All-New X-Men
Thus: All-New X-Men, a time-travel story with the original X-Men jumping to the present. We’re talking Cyclops, Iceman, Beast, Angel, and Marvel Girl. They’re teenagers. They’re wearing blue-and-yellow outfits. They’re seeing their older selves, and they don’t all like what they see.
Bendis is literally drawing the teenaged X-Men from a specific panel in the original Stan Lee/Jack Kirby X-Men series, “a moment where they’re at their most feisty.” And although he can’t talk too much about the mechanics that get the old-school X-Men into the present, he promises this is not a dream sequence. “No Danger Room, no imaginary story. This is actually happening.” (In a statement guaranteed to calm at least some of the skeptics, Bendis swears: “The space-time continuum is of utmost importance to me.”)
Bendis stresses that All-New X-Men is most of all a character story: the tale of young, idealistic people who are suddenly faced with a bleak vision of their own future. “Here’s the big question that the original X-Men are gonna be faced with: We’re gonna grow up, and this is what we’re going to get? That is not acceptable.”
And of course, the time-travel shenanigans at the center of All-New X-Men will bring fan-favorite character Jean Grey back to the mainstream comics continuity for the first time since her (second) death in 2004. “It’s the one thing X-Men fans have always asked for is: They want Jean Grey back. But they want Jean Grey. Not reincarnated Jean, or the ghost of Jean. Well, you’re getting Jean back. And Jean is gonna be looking at a world that rattles her.” And Bendis brings up an intriguing personal connection when he talks about writing the beloved character: “I love feisty redheads. I’ve been married for many years to a very feisty redhead. But I’ve never applied that to writing before. I didn’t even realize what I was doing, but Stuart Immonen is drawing the book, and looking at it I realized: ‘Ha ha, I’m doing my wife!’” (November)







