Even though it can sometimes feel like all of human existence is just an extended teaser-trailer for X-Men: Days of Future Past, the latest trailer for the super-sequel actually contains a few new pieces of information, mostly focused on previously-unfinished special effects and the always-controversial Quicksilver factor. Check out the trailer here, and now let’s dive deep into the last tantalizing piece of promotion until the movie finally arrives and human existence becomes an extended teaser-trailer for X-Men: Apocalypse. READ FULL STORY
Category: Movies (11-20 of 7042)
The Terminator came out in 1984. Terminator 2: Judgment Day arrived seven years later. In the interim, Arnold Schwarzenegger became a new kind of action megastar, headlining a string of era-defining beefcake blockbusters. Commando, Predator, The Running Man, and Total Recall: The very titles echo down through history, dripping with gunsmoke and bicep sweat. But that era was coming to an end. The ’80s were over. Always a savvy operator, Schwarzenegger was already planning his pivot: Twins and Kindergarten Cop offered a kinder, gentler Arnold. (He loves kids! He loves De Vito!) READ FULL STORY
The McConaissance was a wonderful thing for pop culture. It brought us Mud, and True Detective, and of course, culminated in Mr. Alright, Alright, Alright finally earning an Oscar for his work in Dallas Buyers Club.
But are fans of Matthew McConaughey about to experience a downside to the actor’s recent success? The Channing Tatum-penned Magic Mike sequel, Magic Mike XXL, just received a release date of July 3, 2015. If things Work Out As They Should, it should be a wonderful two hours of G-strings, ’80s songs, and showcases of Tatum-created dance moves (ideally with less Alex Pettyfer and more Zac Efron). But what if recent Oscar winner Matthew McConaughey decides he’s above returning for the sequel? (A rep for the actor didn’t respond to EW’s request for comment.) READ FULL STORY
Maverick has a problem: Too. Much. Awesome.
Maverick isn’t just a pilot. He’s the best pilot there ever was or ever will be. He’s not the best of the best: He’s the best of the best…of the best. But his superiors can’t handle Maverick. He flies the way he wants to fly — awesomely. His superiors try to teach him the value of teamwork or whatever. The super-hot lady instructor with the boy’s name tries to heal him using totally sweet neon-lighted lovemaking, and also by getting him to deal with his emotionally distant father. Maverick is dangerous. He plays beach volleyball; he plays by his own rules. Maverick is the ’80s. Maverick is America.
Maverick, most of all, is Tom Cruise. Previously the up-and-coming star of Risky Business, Cruise became a superstar in the summer of 1986 with Top Gun. The movie’s mixture of Reagan-era patriotism and MTV-era style proved an uncannily perfect concoction with something for everyone. It was Jerry Bruckheimer and Don Simpson at their mid-’80s peak. The film’s plotline is almost inscrutable, if you look at it on the page: A movie about a super-cool guy surrounded by super-cool guys, who spends most of the movie in what amounts to a high-flying version of a prep-school novel, before ultimately defeating the MiGs, aka Evil Planes from Evilvania. READ FULL STORY
Horse-drawn carriages have been a constant in Central Park for years, but recently a movement has begun against them for the sake of the horses’ health and safety. New York City mayor Bill de Blasio promised to close the industry in his campaign, and remains committed to the issue. And Neeson isn’t happy about it.
The Amazing Spider-Man 2 opens in a few weeks, but Sony continues to busily construct the architecture to turn its solo superhero franchise into a multi-spinoff megafranchise, with villain-centric films about The Sinister Six and Venom promising to offer a slightly darker alternative to the glitter-bright Marvel Studios universe. (If you will, Sony’s Spider-verse is the Hot Topic to Marvel Studios’ Pacific Sunwear.) The Sinister Six appears closer to reality, with Drew Goddard apparently onboard to write-direct. But the studio also dropped a potentially big hint about the Venom film on the Daily Bugle Tumblr built for Amazing Spider-Man 2. READ FULL STORY
In the post-Lady in the Water era, it’s tough to remember how bonkers people once went for The Sixth Sense. But a mere millennium ago, M. Night Shyamalan’s atmospheric thriller was the toast of audiences and critics alike — a box office smash, a cultural touchstone, a freakin’ Best Picture nominee. Not only at the MTV Movie Awards, but also at the Oscars!
How did a simple, potentially gimmicky ghost story capture our hearts and minds so fully? Easy: because despite the shadow hindsight casts upon it, The Sixth Sense is a great movie. Its brief 107-minute run time means not a scene is wasted; its creepy visuals are arresting and inventive; its performances are perfectly calibrated, from Bruce Willis’s tortured psychologist to Mischa Barton’s unearthly shade. (Though really, Night — did you need to name Haley Joel Osment’s character Cole Sear? Even in his early days, the guy couldn’t help himself.)
And most importantly, The Sixth Sense‘s game-changing twist manages to be both surprising and inevitable — making a viewer who doesn’t see it coming feel in awe of the film’s craft, not like the victim of a cheap trick. Even if you do anticipate the whole ghost thing, you can still admire the subtlety of Shyamalan’s work. The movie has layers, people — and I mean that sincerely. Let’s peel them back for the latest installment of EW’s Best Summer Blockbusters countdown.
Perhaps Seth Rogen’s latest Saturday Night Live episode wasn’t especially inspired: it opened with the requisite weed jokes, made fun of his oft-imitated laugh, and leaned on some unnecessary celebrity cameos. But if you love Rogen’s slacker comedy, maybe that was exactly what you tuned in for. At least he didn’t tap dance or juggle torches to prove that he’s not just a funny guy.
Voters in our ongoing third annual Mr. Saturday Night contest will have to decide whether Rogen played it too safe for a guy who was hosting for the third time, or if he delivered exactly what the audience wanted.
Last week’s host, Anna Kendrick, sang her way to the top of the poll, scoring 47.8 percent, nearly twice as much as her nearest competitor, Jimmy Fallon, who looks slightly vulnerable for the first time with 24.8 percent. But who knows if Kendrick’s impressive debut will last: Louis C.K. scored 33.1 percent in his first week, but he sank to fourth in his second frame, with only 8.72 percent. Some of Josh Hutcherson‘s fans took the week off, apparently, as he went from 22.9 to 10.0 percent, still enough to hold third place. Sadly, Melissa McCarthy‘s luck finally ran out after narrowly skirting elimination for three straight weeks; she barely trailed Louis C.K. with 8.70 percent. READ FULL STORY
Ask Harrison Ford anything — except his feelings on the long-debated question: Who shot first, Han Solo or Greedo?
The question comes from an ongoing mystery among Star Wars fans: In the original 1977 Star Wars IV: New Hope, Solo shoots Greedo, who’s trying to capture Solo for boss Jabba the Hutt, to escape a sticky situation. But in the 1997 remastered version, Greedo shoots Solo first, misses, and then Solo shoots back — so essentially, Solo goes from being a straight-up killer in the 1977 version to simply acting out of self defense in the updated version. Which Lucas did intentionally… maybe.
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