Welcome to the Dollhouse, renewed my love for them. This album was better than their first, and having come out just in time for one last spring break during my senior year of high school, Welcome to the Dollhouse made Danity Kane once again perfectly fit into the timeline of my adolescence. So perhaps it’s fitting that my going off to college marked the end of Danity Kane (the first end, at least).
I was 15 hours away from home at college when I watched things start to go south on Making the Band 4. I’m still not positive of what happened. Diddy wasn’t happy with the person that O’Day had become, and the rest of the group seemed unhappy with the group’s management. In the Making the Band 4 finale, O’Day and Woodgett left the band, therefore putting an end to Danity Kane’s run. I was heartbroken when the band broke up, but I was even more heartbroken when I realized that not many people cared. None of my new college friends understood my loss, so I called home and reminisce about beach dance parties with my high school friends. Because of the lack of enthusiasm around me, I didn’t dwell on the breakup long, but from that point on, Danity Kane would always be associated with good memories and an all-too-short relationship.
Jump forward to 2014, and I started hearing word of a Danity Kane reunion. Before I knew it, they’d put out a new single, “Lemonade,” and just like that, I had a new summer jam. Despite the fact that they’d lost two band mates—Aundrea and D. Woods—their sound was everything I remembered it to be. Living in New York, I was no longer a teen and I no longer had a car, but “Lemonade” seemed like the perfect fit for apartment dance parties and the occasional subway ride to work. As I should have predicted, Danity Kane’s sound had matured along with me, but much like me, it hadn’t changed all that much.
Now, just a few months later, Danity Kane is no more. I don’t really care why—whether somebody allegedly punched somebody in the back of the head, or didn’t, or whatever—because all I know is that I was robbed of what could’ve been the best Danity Kane album to date, the Danity Kane album of my 20’s. As someone who still has dance parties often, I really could’ve used it. After years of being a fan of the girl group that only ever sort-of was, I’m left feeling a little, well, damaged.
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