MTV’s Video Music Awards are always an exciting event: It’s where Beyoncé once revealed her pregnancy, where Madonna kissed Britney, where Kanye rudely stole Taylor’s thunder. This year, Beyoncé is returning to the MTV stage to receive the Video Vanguard Award, Nicki Minaj is performing “Anaconda” with reptile guest stars, and Aussie boy band 5 Seconds to Summer are making their VMAs debut. And EW’s own Hillary Busis and Marc Snetiker will be live-blogging every minute of it.
Category: Music (21-30 of 1651)
In the pantheon of celebrity mustaches, Justin Bieber’s recent attempt ranks somewhere between a Matthew Broderick and an Ashton Kutcher. Unlike the greats—say, Hulk Hogan’s or Salvador Dali’s—a mustache like this mostly incites a desire to shave it off.
“I have a lot of different types of music on my iPod.” That’s my go-to response when people ask for my favorite band, clearly trying to learn something about me by the fact that I like Jason Mraz or that one Mystikal song. That sentence is how I avoid judgment. But it’s also true.
I was raised on The Beatles and Queen and Simon & Garfunkel, and today, I love Mumford & Sons and The Backstreet Boys and Bon Iver and Eminem. But in between, I’ve had many musical phases, and in 2005, I was a teenager who’d just gotten her first car—equipped with a sun roof—and needed some jams that were worthy of the windows-down treatment. Essentially, I was the target audience for Danity Kane.
Danity Kane was the P. Diddy-crafted girl band formed in 2004 on the hit MTV reality show Making the Band 3. After proving their skills, both vocally and on the dance floor, Aubrey O’Day, Wanita “D. Woods” Woodgett, Shannon Bex, Dawn Richard and Aundrea Fimbres walked away the winners of Making the Band 3 and were quickly signed to Bad Boy Records. After deciding on the name Danity Kane, they released their first self-titled album two years later in 2006, with the hit song “Showstopper.”
So, at the time, as much as I loved the Beatles and Queen, 16-year-old me needed something with a little more bass if I was going to drive my besties to the mall (or wherever we went at that age). Because, you know, everything is backwards when you’re a teen and blasting Danity Kane seemed more normal than blasting Queen. (Well, that and Beyoncé’s B’Day, of course. In fact, between those two albums, I almost never rolled my windows up.)
In the next few years, I formed a relationship with Danity Kane. It wasn’t anything serious. But here’s the thing about Danity Kane’s music: You could accept it for what it was. I wasn’t walking around asking for Danity Kane to win a Grammy. I wasn’t listening to the lyrics to try and discover something about the meaning of life. I was simply playing the music at my beach house and having a dance party with my best friends in between tanning sessions and picture-taking. … Again, we were 16.
I didn’t go out of my way to keep track of Danity Kane after that. But their second album, Welcome to the Dollhouse, renewed my love for them. This album was better than their first, and having come out just in time for one last spring break during my senior year of high school, Welcome to the Dollhouse made Danity Kane once again perfectly fit into the timeline of my adolescence. So perhaps it’s fitting that my going off to college marked the end of Danity Kane (the first end, at least).
I was 15 hours away from home at college when I watched things start to go south on Making the Band 4. I’m still not positive of what happened. Diddy wasn’t happy with the person that O’Day had become, and the rest of the group seemed unhappy with the group’s management. In the Making the Band 4 finale, O’Day and Woodgett left the band, therefore putting an end to Danity Kane’s run. I was heartbroken when the band broke up, but I was even more heartbroken when I realized that not many people cared. None of my new college friends understood my loss, so I called home and reminisce about beach dance parties with my high school friends. Because of the lack of enthusiasm around me, I didn’t dwell on the breakup long, but from that point on, Danity Kane would always be associated with good memories and an all-too-short relationship.
Jump forward to 2014, and I started hearing word of a Danity Kane reunion. Before I knew it, they’d put out a new single, “Lemonade,” and just like that, I had a new summer jam. Despite the fact that they’d lost two band mates—Aundrea and D. Woods—their sound was everything I remembered it to be. Living in New York, I was no longer a teen and I no longer had a car, but “Lemonade” seemed like the perfect fit for apartment dance parties and the occasional subway ride to work. As I should have predicted, Danity Kane’s sound had matured along with me, but much like me, it hadn’t changed all that much.
Now, just a few months later, Danity Kane is no more. I don’t really care why—whether somebody allegedly punched somebody in the back of the head, or didn’t, or whatever—because all I know is that I was robbed of what could’ve been the best Danity Kane album to date, the Danity Kane album of my 20’s. As someone who still has dance parties often, I really could’ve used it. After years of being a fan of the girl group that only ever sort-of was, I’m left feeling a little, well, damaged.
The surfboards (or serfborts, if you’re Beyoncé) were out at Sunday’s Teen Choice Awards, where the casts of The Fault in Our Stars, Divergent, and Pretty Little Liars took home plenty of the trademark awards.
Modern Family‘s Sarah Hyland and Teen Wolf’s Tyler Posey hosted the show, which featured appearances by Taylor Swift, 5 Seconds of Summer, and… Donald Sutherland? (The 79-year-old actor won Choice Movie Villain for his role in The Hunger Games: Catching Fire and proceeded to throw berries into the audience while accepting the award.)
Sick of explosion-filled blockbusters and snoozy summer reality TV? Here’s a solution: Try looking to the Southern Hemisphere to fill your entertainment needs. Several EW staffers have fallen under the spell of Australian TV and music, especially Josh Thomas’s charming comedy Please Like Me (which returns to Pivot on Friday at 10:30 p.m. ET).
And it’s not just people who write about this stuff for a living: A friend of mine is obsessed with Dance Academy, a teen drama that’s exactly what it sounds like (and is available for streaming on Netflix). Another swears by Australia’s Next Top Model, which has supposedly produced more successful models than its American counterpart. And then there’s Iggy Azalea, the New South Wales-born rapper whose music has been inescapable for months (even if plenty of writers refuse to admit that “Fancy” is 2014’s Song of the Summer).
Want to jump on the bandwagon, or however they say that expression in Australia? Here are some of the best wonders Down Under has to offer right now: READ FULL STORY
Elijah Wood isn’t a man who gets caught up in celebrity romances, but there is one breakup that hit him hard. The Wilfred star confessed that and more when he took our Pop Culture Personality Test. READ FULL STORY
While listening to Frozen’s “Let It Go,” have you ever thought, “Patrick Stewart and/or a bunch of other ’80s TV stars would make this gem even better”? No? Well, video producer Jim Cliff went ahead and edited together clips from over 60 different ’80s television shows to make a new, Tom Selleck-filled version of “Let It Go” anyway—and yes, Stewart’s Captain Jean-Luc Picard even joins in on the chorus.
A tree that someone planted in memory of the Beatles’ George Harrison is no more: It was destroyed by beetles. No, really.
The pine tree, planted in 2004 near Los Angeles’ Griffith Observatory, died when it was infested by a swarm of beetles. It will eventually be replanted—but for now, we have some words for those tree-destroying insects. And naturally, those words come in the form of reinvented Beatles songs. READ FULL STORY
In Hollywood, when big celebrities discover a splendid little documentary, they’re sometimes tempted to adapt it into a big-budget feature film—which may destroy what they loved about that little doc in the first place. But Ted Danson and Zach Galiafanakis aren’t your typical power-mad narcissists. They fell in love with Mistaken for Strangers, the poignant music doc about slacker Tom Berninger and his brother, Matt, who happens to be the lead singer of The National. Rather than turn it into a film, the two former Bored to Death co-stars took that pure story to the only place it could truly be told: the stage.
In a new Funny or Die video, the perfectly-cast Galifianakis talks about his dream to come to Broadway—after playing Shrek off-Broadway. READ FULL STORY
This Thursday, Fifty Shades of Grey fans will get their first peek at the film when its trailer finally debuts. But much like its teaser, the full-length trailer won’t premiere on any website. Instead, it will debut on the Queen of Pop’s Instagram account, which prompts an important question: What does Beyoncé have to do with Fifty Shades of Grey?
So far, the only connection between Beyoncé and the film is her Instagram account, and the fact that she can be heard singing what sounds like a slowed down, sultry version of “Crazy In Love” at the end of the teaser. Could that be her only connection to the movie? It’s a possibility. But just in case it’s not, we’ve come up with a few more theories: READ FULL STORY
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