Author: Sara Vilkomerson (1-10 of 32)

May 4 2013 01:58 PM ET

Divorce Movies: How unhappily-ever-after makes for great viewing

Tags: Movies

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Image Credit: JoJo Whilden

Iron Man 3 opens this weekend with plenty of giant explosions to delight audiences and usher in the unofficial start of the Summer Movie. But in other multiplexes there’s another film down the hall, What Maisie Knew, that tells a very different but every bit as destructive story.

Henry James wrote the story this film — directed by Scott McGehee and David Siegel — is based upon in 1897. That his tale of a divorced, selfish pair of parents who use their young daughter spitefully in order to hurt the other still feels realistic and resonates over a century later is either really sad or maybe darkly comforting depending on how you want to look at it.

In this new retelling set in modern day New York (where “Maisie” is very much a believable little girl’s name), Julianne Moore plays a charismatic, troubled, moody rocker and Steve Coogan is a charming but constantly traveling father. Through a series of events each parent takes a new spouse — Alexander Skarsgård and Joanna Vanderham, respectively. Onata Aprile plays poor Maisie, a sweet and watchful child who is an unwitting witness to her parent’s bad behavior. (Here is Chris Nashawaty’s review of the film.)

It got me thinking about a genre of film that I’ll just call the Divorce Movie. A marriage unraveling is a terrible thing — even more so when kids are involved — but on the upside, it’s given us some very very very good movies. Here are my personal three favorites.

3. The War of the RosesDanny DeVito directed this 1989 dark comedy starring Michael Douglas and Kathleen Turner (a far cry from their Romancing the Stone days) as Barbara and Oliver Rose, a couple that “met great” but didn’t stay that way. As their marriage falls apart, things get increasingly dark and no one, not even the family pets, are safe (not the pâté!) .

2. Kramer vs. Kramer: You have to ready yourself emotionally before watching this one, but it’s always worth it. Dustin Hoffman plays Ted, a workaholic who is blindsided when his wife Joanna (Meryl Streep) leaves him and their young son, Billy. When she returns, a bitter custody battle takes place and this 1979 film really foresaw a changing attitude about parental guardianship. The script, by writer/director Robert Benton, is sparse and terrific and everyone in it is wonderful. This film earned Meryl Streep her first Oscar — and it won four others at the 52nd Academy Awards including Best Picture, Best Actor for Hoffman, and a double Best Director and Best Screenplay for Benton.

1. The Squid and the Whale: Noah Baumbach’s 2005 film, my very favorite Divorce Movie, is one that has sent many of my peers — children of the 1980s — running straight to the therapist’s couch. Set in 1986 Park Slope, Brooklyn, Jeff Daniels and Laura Linney are writers (one on the way up, the other on the way down) who separate after unbearable tension and infidelity. Their two sons, Frank (Owen Kline, son of Kevin) and Walt (Jesse Eisenberg) are left to shuttle back and forth in a mind-blowing custody agreement that has them at one house, “Tuesday, Wednesday, and every other Thursday.” (This would seem ludicrous except that I remember friends who had such arrangements.) Each kid starts to act out in his own way and while this movie has many very funny lines, it’s also a heartbreaker. (In a recent New Yorker profile, Baumbach recalls showing the movie to his mother and “began sobbing and had to leave the screening room.”)

So, is there a Divorce Movie that speaks to you? Any big fans of Bye Bye Love or The Story of Us who want to weigh in here? Take it to the comments!

Apr 19 2013 01:22 PM ET

'Old-school' Carmelo Anthony tunes up for NBA playoffs with some Frank Sinatra

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Image Credit: Al Bello/Getty Image Rights: 2

The first round of the NBA playoffs begin tomorrow with a 3 p.m. showdown between the Boston Celtics and the New York Knicks. The Knicks — who secured the second seed in the Eastern Conference — had their best regular season in 15 years, due in no small part to Carmelo Anthony, the NBA’s leading scorer. We’ll leave the more intricate hoops talk to the experts, but EW caught up with Anthony to ask about his must-see-TV, what’s on heavy rotation on his iPod, and the last movie he saw with his son. (Hint: a different kind of ballgame).

ENTERTAINMENT WEEKLY: What kind of music do you like to listen to before a big game?
CARMELO ANTHONY:
I try to put my iPod on shuffle. But I try not to listen to real upbeat music — I try to stay mellow. I’m around a lot of athletes and everyone has their headphones on. I’m always trying to figure out what everyone is listening to. And you can tell a lot about a person’s personality in their choice in music. Before a game, some people have it turned all the way up, super loud, super hype. And some people like to go super mellow to stay quiet and focused. READ FULL STORY »

Jan 27 2013 09:00 AM ET

Fantasy casting: 'Divergent' edition

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With the news that Kate Winslet is very close to signing on to star in the film adaptation of Divergent (presumably, though nof officially, as cunning antagonist Jeanine Matthews), it’s only natural to start thinking about how else director Neil Burger (Limitless) should fill out the cast.

Veronica Roth’s 2011 YA thriller often gets compared to The Hunger Games. And it’s true, both series feature brave, bad-ass heroines in a dystopian future and plenty of life-or-death action. Divergent‘s Beatrice Prior, 16, must choose a faction to call home. Each faction is dedicated to virtues found within society: There’s Erudite for the more cerebral; Candor for the honest; Amity for those seeking peace; Abnegation for the selfless; and Dauntless for the brave. There’s no sorting hat to help those decide so it’s a shock when Beatrice — who grew up in an Abnegation home and based on her test results was eligible to go to three different factions — chooses to go with the wild and daring Dauntless and rename herself Tris. Initiation is scarily competitive. While Tris makes friends and embarks on a romance with the mysterious and stoic “Four,” she’s also guarding a secret about herself that could put her life in danger. READ FULL STORY »

Nov 3 2012 01:14 PM ET

Crashing and burning in 'Flight' -- no airplane required

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Flight is not always an easy movie to watch. To start with, if you have just a teensy little bit of flying phobia, prepare to sit through a most harrowing and horrifying plane crash. Denzel Washington, playing pilot Whip Whitaker (one of the greatest character names in some time, don’t you think?), must control a commercial airliner in mechanical failure and get it to the ground as safely as possible under impossible conditions. Whip stays cool and collected while everyone around him — from flight attendants to co-pilot to passengers — quite rightly falls apart, and he manages to pull off a mind-boggling feat of flying. Of course, the fact that we know that he did these heroic actions while drunk and high out of his mind makes things a lot more complicated. READ FULL STORY »

Oct 15 2012 08:53 AM ET

Remember the ending of 'Some Kind of Wonderful'? Ever wish you could change it?

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Image Credit: Michael Buckner/Getty Images

Like many of us, I grew up on John Hughes movies. But while some friends claim Breakfast Club or Sixteen Candles as their favorite Hughesian tale, and others swear by Ferris Bueller’s Day Off and Pretty in Pink, I have an undeniable soft spot for 1987′s Some Kind of Wonderful

Written by Hughes and directed by Howard Deutch (the same combo that did the previous year’s Pretty in Pink), SKOW captures a specific flavor of  teen love-triangle angst: there’s the sensitive artist, Keith (Eric Stoltz), who lives on the wrong side of the tracks but is hopelessly infatuated with Amanda (Lea Thompson), the pretty popular girl who dates the loathsome rich Hardy (Craig Scheffer). As Keith schemes his way into Amanda’s life, he’s completely oblivious to the feelings of Watts (Mary Stuart Masterson), his awesome toughie tomboy best friend, who loves only three things in life: herself, her drums, and him.

There’s so much great stuff in this movie: the music (miss you March Violets!), the style (Miley Cyrus’s new ‘do seems downright Watts-like… though she was not alive when this movie came out. Sigh), and the maybe-best-makeout-in-a-garage scene ever. But there was one thing that always bugged me (obligatory 25-year-old spoiler alert). A subplot of the film is Keith’s hard work at the garage, and the growing college fund his father is so proud of. Keith takes the money and buys Amanda diamond earrings instead. The final scene of the film is him giving them to Watts. “You look good wearing my future,” he tells her. READ FULL STORY »

Sep 8 2012 11:33 AM ET

Dear Hollywood: more Melanie Lynskey, please

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Image Credit: IM

There’s a moment in the charming new indie Hello I Must Be Going when our heroine, Amy (Melanie Lynskey), is — to understate — down on her luck. She’s recovering from a brutal divorce and has moved back in with her parents, where she skulks about their suburban house in the same schlubby t-shirt and cut-off shorts. Her mother (Blythe Danner) tends to say helpful things like, “Getting fat isn’t going to help anything,” and she’s become tangled up in an affair with a 19-year-old (Girls’ Christopher Abbott). Due to one night’s extra-unfortunate events, Amy ends up on a picturesque beach…only to trip and fall on her face. ”Where. Is. Bottom?,” she wonders. It’s everything Melanie Lynskey  does right — a moment that’s funny and true and soul-crushing all at once.

The New Zealand-born Lynskey first came on the scene in 1994 in Peter Jackson’s Heavenly Creatures alongside Kate Winslet. Since then she’s been one of those oh-yeah-it’s-her character actresses in films such as Up in the Air, Win Win, andThe Informant!, and in TV show Two and a Half Men. But it’s here in Hello I Must Be Going (which debuted at Sundance and is currently in select theaters) that she finally gets to be a leading lady. And thank goodness for that. In her review of the film, EW’s Lisa Schwarzbaum says, “I readily proclaim myself among the ranks of Lynskey lovers, but even the uninitiated will be impressed by how, despite being costumed in clichés of despair (and sexy-dress clichés of blooming womanhood, too), she makes Amy a vibrant and specific human being. What’s equally impressive, though, is the effect the star’s gentle charisma has on the whole production: Working from a script by his wife, Sarah Koskoff, High Fidelity actor-turned-director Todd Louiso shapes the movie to Lynskey’s rhythms.”

In this week’s Entertainment Weekly (on stands now), Anthony Breznican sat down with Lynskey to discuss her career’s new beginnings 18 years after she started working. “My first-ever meeting with a casting director was like, ‘I don’t know why you’re here. You’re not going to work in America. You don’t have the right look. You’re not pretty enough…’,” she told him about coming to Hollywood at the age of 18. As disheartening as this story is (and it really is), the more positive side is that now, after films like Hello I Must Be Going, we get to finally see Lynskey at age 35 come into her rightful place as a quite beautiful and  relatable star.

Jun 9 2012 05:00 PM ET

'Prometheus': Have you seen it? Are you confused? Let's discuss!

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Image Credit: Kerry Brown

[Warning! If you have not yet seen Prometheus, this post is not going to make any sort of sense and you will be undoubtedly spoiled. Additional warning: I am not entirely sure I understood what was going on in Prometheus and so even if you have seen this movie already, it's quite possible this won't make any sort of sense.]

Last night, at a packed Manhattan theater for an opening night showing of Prometheus, a friend turned to me and said, “It’s really kind of weird you even want to see this. Don’t you hate outer space?” The answer is yes! I won’t bore you with the reasoning behind my terror of outer space (except to remind you we’re in it, hurtling through it, right at this very minute. Brawwwwng!). Suffice it to say nothing makes my heart beat a little faster than a wide shot of a vast (oh so vast) planet- and star-filled sky. And who does a gleaming spaceship gliding through terrifyingly cold skies better than Ridley Scott? For that matter, who does totally bananas things better than Ridley Scott? And really, is there a better scary sci-fi movie than 1979′s Alien?

But love of good movies trumps irrational fears. I was also determined to keep my eyes open through the whole movie. But in the spirit of honesty, I failed hard on that account. My eyes stayed firmly shut during the following scenes: When the snake-y thing in the cave wrapped around poor Millburn’s (Rafe Spall) arm, audibly breaking it and then diving through the helmet to plunge down his throat. Nope, no can do. Ditto Noomi Rapace’s self-administered C-section. (By the gasps I heard around me, it must have been impressive.)

But on the flip side,  I couldn’t take my eyes off Michael Fassbender as David, the polite and ever-malevolent robot aboard the ship Prometheus. I was already well primed to love this character after seeing this video. But after seeing it, I have to give Fassbender the movie’s MVP award. (Also, all robots should pattern themselves after Peter O’Toole in Lawrence of Arabia.) I also very much enjoyed Charlize Theron, so cold and slim that it wasn’t a stretch to wonder, as Capt. Idris Elba does, if she’s a robot. It was beautiful, it was exciting, and sure — for this amateur sci-fi-watcher, anyway — a little confusing.

After the movie finished, so began a discussion about what it all meant in relation to 1979′s Alien. In her review of the film, EW’s critic, Lisa Schwarzbaum says, “But oh, mortals, beware the WTF? awaiting any who try to shed light on the heavy, heavy heaviosity of Prometheus‘ mythology.” Well, sure. But much like the characters on board the ship, I still want to know! And what about that ending? Are we supposed to believe that it’s this planet, this fallen ship, and this hybrid of alien and Original Human (as I like to call them) that eventually populates the land in preparation for when the Nostromo arrives? And why were the “Engineers” so much buffer than us, their creations, anyway?

So, you guys, I’d like to open this up to you. Which parts of Prometheus did you close your eyes for? Did you understand that ending at all and how it relates to Alien? And did you enjoy it? Please please please, sound off in the comments section below.

Apr 19 2012 04:49 PM ET

'Down a Dark Hall': What will be the Stephenie Meyer effect?

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Image Credit: PW

For certain people of, well, let’s just say a certain age, the news that Twilight scribe Stephenie Meyer and Meghan Hibbett’s Fickle Fish Films have optioned Lois Duncan’s Down a Dark Hall with plans for a film adaptation is enough to cause some grown-up shrieking. I know this because one of the shriekers at the EW offices this morning was me.

Because before teens and tweens of all ages got hooked on J.K. Rowling, Suzanne Collins, and — of course — Stephenie Meyer, there was Lois Duncan. If one were going to break down the reading habits of a generation simply, we had Judy Blume to give us comfort through the trials of adolescence and then we had Lois Duncan to scare the stuffing out of us and keep us up all night. You think the Reaping was tense times? Or the search for Horcruxes stressful? Just you go back and pick up some Duncan books, which blend just enough reality with the supernatural to make them absolutely terrifying. (Just seeing the original cover of the book is enough to make this writer’s heart lurch.)  “It gave me some serious nightmares when I was 9,” Meyer wrote on her blog this morning, noting that the 1974 novel was a favorite with hers, along with Summer of Fear and Stranger with My Face. Side note: even Lois Duncan titles were scary. READ FULL STORY »

Feb 26 2012 11:53 PM ET

Oscars: Jennifer Lopez's stylist on her alleged wardrobe malfunction: 'There's no chance that there were any...slips.'

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Image Credit: Kevin Winter/Getty Images

There was much internet speculation as to what exactly it was we were seeing maybe peeking out from Jennifer Lopez’s dress. Well, good news: now there’s the inevitable Twitter feed, JLosNipple. The first tweet? DID YOU SEE ME? (We’re still not sure.)

We wish this Twitter feed all the best in its future endeavors, and that it might one day best tonight’s other new feed, Angiesrightleg (devoted to Angelina Jolie’s leg, of course).

UPDATE: Jennifer Lopez’s stylist, Mariel Haenn, has given EW a statement  addressing the alleged slippage: “The Oscar dress was custom made for Jennifer by designer Zuhair Murad. The dress fit perfectly to her every inch. There were cups built in and there’s no chance that there were any how do you say? ‘slips.’ While the dress did give the illusion of sheer-ness, jokes on everyone who wishes they saw something! If you thought that dress was hot wait until you see what’s next.” READ FULL STORY »

Feb 25 2012 11:58 AM ET

Are Jennifer Aniston and 'Wanderlust' the real first signs of spring?

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Image Credit: Gemma La Mana

Friends, it’s February. And how. 

When it comes to going to the movies, this time of year is traditionally a gloomy time — spiritually, anyway. We’re in that odd gray zone that falls between the prestige projects of fall, the big gleaming affairs that come down around Christmas, and the exploding robots/superheroes of summer. I won’t name names, but I think everyone here knows the kind of clunker I’m talking about.

Which makes Wanderlust an almost miraculous bright spot (and no, we’re not talking about the Jennifer Aniston nudity). As EW critic Lisa Schwarzbaum, (who gave the film a rating of A-), notes, David Wain and Paul Rudd have done their fair share of “inspired nutso stuff” in previous collaborations like Wet Hot American Summer and Role Models. But Wanderlust sort of takes things up a notch when George (Rudd) and Linda (Aniston), dyed-in-the-wool Manhattanites, are priced out of the city, and through a couple of wrong turns, end up on a hippie-dippy commune.

This movie is not just funny, it’s fun. READ FULL STORY »

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